horror
Lisa-Marie Ferla
I can’t have been alone in my struggle to keep the two of them straight in my head: there’s the one set in the east end of London, in which a former BBC Spook tries to track down Jack the Ripper; and then there’s the one set in the east end of London, in which a former BBC Spook tries to track down a modern-day killer inspired by Jack the Ripper. When Rupert Penry-Jones, dressed in suave black tie like the James Bond he never was, arrived at the book launch that kicked off this fourth series of Whitechapel, it took a few minutes - and a bit of stylised violence in an alley involving a kid in Read more ...
Nick Hasted
“Hannibal Lecter meets Jason Bourne”: that’s how director Ryuhei Kitamura unbeatably sells No One Lives’ indestructible serial killer hero. But his film is at its most interesting before it’s clear who Driver (Luke Evans, pictured below) is, or where we stand with anything that’s happening.We meet this coldly urbane charmer as he motors through the American South, checking into a motel with a woman with an ambiguous relationship to him – maybe an accomplice to the murders glimpsed on TV, and certainly jealous of another woman who, we eventually discover, is being transported in the boot of Read more ...
Nick Hasted
You’re Next has chutzpah. It’s a home invasion horror made with the vigorous energy and imaginative violence of a Warner Bros cartoon. Feeling like a record that starts at a stately 33 rpm and finishes at 45, it becomes progressively more crazed and comic, even as the screen swims in gore.Simon Barrett’s screenplay has the nerve to pause at length to note the smug, feuding unpleasantness of the upper-middle-class Davisons at their family reunion, before a crossbow bolt crashing through a window into a neck begins their bloody, mysterious elimination. Petty sibling bullying, parental Read more ...
emma.simmonds
Things go bump in the night in James Wan's chilling latest, based on a supposedly true story. The Conjuring is an event horror movie, benefitting from a sizeable marketing budget and the distribution of a major studio (Warner Bros); appropriately enough it simply screams to be seen. And those looking for a touch of class to elevate their frights will find it heartening to hear that there's a leading role for Oscar nominee Vera Farmiga.Lili Taylor and Ron Livingston play Carolyn and Roger Perron, the parents of five “spirited” girls. The year is 1971 and the family have moved into an old, Read more ...
Kieron Tyler
It could so easily have been The Walking Dead, where the living endlessly battle an ever-increasing tide of returnees from the beyond. The resurrected in the contemplative Returned weren’t zombies, but actual living people with a desire to pick up where they left off and reintegrate themselves into day-to-day life. Unfortunately for them, and for those they became reacquainted with, it couldn’t go smoothly. The first series of The Returned ended with the formerly deceased seemingly returning to where they came from, even bringing a couple of the living with them.The unnamed French mountain Read more ...
Simon Munk
Gaming's equivalent of Cormac McCarthy's The Road – here we see a post-apocalyptic zombie invasion not as an excuse for all-out gory action, but downbeat introspection, gentle character interaction and moral tests in the face of true, human horror.The Last Of Us is an absolute must-play game, that doesn't entirely hit every note, but at least aims far higher than most videogames not just in terms of narrative ambition and grown-up storytelling, but also visual and action realism.The story is of hardened survivor Joel, who ends up grudgingly entrusted with the care of teen Ellie. She was born Read more ...
emma.simmonds
Byzantium is a vampire flick which in look and tone seems fashioned to resemble Tomas Alfredson's magnificently humane (if that's the right expression when speaking of the undead) Let the Right One In. Wonderfully, unlike most pictures of its ilk, the focus is almost entirely on the fairer sex, with its bloodsucking protagonists, played by Gemma Arterton and Saoirse Ronan, out to prove the female of the species more deadly than the male. It's the latest film from Irish director Neil Jordan, best known for The Crying Game and - more appositely here - Interview with the Vampire, with a Read more ...
Simon Munk
Man is, of course, the worst monster of all in this bleak, post-apocalyptic first-person shooter based on the best-selling "Metro" novels of Russian author Dmitry Glukhovsky. In Metro: Last Light, the last few of mankind are bunkered down in the old Moscow Metro stations, while the surface is only briefly navigable with a gasmask, and populated mostly by irradiated mutant creatures.If this was a Hollywood treatment of post-apocalypse woe, humanity would unite in the face of such horrors. Here, the survivors have splintered into factions based on past ideologies – busy tearing each other to Read more ...
Simon Munk
It has to have been the trailer, there's really no other explanation. Before the original Dead Island came out, there was a trailer. And not just a trailer, but the trailer – probably the most finely-crafted, greatest piece of teaser content ever created for film, TV or games. It's the only possible reason why Dead Island sold as well as it did... and unfortunately, there isn't a similarly brilliant trailer for its sequel, Riptide.The original trailer (see it here) used some beautifully heart-tugging music and a time-running-backwards schtick to pick apart a holidaying family's descent into Read more ...
Nick Hasted
Down in the cellar where the monsters were in Sam Raimi’s 1982 debut The Evil Dead, you glimpsed a poster for Wes Craven’s 1977 film The Hills Have Eyes, ripped symbolically in half. The bar for gruelling low-budget horror, Raimi was saying, had just been raised.In employing another debutante, Uruguayan Fede Alvarez, to remake The Evil Dead, Raimi, these days the unlikely Hollywood insider behind the Spiderman trilogy and Oz the Great and Powerful, invites him to raise the stakes again.The original’s fireproof premise is kept: five friends spend the weekend in an isolated cabin in the woods ( Read more ...
Kieron Tyler
If you go down to the woods today, it’s possible a Huldra might be encountered. A Norwegian wood, that is. She goes by other names across Scandinavia, but this be-tailed woman is to be avoided. Men lured into her lair are never seen again. Thale turns the legend on its head and tells the tale of Thale, a Huldra who’s been captured by a man and imprisoned in his basement. The story of the Siren-like Huldra is one that’s ripe for a film treatment, especially after Norway’s Troll Hunter became an international hit. Unfortunately, Thale is somewhat undercooked.Thale’s just-over-70 minutes opens Read more ...
Lisa-Marie Ferla
Among the artists Aly Spaltro, the 23-year-old who makes music as Lady Lamb the Beekeeper, calls to mind is Laura Marling. The whispery vocals of the youthful English folk singer may not seem like the most obvious reference point for Spaltro’s guttural, animalistic howl but bear with me: like Marling’s, Spaltro’s vocals are heavy with a wisdom far beyond her years and, much like Marling’s, the subject matter of Spaltro’s songs is often deeply horrific.Ripely Pine is a debut album four years in the making, but has lost none of its rawness for that. It opens in contemplative mode; Spaltro part- Read more ...