wed 25/12/2024

horror

10 Questions for Mark Gatiss, writer-director of 'A Ghost Story for Christmas: Woman of Stone'

There are no white-sheeted ghosts in this year’s A Ghost Story for Christmas. The BBC’s annual adaptations of MR James’s best-known stories have been a holiday favourite since the 1970s.More recently, in the hands of writer-director...

Read more...

Nosferatu review - Lily-Rose Depp stands out in uneven horror remake

Robert Eggers' strength as a director is his ability to bring historical periods alive with gritty, tactile realism. He does this successfully because of his anthropological attention to props, costume and language, but also his willingness to treat...

Read more...

Blu-ray: The Oblong Box

The Oblong Box is a phantom 1969 follow-up to Michael Reeves’ Witchfinder General, sharing star Vincent Price and much cast and crew, after the brilliant young British director’s OD forced his dismissal days before shooting. It also began...

Read more...

Blu-ray: The Outcasts

This other major work by the writer of the English folk horror landmark The Blood on Satan’s Claw (1971), Robert Wynne-Simmons, is more restrained than that unsettlingly erotic, dreadful conjuring of rustic demons and collective evil. He argues...

Read more...

theartsdesk Q&A: Anna Bogutskaya on her new book about the past decade of horror cinema

You may have heard the phrase “elevated horror” being used to describe horror films that lean more toward arthouse cinema, favouring tension and psychological turmoil over jump-scares and gore. It was first used to describe a crop of horror films...

Read more...

Olga Tokarczuk: The Empusium review - paranoid prose

In his first of a series of meditations on the sickness that was consuming him, John Donne reflected upon the special kind of paranoia that attends the ill individual. Each person is, by virtue of "being a little world", supremely conscious of a...

Read more...

Smile 2 review - worthy follow up to runaway hit

No film tackles the knotty topic of inherited mental illness with as much gleeful abandon as Smile. Mental health has been a popular subtext in contemporary horror for the past decade, but Parker Finn's Smile felt refreshing in how unsubtle it was....

Read more...

Salem’s Lot review - listless King remake

A boy’s dead friend scratching at his first-floor window, Nosferatu-like vampire Barlow rearing up with heart attack shock…The Texas Chain Saw Massacre director Tobe Hooper’s 1979 TV take on Stephen King’s Salem’s Lot scared a teen generation out of...

Read more...

Things Will Be Different review - lost in the past

Time-travel is a trap in debutante Michael Felker’s tender sf two-hander, whose title’s grim irony becomes gradually apparent.There’s golden American promise in the sun and shadow of the diner where Joseph (Adam David Thompson) meets sister Sidney (...

Read more...

The Substance review - Demi Moore as an ageing Hollywood celeb with body issues

If you like a body-horror movie to retain a semblance of logic in its plot line, then The Substance – grotesque, gory and finally insubstantial – may not be for you.French director Coralie Fargeat’s second feature (her first was Revenge in 2017, a...

Read more...

Beetlejuice Beetlejuice review - a lively resurrection

Sometimes love never dies and the dead never rot. A lot of water has flowed down the River Styx since Tim Burton’s first Beetlejuice film in 1988, but the bones of the original have held up surprisingly well, the madcap morbid spoof outliving many...

Read more...

Starve Acre review - unearthing the unearthly in a fine folk horror film

Blame the high cost of city housing, or killer smog. What else can explain a bright young couple’s move from 1970s Leeds to Starve Acre, an isolated, near-derelict farm in rural Yorkshire that has to be the spookiest back-to-the-land setting since...

Read more...
Subscribe to horror