Hollywood
Matt Wolf
The King’s Speech survived a faltering start at the 83rd annual Academy Awards – think of it as an Oscar-night stammer – to emerge victorious with four trophies, three of them in the last 30 minutes of the (seemingly endless) ceremony. But long after this cinematic Cinderella’s final domination of the gong-giving season just gone is forgotten, 2011 will be remembered as the year that the Oscars dropped the F-bomb.The perpetrator of the above was not the British Christian Bale, though he made a joke about his familiarity with that very word when stepping to the podium to receive his Best Read more ...
alexandra.coghlan
Tainted by its origins and association with the pulp cinema of the 1950s (classics like Bwana Devil, It Came from Outer Space and House of Wax were pioneers of stereoscopic technology), 3D cinema has remained the province of entertainment cinema, a novelty no art-house auteur would touch. Spin The Hurt Locker’s shock Oscar win in 2010 any way you want, it made an emphatic statement about the value the cinematic academy placed on technological advancement. For that was surely the terminal problem with Avatar. A thrilling visual spectacle, it harnessed its innovations to a recycled plot Read more ...
Graham Fuller
Of the other Best Picture Oscar nominees, David O Russell’s The Fighter has seven nominations, Danny Boyle’s 127 Hours and Darren Aronofsky’s Black Swan six apiece, the animated Toy Story 3, directed by Lee Unkrich, has five, and two indies, Lisa Cholodenko’s The Kids Are All Right and Debra Granik’s Winter's Bone, have four each.The King's Speech's growing momentum was indicated on Saturday when it unexpectedly won the Producers Guild of America’s top award. In the 21 previous years the PGA has awarded the prize, 14 of the winners (including the last three) have gone on to win the Best Read more ...
Jasper Rees
Just to fill in that blank left by the title, how do you know when you’re in love? It’s the question posed by every romantic comedy ever made, satisfactorily answered only by the good ones. James L Brooks, who wrote, produced and directed Terms of Endearment, Broadcast News and As Good As It Gets, has spent a lifetime in film looking at the problem from a variety of Oscar-winning angles. If he doesn’t know how to lead an audience to the promised land, then who the hell does? So it’s good he’s at the helm here, right?Just to fill in that blank left by the title, how do you know when you’re in Read more ...
Ismene Brown
The Facebook film The Social Network and TV's Glee were the big winners at the Golden Globes last night, though much attention has focused on the best acting awards to Colin Firth for The King's Speech and Natalie Portman for Black Swan. Not to mention Ricky Gervais's British sense of humour as host. Christian Bale was another eminent British actor who won an award, for his supporting role in The Fighter, but Helena Bonham Carter, Judi Dench and Romola Garai missed out despite nominations.The British have traditionally done well at the Globes, which are awarded by film and television Read more ...
Jasper Rees
The multiplatform franchise might sound like a modern concept - the film that leads parallel lives as video game, TV spin-off, T-shirt and toy. But no, ‘twas ever thus. Entertainment moguls have always known how to squeeze every last dime out of a popular hit, none more than The Green Hornet. Created in Detroit as a radio drama in 1936, it has buzzed across the decades and the genres, from film to comics to television to fiction and back to comics again. It’s now returned to the big screen with a bang. And a nod and a wink.The Green Hornet was conceived as a different kind of superhero. By Read more ...
graeme.thomson
Episodes may prove to be the zenith of television’s obsession with making television about making television. It was certainly a handy primer for anyone who fell asleep around 2000 (perhaps during My Hero; you are forgiven) and missed all the dominant strands of TV comedy emerging over the next decade. We hadn't simply been here before; Episodes was incubated in the post-ironic, multilayered comedic landscape in which we all now live. The success of the US version of The Office was referenced within the first five minutes. I’m surprised it took so long.Episodes seems to want to have it all: Read more ...
Jasper Rees
For a while back there, Russell Crowe was incapable of a false move. LA Confidential, Gladiator and The Insider all flagged up a thrilling talent for pugnacious individualism. Here was an actor with a bit of dog in him, a street-smart upgrade on Mel Gibson. Then he went and inherited Gibson’s gift for naff headlines. Maybe it’s an Aussie He-Man thing. Either way, the pictures got a bit smaller as tales of the incredible expanding ego did the global rounds. The films that could channel and contain Crowe’s animal aggression stopped happening. Does The Next Three Days spell a redemptive return Read more ...
Jasper Rees
Pete Postlethwaite, who has died from cancer at the age of 64, was an extremely amicable man whom Hollywood had down as a lugubrious baddie. It happened in Aliens 3, in The Usual Suspects, in The Lost World: Jurassic Park.You could see Hollywood's point. His greying itinerant preacher's hair flailed behind him wildly. His green irises blazed bright around pupils the size of pinpricks. And then there were the cheekbones jutting beneath them. "They are quite whopping, aren't they?" volunteered their owner when I met him. "Who was it said, 'He looks like he's got a clavicle stuck in his mouth Read more ...
theartsdesk
Avatar or The Hurt Locker? Although the Academy Awards are by no means the only barometer of cinematic trends, at this year’s Oscars the two centrifugal strains in contemporary movie-making went head to head. For Best Picture and Director, James Cameron’s digitally created sci-fi-scape locked horns with Kathryn Bigelow’s visceral visit to Iraq. One demonstrated Hollywood’s ever-increasing capacity to wish away actuality as we know it. The other went in where the bullets fly for real. You could see why the two directors, formerly married, had untied the knot. Our reviewers are Jasper Rees, Read more ...
anne.billson
2010 will go down as the year I fell out of love with Johnny Depp. And not just because of his cringe-making Mad Hatter in Alice in Wonderland, an over-produced farrago which reduced Lewis Carroll's dark Victorian whimsy to a dull computer gamelike chase-rescue-showdown scenario. The Deppster sealed the Double Whammy of Dreadfulness with his uncanny impression of naff comedian Rob Schneider in The Tourist, a would-be rom-com thriller that somehow sacrificed the romantic, comedic and thriller elements of its remit to fawning close-ups of the increasingly prognathic Angelina Jolie. If only it Read more ...
Veronica Lee
The third instalment of the Meet the Parents franchise, which began in 2000 and was followed by Meet the Fockers in 2004, moves the story on a few years. In Little Fockers Greg Focker (Ben Stiller) and Pam Byrnes (Teri Polo) are now married and have twins, Sam and Henry.As Sam and Henry’s fifth birthday approaches we see Pam’s dad, paranoid ex-CIA man Jack Byrnes (Robert De Niro), newly obsessed with genealogy, confronting his mortality. In one of the movie’s early and funnier scenes, he suffers a heart attack and, alone in the house, defibrillates himself with the leads from his lie-detector Read more ...