history
Barney Harsent
Bernard Cornwell's best-selling Sharpe series, set during the Napoleonic wars, transferred to television with huge success. This week, it’s the turn of his Saxon Stories to make the jump, as the BBC airs its lavish, eight-part drama The Last Kingdom, based on Cornwell's novels. Set against the backdrop of the Viking invasion of Britain and the birth of modern England, it follows the adventures of the impetuous, imperfect and complex hero Uhtred, born a Saxon, brought up a Dane.However, it could so easily have been otherwise. After gaining a history degree, Cornwell initially began a career in Read more ...
Marina Vaizey
Here comes the President, and with him a timely reminder about what the Chinese have been digging up over the past 40 years or so to further demonstrate their exceptional imperial history over the past two millennia. Treasures of the Jade Empire rather breathlessly told us of revelatory excavations of the tombs of the Han Emperors, and the regional kings they nominated to act as surrogate rulers over their gigantic empire – its boundaries closely related to China today. The parallel argument to the archaeology was the achievements of the Han in unifying a vast landmass, in which Han Chinese Read more ...
Graham Fuller
Suffragette is exemplary in its attempt to depict the harrowing experiences of the British women who risked their lives to win the vote. It depicts the awakening of a reluctant recruit who becomes a militant, and graphically depicts the violence meted out to the protestors and hunger strikers in the critical years of 1912-13, potently drawing parallels with the 1984-85 Miners’ Strike and the 1981 Irish Republican hunger strikes. Yet it’s also a history lesson so worthy and dutiful that viewers might miss how unusual it is for a mainstream movie to endorse acts of anti-state terrorism, even Read more ...
Marina Vaizey
The BBC India Season is bringing us a cluster of programmes amounting to a fascinatingly varied series of visits to the subcontinent. Incidentally, and not coincidentally, there is also an India Festival with myriad exhibitions, conferences and lectures at the Victoria and Albert this autumn.Sona Datta began her career at the British Museum and is now the lead curator at the Peabody Essex Museum in Salem, Massachusetts, the most important museum in the USA that Europeans have never heard of, which has significant holdings in Indian art. British by birth, Bengali by heritage, she is Read more ...
Marina Vaizey
William Dalrymple has discovered a fascinating true romance from history in this story of the relationship of Indian-born British diplomat James Achilles Kirkpatrick and the Muslim princess Khair-un-Nissa in Hyderabad at the turn of the 19th century. His remarkable programme not only captivated in itself but threw a fascinating light on layers of cultural differences, adaptations and understanding. Individual tolerance and even delight in varying views was threatened then, as now, by societal pressures and fear of the unfamiliar.Dalrymple uncovered the profound involvement of Europeans with Read more ...
Marina Vaizey
Heaven, or a lot of pagan gods at least, may know what was in the air 2500 years ago. Bettany Hughes has just finished her trilogy of philosophers from that millennium, and now we have Professor Andrew Wallace-Hadrill taking us genially around Athens, founded – you guessed – 2500 years ago and providing the template for cities ever since.The televisual essay is now an integral part of popularising ancient history. And what could be more persuasive (and helpful to the tourist industry) than visits to two great ancient cities – Rome follows next week – with a pat on our heads to remind us of Read more ...
Marina Vaizey
This programme was a puzzle. It didn't quite work, and it should have worked an absolute treat, as Buddhism is in some respects the religion, or rather the way of life, that has more and more caught the attention of the West in terms of scholarship and practitioners. It was an hour-long visual history, tracing in a trip through the subcontinent the life of the Buddha, presented by the charming and knowledgeable historian Bettany Hughes.It was the first instalment in a trilogy examining the life, times and thought of three philosophers: Buddha, Confucius and Socrates, all of whom Read more ...
Adam Sweeting
Lucy Worsley, historian and TV presenter – or perhaps that should be the other way round, since the BBC seems to give her a new series about every six weeks  – is the unrivalled queen of the soundbite. Subtitled as Worsley's "100 Years of the WI", this canter around the stately circumference of the Women's Institute, now 100 years old, was niftily pinned together with sonorous adjectives and cacophonous alliteration.Striding through some strangely pea-green English countryside, Worsley defined the classic image of the WI lady for us: "She's that bossy woman belting out 'Jerusalem'. Or a Read more ...
Florence Hallett
For all the wrong reasons, the work of Dexter Dalwood serves as a useful metaphor for this exhibition. Trite, tokenistic and desperate to look clever, Dalwood’s paintings are as tiresomely inward-looking as the show itself, which is a dismal example of curatorial self-indulgence at the expense of public engagement. It’s not always a bad thing to give free rein to theorising curators, but this show compares unfavourably with exhibitions at, notably, the National Portrait Gallery, and the Courtauld Gallery that have successfully introduced the public to sound, but arguably arcane academic Read more ...
Jasper Rees
They must have run out of contemporary Danes to bump off, or coalition governments to form. 1864 is something completely different from Danish national broadcaster DR, and it’s safe to presume it wouldn’t have made it onto British TV without a prior softening up of the audience. An epic drama about Denmark’s disastrous attempt to claim Schleswig-Holstein in the eponymous year – would you honestly have watched that if Sarah Lund and Birgitte Nyborg hadn't paved the way? Helpfully it’s also riddled with actors familiar from The Killing and Borgen.Apart from its cast, 1864 has in common with its Read more ...
Jasper Rees
You can’t move for the World Wars on the BBC. Gallipoli (100 years ago) and VE Day (70) are this month’s on-trend anniversaries, and they’ll soon budge up for VJ Day and the Somme. And let’s not forget older victories: there’s Waterloo (200 years ago), and isn’t it time to go once more unto the breach, Agincourt being 700 this year? And for extra lashings of commemoration let us now turn to Britain’s Greatest Generation.This new four-parter is revisiting events which have been covered ad infinitum already. The difference is that Britain’s Greatest Generation comes at them exclusively through Read more ...
Jenny Gilbert
Agitprop is a term that seems to have dropped out of use. It has too many negative connotations; it smacks of political rant. Yet artistic director Neil McPherson, whose small and feisty Finborough Theatre at Earls Court receives no public funding whatsoever, has never pandered to delicate West London sensibilities, and I Wish to Die Singing: Voices from the Armenian Genocide, scripted by him, certainly doesn’t flinch from its task. This is, no less, to fill a gaping hole in the official history of the 20th century. Propaganda? You decide.McPherson’s bold project sprang from a perceived need Read more ...