wed 09/04/2025

Haydn

Classical CDs Weekly: Haydn, Gershwin, Ciccolini, Sheherazade

Riccardo Chailly's 'Gershwin': Fun music that can take a bit of stretching

Today we’ve Easter-themed music from Haydn and a rare chance to hear some delectable Grieg played by an old master. A kitsch Russian classic is given a new slant, and two Italians have serious fun with Gershwin.Gershwin: Rhapsody in Blue, Concerto...

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Ax, London Philharmonic Orchestra, Jurowski, Royal Festival Hall

Vladimir Jurowski: A demonic twinkle in the eye

Send in the clowns. Or at least that was Vladimir Jurowski’s musical thinking in bringing together the mighty foursome of Prokofiev, Stravinsky, Haydn and Shostakovich and seeing just how far their capricious natures might take us. The allusions and...

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Army of Generals, Hazlewood, St George's Bristol

Charles Hazlewood's Army of Generals: Classical music for the age of mass media

An “Army of Generals” suggests a kind of supergroup, a fighting force made up of leaders rather than followers. If Charles Hazlewood’s band, which has just started a residency at Bristol’s St George's, is such a host, then he presumably is the...

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Hough, Budapest Festival Orchestra, Fischer, Royal Festival Hall

Ivan Fischer's conducting: All about colour and texture and an open-air freshness

Who knew the changeover of the EU Presidency could be this much fun? Amid the formal bowing and scraping at the Royal Festival Hall bunfights last night that signalled that the Hungarians were now at the tiller of this sinking political ship were...

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Charles Hazlewood On Music In Bristol

Next Friday, my amazing period-instrument orchestra, Army of Generals, begins a new residency at St George’s Bristol. The aim of this unconventional and high-octane series of concerts - which will be performed by what I refer to as my crack squad of...

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Hardenberger, Philharmonia Orchestra, Nelsons, Royal Festival Hall

The heroics came fast and fervently with Andris Nelsons and the Philharmonia Orchestra emerging from suffocating pianissimi to rip out the exultant fanfares of Beethoven’s Leonora No 3 Overture as if already limbering up to take on Strauss’s critics...

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Tetzlaff Quartet, Queen Elizabeth Hall

Strange meeting: Viola-player Hanna Weinmeister, violinists Elisabeth Kufferath and Christian Tetzlaff, and cellist Tanja Tetzlaff

Their oaky, cultured and selectively scary-wild playing seemed to cast long autumn shadows over a sparse but intent audience. This is the kind of rare programme top violinist Christian Tetzlaff, his cellist sister Tanja and friends like to work on...

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LSO, Davis, Uchida, Barbican Hall

Communists had taken over the Acropolis, Britain faced a hung parliament and in the 20 minutes it took me to get down to the Barbican by bus the US stock market had fallen more sharply than at any time since 1987. In the face of global and political...

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theartsdesk in the Vatican: In an Audience with the Pope

At the Vatican, recently, the Pope attended a concert in his honour in the Sala Clementina. This is the great double-height room which stands at the entrance to the private papal apartments; it is where Pope John Paul II’s body lay in state almost...

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Schnittke Festival finale, Jurowski, RFH

Eliot's "time future contained in time past" has been conductor Vladimir Jurowski's unofficial motto throughout a festival which has had to take itself very seriously, and managed miraculously to carry a surprisingly large, loyal audience...

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The Night Shift, Orchestra of the Age of Enlightenment, QEH

Go on, admit it. You’ve done it too. Someone is talking in your vicinity and you’ve turned round to give them evils. It’s a manoeuvre I’ve been perfecting for years. The classic rebuke is in the speedy twist of the neck, a withering glance in the...

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Amsterdam Baroque Orchestra, Wigmore Hall

Andrew Parrott, director of the Taverner Consort, once told me of a time he was playing harpsichord at the back of a largish orchestra. Confident that nothing he played would stand the remotest chance of being heard above the general cacophony, he “...

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