Handel
Classical CDs Weekly: Bach, Handel, PärtSaturday, 11 April 2020
Bach: St Matthew Passion The Choir of King’s College Cambridge, Academy of Ancient Music/Sir Stephen Cleobury (King’s College Cambridge)Bach Collegium Japan/Masaaki Suzuki (BIS)Both Masaaki Suzuki and the late lamented Sir Stephen Cleobury... Read more... |
Susanna, Royal Opera/London Handel Festival review - fitful shiningsThursday, 12 March 2020
That virtue can be fascinating and prayers to a just God dramatic have been proved in riveting productions of two late Handel oratorios, Theodora and Jephtha. Whether Susanna can ever be reclaimed for the stage as powerfully seems unlikely, but this... Read more... |
Acis and Galatea, The Sixteen, Christophers, Cadogan Hall review – pocket-sized pastoral pleasuresWednesday, 12 February 2020
Nymphs and shepherds – go away? In music, as in art or literature, the pastoral fripperies of the Baroque age can feel utterly alien to modern tastes. Those dalliances, seductions and abductions in the Arcadian landscapes of myth may cease to entice... Read more... |
Les Arts Florissants, Christie, Agnew, Barbican review – splendid Baroque knees-upTuesday, 10 December 2019
“How many times have you heard the conductor sing?” asked William Christie after the final number, but before the two encores, of Sunday night’s 40th birthday celebration for his ensemble Les Arts Florissants. Well, lovers of old recordings know... Read more... |
Classical CDs Weekly: Donnacha Dennehy, Handel, StraussSaturday, 16 November 2019
Donnacha Dennehy: The Hunger Alarm Will Sound/Alan Pierson, with Katherine Manley and Iarla Ó Lionáird (Nonesuch)The Great Irish Famine of 1845-1852 resulted in the deaths of one million Irish citizens to starvation and prompted a further... Read more... |
Brockes-Passion, Arcangelo, Cohen, Wigmore Hall review – hybrid HandelWednesday, 09 October 2019
Handel’s Brockes-Passion is a curious piece - sacred but not liturgical, and with a strong influence from opera, though it is a concert work. Solo voices predominate, and the singers assembled at Wigmore Hall were mostly fine. Jonathan Cohen and his... Read more... |
Agrippina, Royal Opera review - carry on up the CampidoglioTuesday, 24 September 2019
It was said of the Venetian audiences randy for the satirical antique of Handel's first great operatic cornucopia in 1709 that "a stranger who should have seen the manner in which they were affected, would have imagined they were all distracted".... Read more... |
Prom 55: Jephtha, SCO & Chorus, Egarr review - shock of the new in sacrificial oratorioSaturday, 31 August 2019
Human sacrifice has a disconcerting and wonderful effect upon great composers, above all when it involves the supremely queasy issue of a father vowing to offer up his child: think of Britten with Abraham and Isaac, Mozart with Idomeneo and Idamante... Read more... |
Belshazzar, The Grange Festival review – songs of freedomMonday, 24 June 2019
Cut almost anywhere into the lesser-known seams of Handel’s oratorios and you may strike plentiful nuggets of the purest gold. It may not be quite the case that Handel's Belshazzar, its score studded with nearly-forgotten musical treasures, has... Read more... |
Agrippina, Barbican review - over-the-top comic brillianceSaturday, 01 June 2019
Flirtations and fragile alliances, lies, betrayals, schemes and the ever-present promise of sex – Love Island may be back on our screens next week, but it has nothing on Handel's Agrippina. Imperial Rome is the backdrop for one of the composer’... Read more... |
Semele, Monteverdi Choir, EBS, Gardiner, Alexandra Palace review - Handel's cornucopia lavishly servedFriday, 03 May 2019
Louise Alder, lyric soprano of the moment and vivacity incarnate, had yet to be born when John Eliot Gardiner made his first recording of Handel's Semele with the Monteverdi Choir and English Baroque Soloists in 1981. Now they all come together to... Read more... |
Brockes-Passion, AAM, Egarr, Barbican review - fleshly Handel for our earthbound timesSaturday, 20 April 2019
Whips, scourges, sinews, blood and pus: where Bach’s two Passions lament from a contemplative distance, Handel’s plunges right to the bone, to the cruel, tortured death that is the heart of the Easter story.Perhaps that explains the work’s recent... Read more... |
