gothic
Album: Slipknot - The End, So FarThursday, 29 September 2022
Make no mistake about it, Slipknot are massive. 23 years after their recording debut, they’ve had 8.5 billion streams, their sixth album, 2019’s We Are Not Your Kind, hit the top of the charts in 12 countries, including the US and the UK, and... Read more... |
Edinburgh Fringe 2022 review: The StonesMonday, 22 August 2022
In many ways, The Stones is what the Fringe is all about: a new theatre company (London-based Signal House); a single actor; a small black-box space; just a chair, a bit of smoke and some almost imperceptible lighting changes for a staging. And with... Read more... |
Margot La Rouge/Le Villi, Opera Holland Park review – Parisian fancies and Black Forest gâteauFriday, 22 July 2022
Take an opera newbie along to Opera Holland Park’s double bill of rarities and they may have both their worst fears and their highest hopes confirmed. Outlandish plotting, overwrought melodrama and preposterous, supernatural stage business abounds.... Read more... |
Album: Hercules & Love Affair - In AmberSaturday, 11 June 2022
A gothic aesthetic is very common in the left field of electronic/club music these days – but it tends to go with fairly extreme sounds: either industrial pummelling, or glitched-out “deconstructed club” as in artists like Ziúr.But Andy Butler... Read more... |
The Essex Serpent, Apple TV+ review - tradition and superstition versus the march of progressTuesday, 17 May 2022
Sarah Perry’s 2016 bestseller The Essex Serpent has been described as “a novel of ideas”, which almost sounds like a warning to anybody wanting to televise it. Happily, director Clio Barnard and screenwriter Anna Symon picked up the gauntlet, and... Read more... |
theartsdesk Q&A: Marc Almond of Soft CellThursday, 12 May 2022
Soft Cell, the duo consisting of Marc Almond and Dave Ball, announced they were calling it quits in 2018. The two sold out shows at the 02 in London were supposed to be their swan song, waving goodbye to their Soft Cell days. But as their eponymous... Read more... |
The Mission, Chalk, Brighton review - the hits, delivered straight, to an enthused crowdWednesday, 13 April 2022
“Play something we can dance to,” heckles a fan. “Fuck off, we are not a dance band,” fires back Wayne Hussey, leader of The Mission. He’s right. They’re not. But still there is dancing.One especially notable aspect of this gig is the total and... Read more... |
Disc of the Day Celebrates 10 Years of Album ReviewsMonday, 15 February 2021
Ten years ago yesterday, on Monday 14th February 2011, one of theartsdesk’s writers, Joe Muggs, reviewed an album called Paranormale Aktivitat, by an outfit called Zwischenwelt. It was the first ever Disc of the Day, a new slot inserted into... Read more... |
DVD/Blu-ray: The Masque of the Red DeathTuesday, 02 February 2021
One hundred and seventy four years ago today, on Tuesday, 2 February 1847, the body of Virginia (“Sissy”) Poe, Edgar Allan Poe's 24-year-old wife, was interred in a vault in a graveyard near the couple's rented cottage in Fordham, in the Bronx; she... Read more... |
The Devil All The Time review – a test of faith in a Southern Gothic traditionThursday, 17 September 2020
There’s no denying the Faulknerian ambition to the construction of Anthony Campos’ latest feature Devil All the Time. It’s a brooding, blood-soaked Semi-Southern Gothic drama spanning two generations through a plot that wrestles with the nature of... Read more... |
Lovecraft Country, Sky Atlantic review - Misha Green, Jordan Peele and JJ Abrams take us on horror-driven road tripTuesday, 18 August 2020
The timing couldn’t be more perfect for a series like Lovecraft Country (Sky Atlantic) in the wake of the Black Lives Matter movement. Here we have a spectacular show in which fantasy, horror and America’s racist legacy collide with remarkable... Read more... |
Blu-ray: The Man Who LaughsTuesday, 18 August 2020
Batman’s cartoonists cribbed the Joker’s face from Conrad Veidt’s rictus grin, backswept hair and crazed stare in this 1928 silent classic. Director Paul Leni’s film can’t though be reduced to either a supervillain’s footnote, or a prelude to... Read more... |
