France
David Nice
Harrowing and holiness alternate in Poulenc’s unique masterpiece, nominally an opera about nuns during the French revolution, at a deeper level a music-drama about the greatest disturbances in the human condition. Glyndebourne’s cast, conductor and orchestra handle the variety wth total mastery. If Barrie Kosky’s production lets horror overwhelm us, that’s justified too. If you’re not a heap at the end of it, that’s your problem.Kosky’s classic Handel Saul at Glyndebourne descended from flowery opulence to dust and ashes. His Dialogues starts with explosive dread against Katrin Lea Tag’s Read more ...
Thomas H. Green
Tony Kushner’s early 1990s play Angels in America is an epochal, mystical, political, state-of-the-nation address, revolving around the AIDs epidemic. By no means straightforward, its narrative runs the gamut from New York’s gay scene to God’s own sexual proclivities, via the ghost of executed Cold War spy Ethel Rosenberg, the fall of the Soviet Bloc and much else. At over three-and-a-half-hours long, it’s not for the fainthearted. Neither is the new concept album from Christine and the Queens, which is inspired by it.Described by its creator as “the second part of an operatic gesture that Read more ...
Saskia Baron
Full Time opens in darkness. All we can hear is the sound of a sleeping woman breathing. It’s one of the few quiet moments in a film that follows Julie (Laure Calamy) as she scrambles to manage her life. Divorced with two young children, she lives in a village and commutes to Paris. It’s still dark when she drops off her kids with an elderly child minder and it’s dark again when she picks them up after a long day’s work in the city. The radio relays news of train strikes and protests, her journey is a nightmare of crowded replacement coaches. Work is overseeing a team of Read more ...
Matt Wolf
Love may change everything, as we're reminded multiple times during Andrew Lloyd Webber's rabidly polyamorous Aspects of Love, but certain things about this 1989 London hit (and subsequent Broadway flop) are fixed.The sexual shenanigans tracked across this adaptation of David Garnett's 1955 romantic novel are destined to remain a challenge to playgoers to varying degrees, especially amid a current climate of properly heightened sensitivities. But it seems equally true, at least to me, that this score is one of its composer's most beautiful - not so much because of the earworm, "Love Changes Read more ...
Nick Hasted
This almost forgotten, naturalistic 1976 road movie lets four young Frenchmen off the leash in a cross-country trip from Lille to Cannes.Car salesman Klouk (Bernard Crombey) is forced by his oppressive boss to ditch a promised weekend with his wife to deliver a rich man’s Chevrolet to his Cote d’Azur mansion. His wife is contemptuously resigned to such defeats. His goofy, probably gay nurse friend Philippe (Xavier Saint-Macary) tags along, and they pick up abrasive Charles (Étienne Chicot) and his dreamy, dependent flatmate Daniel (Patrick Bouchitey, pictured bottom right with Chicot) along Read more ...
Saskia Baron
What is it that drives Belgian filmmakers to make sad and disturbing films about children? Is it the influence of the Dardennes Brothers, who over a 20-year career have made superb features exploring how brutally society treats its most vulnerable (Tori and Lokita, The Kid with a Bike, The Child among others)?My Belgian friend Anne-Marie Huby drily observes of her countrymen: “We are very adept at despair.” Is that it? Or is it that Belgian directors makes plenty of jolly action movies, costume dramas and romcoms but they just don’t win prizes at film festivals and hit the Read more ...
Helen Hawkins
Reading an interview with the French director of Rodéo, Lola Quivoron, you come to realise her compelling film about dirt-bike-rider culture relied on a sage piece of casting. Despairing of ever finding a lead for her film project, Quivoron chanced upon Julie Ledru on Instagram and the first-time actor became a key creator of the narrative. The lone girl rider in a gang of illegal road-bikers, Ledru’s Julia (main picture) is a uniquely impressive character: mixed race, fearless, and far more emotionally intelligent than the young men she hangs out with. Ledru, like Julia, is from the Read more ...
Matt Wolf
It's not often with Private Lives that you feel Amanda and Elyot are one step away from a visit to A&E. But such is the startling force of Michael Longhurst's Donmar Warehouse revival of arguably Noël Coward's most durable play that you are aware throughout of violence and pain as the flipside of passion at its most intense. Some will complain (and have) that the result negates the comedy coursing through this time-honored text; I would argue that the laughs are still there, tempered in this instance by an awareness of the lacerations oftentimes inflicted by love. After all Read more ...
Joe Muggs
Popular musicians “going classical” can work well. Look at Radiohead’s Jonny Greenwood, at Richard Reed Parry and Colin Stetson from Arcade Fire, or at the late Jóhann Jóhannsson who had a successful career as indie and electronic musician in Iceland before becoming a globally beloved orchestral composer. Of course the boundaries are flimsy anyway these days, with the likes of Max Richter, Nils Frahm and Anna Meredith existing comfortably with one foot in the concert hall and one in the gig venue. Crucially, each of these artists has been able to negotiate their own position among all this, Read more ...
Tom Carr
It’s easy to forget in the age of TikTok and trending that “virality” doesn’t always cement a lasting mainstream awareness. This can be said of M83, the cinematic music project started in 2001 by French musician Anthony Gonzales.A symphonic blending of pop and electronica with smatterings of dance and indie rock, Gonzales brought M83 into the popular music conscience with its third album in 2011, Hurry Up, We’re Dreaming. It was heralded with the irresistibly dancey lead single “Midnight City” that was unavoidable for a time, being used in countless trailers and tv shows.But in the years Read more ...
Mark Kidel
I have wanted to visit the Musée Unterlinden in Colmar for many years: the home of Matthias Grünewald’s masterpiece, the Isenheim Altarpiece (1512-1516), one of the great works of North European religious art. The opportunity finally arose in an oblique way, as the museum has been hosting a major exhibition by the French painter Fabienne Verdier.The show was commissioned as an invitation for the artist to respond to the Grünewald and other works in a treasure trove that lies hidden away in the east of France, only just over two hours train from Paris, and yet somewhat off the beaten track. Read more ...
Nick Hasted
Saint Omer is a psychological and sociological mystery, unpicking the enigma of Laurence (Guslagie Malanda), a French Senegalese woman who drowned her 15-month-old daughter in the ocean.Director Alice Diop recognised her own Senegalese heritage and circumstance in the case of Fabienne Kabou, the murderer of a mixed-race child much like her own, who was racially pathologised in the French media. A prize-winning documentarian, Diop’s first feature adapts Kabou’s trial transcripts, and was filmed next-door to her courtroom in the depressed northern town of Saint-Omer.We glimpse the Paris life of Read more ...