France
The End of Eddy, Edinburgh International Festival 2022 review - powerful but lacking compassionTuesday, 23 August 2022
Those working-class people really are appalling, aren’t they? Racist, sexist, definitely homophobic, violent too. Thank god our young hero can escape their clutches into the safety of a nice, bourgeois acting academy where he can be his true self.... Read more... |
Anaïs in Love review - she wants what she wantsSunday, 21 August 2022
It’s 2022’s art-house image du jour – a self-absorbed 30-year-old running to get what she wants, irrespective of the long-term consequences to herself or anyone else.Watching the pell-mell scurry of Anaïs Demoustier’s title character in Anaïs in... Read more... |
First Person: tenor Cyrille Dubois on recording all Fauré's songsTuesday, 16 August 2022
The year 2024 will commemorate the 100th anniversary of the death of the phenomenal Gabriel Fauré. For Tristan Raës and me, who have been exploring the repertoire of French art songs for nearly 15 years, first meeting in the class of art songs and... Read more... |
La Voix humaine/Les Mamelles de Tirésias, Glyndebourne review - phantasmagorical wondersMonday, 15 August 2022
“Variety is the spice of life! Vive la difference!,” chirrups the ensemble at the end of this giddying double bill. And there could hardly be more singular variety acts than a potential suicide at the end of a phone line, a woman who lets her... Read more... |
Our Eternal Summer review - tragedy taps authentic teenage emotions in MarseilleFriday, 05 August 2022
The French seaside has been the setting for all kinds of summer holiday capers. We are used to the idea that this is a place where young people set about finding out who they are. At the top of the quality spectrum are Éric Rohmer’s well-observed... Read more... |
Murder in Provence, ITV review - a little light sleuthing amid fabulous French sceneryTuesday, 02 August 2022
Connoisseurs of the Britbox streaming service may already have caught up with this three-part series, which has evidently been pressed into service on ITV to pad out TV’s annual summer slump. They could have called it Midsomer Murders Goes to the... Read more... |
Blu-ray: The Soft SkinSunday, 19 June 2022
The 400 Blows (1959) and Jules et Jim (1962) established François Truffaut as an outstanding and original director. His next film, The Soft Skin (La peau douce) from 1964, was not in the same league.Although it displays many of his story-telling... Read more... |
The False Servant, Orange Tree Theatre review - Marivaux's cruel comedy gets a modern spinWednesday, 15 June 2022
There probably isn’t a more able translator of vintage drama than Martin Crimp, the playwright whose 2004 version of Pierre Marivaux’s 1724 play about deceit, greed and sexual politics has been revived at the enterprising Orange Tree. The finale has... Read more... |
Music Reissues Weekly: Barney Wilen - ZodiacSunday, 12 June 2022
In 1966, the combo fronted by French sax player Barney Wilen issued an album of musical interpretations of each sign of the zodiac. In the US in 1969, Mort Garson released 12 albums, each dedicated to a single sign. Two years earlier Garson was... Read more... |
Between Two Worlds review - Juliette Binoche, maid in FranceFriday, 27 May 2022
For die-hard Juliette Binoche fans – don’t cross us, we get angry – Between Two Worlds is heaven. The French star hardly ever leaves the screen during the film’s 106 minutes. It was her unwavering detemination that ensured the film came to be made... Read more... |
Blu-ray: Twisting the Knife - Four Films by Claude ChabrolFriday, 27 May 2022
Nouvelle Vague directors have grown to seem more diverse than bonded, a golden generation linked by extreme cinephilia and the mutually supportive main chance. Godard endures at one extreme, pushing the movement’s implications to their... Read more... |
Vortex review – an old couple's road to nowhereTuesday, 17 May 2022
Life, opined Thomas Hobbes, is “nasty, brutish, and short”. In Gaspar Noé’s Vortex it’s not short enough for a dementia-afflicted octogenarian psychiatrist (Françoise Lebrun) and her addled film critic husband (giallo auteur Dario Argento), whose... Read more... |
