First Person
First Person: Tim Walker on crossing over from critic to playwrightThursday, 24 February 2022
The divide between theatre critics and the theatrical profession has always been a chasm, but occasionally a wire has been thrown between the two and plucky or foolhardy individuals have attempted to traverse it. A three-times-unsuccessful applicant... Read more... |
‘Let me be your main course’: composer Jimmy López on why new music needs time and spaceTuesday, 22 February 2022
No, not your aperitif – and certainly not your digestif; your bona fide main dish, the one your audience yearns for, dresses up for, and looks forward to.It’s 2022; time for arts leaders to show the way into the future and to not underestimate the... Read more... |
First Person: young composer Nicola Perikhanyan on a new immersive reality experience at London WallWednesday, 22 December 2021
There's something really moving about standing in the centre of London Wall's Roman ruins and looking up at the city that has grown around it. Thinking about our past, present and future simultaneously. More than 2000 years have passed since the... Read more... |
First Person: composer Cheryl Frances-Hoad on a musical love letter to the natural worldWednesday, 24 November 2021
In the darkness my dreams are interruptedI see the blackbird in my mind and the whirring of my brain beginsScenes from the Wild begins at dawn on a spring day, at that moment between sleep and wakefulness where dreams and reality are... Read more... |
First Person: composer Conor Mitchell on challenging religious orthodoxy from a queer perspective in MASSWednesday, 17 November 2021
A mass, in its simplest form, is the order of prayers that are said in a religious service. It is standardised and has been for centuries, in order to create a theatrical journey that takes us through a service. Composers have always been drawn to... Read more... |
Judith van Driel of the Dudok Quartet Amsterdam: 'the more we played Brahms, the more freedom we found'Saturday, 13 November 2021
In every life there are moments of great significance. Experiences that stick with us and define our own personal story.Growing up as a young violinist, one of those defining moments for me was the first time I played a piece by Johannes Brahms. It... Read more... |
First Persons: Susan Bullock, Gerald Finley and Stephen Higgins on a 'Bluebeard's Castle' with a differenceThursday, 04 November 2021
Tonight a version of Bartók's Bluebeard's Castle launches in the intimate surroundings of Stone Nest, a former Welsh chapel in London's West End. Its conductor along with soprano Susan Bullock and baritone Gerald FInley, alternating in the roles of... Read more... |
First Person: ethnomusicologist Shumaila Hemani on global musical traditions and Concert for AfghanistanFriday, 22 October 2021
In early 2020, the year that soon saw COVID-19 lockdown, I served on the music faculty for Semester at Sea, Spring 2020 voyage, where I taught self-designed courses on global music cultures as well as a course called Soundscapes. This course... Read more... |
'The din is loud these days': playwright Cordelia Lynn on her imminent premiere at the Donmar WarehouseMonday, 11 October 2021
As I write this, we've just had our final day in the rehearsal room and are going into tech onstage next week with my new play, which is also reopening the Donmar not only to live performance but follows major renovations at their home address.It’s... Read more... |
First Person: Andrea Levy's husband recalls her path toward becoming a novelistThursday, 07 October 2021
The opening sentence of Andrea’s 2010 historical novel The Long Song is in the voice of Thomas Kinsman, who is introducing the reader to his mother, July."The book you are now holding in your hand was born of a craving," Kinsman declares. "My mama... Read more... |
Summer seasons in a Covid world: five opera company movers and shakers reflectTuesday, 14 September 2021
The bleakest time of all for live music during the Covid crisis came in the first four and a half months of this year. Re-emergence came too late for many of the big national opera companies – though the Royal Opera threw down a sensational gauntlet... Read more... |
First Person: theatre director Christopher Haydon on how the Rose Theatre, Kingston, can bloom anewMonday, 13 September 2021
Programming a theatre during a pandemic has been like trying to nail jelly to a set of constantly moving goalposts. Government indecision meant that reopening dates shifted repeatedly while the configuration of our auditorium kept changing as we... Read more... |
