First Person
First Person: 'America's sweetheart organist' Carol Williams on running the musical gamutThursday, 21 September 2023
I have always had a fascination with concert programmes. I did my Doctorate thesis on this subject. I remember vividly as a youngster attending many uninteresting programmes and thinking “there has to be more exciting, exhilarating, interesting... Read more... |
First Person: mezzo Stephanie Wake-Edwards on open dialogue and shared goals in the new show 'FEAST'Friday, 15 September 2023
“Do you actually speak like that?” was the first thing a senior colleague said to me during my initial week at a prestigious UK opera house. I’ve always had a tricky time understanding who I really am.As a culture, we are obsessed with class.... Read more... |
First Person: Marc Burrows on getting to know Sir Terry PratchettTuesday, 01 August 2023
In a very real sense, Terry Pratchett taught me how to write. I first came across his work when I was 12 years old, in the early 90s.My parents had been given copies of two of the earliest books in his Discworld series, Guards! Guards! and The... Read more... |
First Person: tenor Elgan Llŷr Thomas on recording a queer-themed albumSunday, 09 July 2023
“No one makes money from CDs anymore”; “Remember, once it’s out there it’s out there forever”; “Everyone’s making recordings these days, it’s a very cluttered market”; “You’ll struggle to make a mark…”These are just some of the things uttered to me... Read more... |
First Person: composer Lukas Ligeti on how his father György inspired a new approachFriday, 23 June 2023
The music of various African regions and cultures has played a significant role in shaping my own music. My exposure to African traditional music, which started not long after I began my own composition studies, helped me develop my unique artistic... Read more... |
First Person: playwright Tom Fowler on allowing room for 'Hope'Friday, 16 June 2023
Recently, having just shared the rehearsal draft of my current Royal Court play Hope has a Happy Meal with two close friends, I found myself slightly offended when one of them said, "you can tell you were playing the Nintendo Switch obsessively when... Read more... |
First Person: pianist Isata Kanneh-Mason on how childhood informs her latest recordingWednesday, 14 June 2023
My entire childhood was punctuated with music. I just can’t remember a time without it being present and I think it’s shaped me enormously. I have varying pieces of music for the different times in my life and they all evoke very powerful memories... Read more... |
First Person: composer Kate Whitley on a new work for the Borletti-Buitoni Trust’s 20th anniversaryThursday, 08 June 2023
We at the Multi-Story Orchestra have been writing a new piece of music about social media. In one of the writing sessions I remember one of our musicians spending every second she wasn't playing on her phone, checking likes and comments as she'd... Read more... |
First Person: composer Russell Hepplewhite on setting John Burningham's 'Borka' to musicSunday, 28 May 2023
Taking a book and lifting it from the page so that it works on the stage is daunting. When the target audience happens to be children aged between about four and eight, the challenge is magnified. As I write this, a brand new... Read more... |
First Person: violinist and animateur Bjarte Eike on filming the celebrated Alehouse SessionsTuesday, 16 May 2023
BBC Four is broadcasting our Alehouse Sessions which filmmaker Dominic Best filmed in Battersea Arts Centre one snowy night in December. I know it feels very unlikely that we, the Barokksolistene, a Scandi group of baroque specialists, have made a... Read more... |
First Person: young composer Chris Brooke on his fanfare for the Coronation Bandstand ProjectFriday, 05 May 2023
Having started my musical journey with the clarinet at the age of seven, I’ve enjoyed 12 years of making music since, playing in recitals and concerts both as a soloist and in an array of local ensembles. I have always had an interest in writing... Read more... |
First Person: playwright Joe White on how he came to write his Hampstead Theatre hitFriday, 07 April 2023
Before I knew – or realised – I wanted to write about alcoholism in my play Blackout Songs (premiered last autumn at the Hampstead Downstairs and moving this weekend to the mainstage), I wanted to write about love and memory... Read more... |
