festivals
theartsdesk
Tiffany Stevenson ★★★★The comic is currently appearing on Show Me the Funny on ITV, where her smily disposition is a welcome antidote to some of the sneery critics they have mustered. There’s boyfriend stuff in Cavewoman but Stevenson also delivers a few astute political observations, as well as the occasional unPC gag - such as suggesting Tina Turner's dance moves were inspired by her avoiding Ike’s punches.There are some nice riffs about going to a bingo session with her mother and the weird sisterhood she saw there, her penchant for leopardskin prints (you can take the girl out of...), the Read more ...
theartsdesk
The Canadian is making a welcome return to the Fringe after a few years away and the break has served him well, as he's been doing a bit of travelling, and it was an incident when he flew to Indonesia that provides the starting point - and beautifully conceived climax - to No Lands Man. Wool clearly has one of those faces that border guards are attracted to. Not in that way, but they often figure he's concealing drugs, and on this occasion he was given a strip search. A horrible experience for most of us, but comedy gold to a comic, or at least a comic with a vivid imagination.So he Read more ...
theartsdesk
Physically reduced he may have been, but his talents were as expansive as ever, and more than capable of holding a small room captivated with just voice and guitar. Whereas in recent years Leven has released a somewhat bewildering range of music under a variety of noms de plume, often mixing his tales of Serbian prostitutes, Earls Court cab drivers and damaged Dundonian bar-stool philosophers with ironically cheap and synthetic musical textures, on stage he was a far warmer proposition.His live act is as much about the yarns as the songs, and Leven offered up rambling reflections on the “ Read more ...
stephen.walsh
“The text of Britain’s teaching, the message of the free…”. No, not the Last Night of the Proms or the Olympic Games ahead of time. This is the final chorus of Elgar’s concert-length cantata Caractacus, which was given a vigorous work-out in this star concert of the Three Choirs Festival in Worcester Cathedral under Sir Andrew Davis. And before you start jeering and bringing up the problems on Britain’s streets, let me tell you that the choruses in this work are as brilliant as any in the language, and quite thrilling enough to persuade you that the message, however facile and inopportune, Read more ...
Veronica Lee
Imagine that Tim Burton, or some other great modern-day storyteller of your choice, knocks at your door and asks if he can come into your living room for an hour to tell some fantastical stories. You would get some beers in and friends around pronto, right? Well, the Lounge Room Confabulators, a duo from Australia who tell stories in the Burton style of weird and dark, do just that – turn up on your doorstep and then perform in your front room, your garden or your office, wherever you have space for 10 or more people.It starts with a rug called Keith, who is due respect, for he provides the Read more ...
Veronica Lee
The Monster in the Hall, Traverse ****
David Greig's indie comedy musical, first performed at Glasgow's Citizens Theatre at the end of last year, is a bright and inventive four-hander about a 16-year-old girl struggling to keep everything together. Duck Macatarsney (Gemma McElhinny), who writes escapist stories in her room, cares for her biker dad, known as Duke, who suffers from multiple sclerosis. At the beginning of the play Duke (Keith Macpherson) is struck blind.Duke was a Hell's Angel in his day, before Duck's mother died in a motorbike accident, but now stays at home, tinkering with Read more ...
james.woodall
Think what you will about Switzerland and the Swiss – calm, ordered country, treasured environment, cautious, democratically precise people – but look behind the scenes and things can seem quite scary. Vol spécial (Special Flight), by Swiss-French-speaking Fernand Melgar, is one of the most intense documentaries I have ever seen. Depicting asylum seekers in a detention centre, it is a vibrant portrait of human (entirely male) endeavour warping into despair under an unkind but, as the Swiss see it, necessary law of repatriation: in 1994, they voted for what is known as the federal law on Read more ...
Kieron Tyler
Held each year at the Earls Court Exhibition Centre, the Great British Beer Festival is the top-drawer event in any British beer enthusiast's diary. Organised by CAMRA (The Campaign for Real Ale), it’s a mind-boggling, discombobulating overload of more beer than it’s possible to imagine. Every non-corporate brewer is here, from the heard of (Fullers, Thwaites) to the local and barely heard of. Beer is central, but there’s food and games too. People are here too. Masses of them. And they’re all happy, friendly and full of good vibes. This event has a great atmosphere.The chaps above bought Read more ...
Peter Culshaw
WOMAD is in its 29th year, and ticket sales have gone up 29 per cent, we are told, with over 35,000 sold. World music, always rather beyond fashion, is thriving, at least in this live festival incarnation in Wiltshire. One criticism, according to The Independent among others (made by trendy middle-class people in a fit of self-loathing, generally), was that there were too many Cath Kidston tents and it has become too bourgeois. But there was enough strangeness and idiosyncrasy on display to undermine the idea that WOMAD has become complacent in its middle age.In fact, WOMAD has expanded Read more ...
sue.steward
Ten o'clock at night and the WOMAD air felt as hot as Dakar preparing for Baaba Maal. Sadly, given this year's hugely expanded audience, it was hard to see the stage unless you know how to glide to the front like a snake (which years of festival practice have taught me). Though I still missed close views of the opening three songs and the singer’s acoustic guitar accompaniment, it was impossible not to hear his voice, even adjusted to unusually soft and mellow soulful tones rather than the familiarly sharp, declamatory style that pierces the heart.A slow start and build-up was a plan Read more ...
stephen.walsh
In 1981, when I last came to Bayreuth, the festival still seemed to be a battleground between the German Left and Right, between the blame faction and the guilt faction, between the commie East and the fat-cat West. Plus ça change. Without quite openly taking sides, Sebastian Baumgarten’s new staging of Tannhäuser rings some cracked old political bells while, apparently with Bayreuth’s connivance, candidly parodying most of the thinking that underpins this admittedly somewhat raw, yet for Wagner absolutely crucial early work.Baumgarten is the latest scion of the Felsenstein school, a pupil of Read more ...
Demetrios Matheou
There is an interesting tension at the Sarajevo Film Festival which, though this was my first time, I suspect exists as a matter of course. And this is a tension between the spirit of the people I meet here – ebullient, good-humoured and indefatigable (they really know how to party) – and the films themselves, which suggest a country and a region still reeling from the turmoil of its recent past. It’s a strange experience, then, poised between light and gloom.The origins of the festival embody this tension. It began in 1995, in the midst of the Siege of Sarajevo, one of the many cultural Read more ...