family relationships
Katherine McLaughlin
The growing pains of teenager Emanuel (Kaya Scodelario, best known for TV's Skins) are ably handled in Francesca Gregorini’s gentle and melancholy drama about grief, mortality and motherhood. Emanuel is obsessed with her mother’s untimely passing at childbirth and when new neighbour Linda (Jessica Biel), who bears an uncanny resemblance to her, moves in, Emanuel can’t help but become attached.In her second film (originally titled Emanuel and the Truth about Fishes) Gregorini proves she has a good ear for music with her mix of French pop (including the upbeat "Laisse tomber les filles"), Read more ...
Matt Wolf
Even Emma Thompson's finely honed deadpan delivery can go only so far in The Love Punch, a caper movie (remember those?) that moves from the implausible to the preposterous before sputtering to a dead halt. A revenge comedy nominally steeped in a desire to right social injustice, writer-director Joel Hopkins's film soon abandons all loftier aspirations in favour of one jaw-droppingly daft sequence after another. If you've ever wanted to see four distinguished British thesps d'un certain age don body-hugging scuba gear while they attempt to crash a French wedding by any means necessary, here's Read more ...
Matt Wolf
What is it with the London theatre and this particular Arthur Miller play? In 1987, Michael Gambon reached a career-best peak playing the Italian-American longshoreman, Eddie Carbone, in a defining National Theatre revival of A View From the Bridge directed by Alan Ayckbourn, and Ken Stott was arguably even more scorching in the same role on the West End five years ago. Now along comes the Flemish director Ivo van Hove to rattle the cages of received theatrical practice with a stripped-back approach to Miller's high-octane text that places the focus directly on leading man Mark Strong and an Read more ...
emma.simmonds
It's not often we're told to strap ourselves in for a drama - it takes quite some skill to make the everyday excite and to make ordinary lives seem extraordinary, but these are gifts that the Iranian director Asghar Farhadi has in abundance. His talent for meticulously structured, thriller-tense narratives, for coming at stories from an interesting angle (conducive to creating and capturing emotional charge) couldn't even be ignored by the Academy, who recognised 2011's A Separation outside the (niche) world cinema category, with an Oscar nomination for its screenplay alongside the gong Read more ...
emma.simmonds
Like his father Ivan (Ghostbusters) Jason Reitman has shown himself to be a sure hand at helming comedy, and his less commercial sensibility has resulted in films as spiky and interesting as Young Adult, Juno, Up in the Air and Thank You For Smoking. With his fifth feature - staring Kate Winslet and Josh Brolin - Reitman Junior tries something different, something initially more dramatic, but ends up back in comic territory anyway, albeit unintentionally.Set in 1987 during the titular US holiday weekend and narrated by Tobey Maguire (who seems to do this a lot - see also The Ice Storm, Read more ...
Tom Birchenough
Ten-year-old Ahlo is the energetic, cheeky, joyous centre of Kim Mordaunt’s drama The Rocket (Sitthiphon Disamoe as Ahlo, main picture), which follows him through a series of challenges towards a triumphant and redeeming final act. That may sound like a familiar narrative arc, but it’s told with new freshness and considerable humour in the film, which is billed as the first ever to come out of Laos.Made in the Lao language, it’s set in the remote and strikingly beautiful landscapes of the small, cut-off South East Asian nation. The peasant life that we see there may be poor, but continues Read more ...
james.woodall
French-Canadian Robert Lepage is a clever theatre inventor and tireless dramatist. This includes film, though with much less frequency than his stage pieces. The latter have refined themselves into films that are not going to get people running off the street but which are never less than thoughtful – and that is part of the problem. His stage imagination, so flexibly at work in The Dragons’ Trilogy and The Far Side of the Moon (which also became a film), wreaks endless visual and sonic surprises, and also allows itself to probe, three-dimensionally, philosophically. The screen can flatten Read more ...
Adam Sweeting
World War One overkill - if you'll pardon the expression - is a clear and present danger as the centenary commemorations gather pace, but this investigation of the roles of the interlinked royal families of Europe in the onrush of hostilities was as good a chunk of TV history as I can remember. Informative and detailed but always keeping an eye on the bigger picture, it made me, at any rate, start to think about the road to 1914 in a different light.The pivotal figure was Queen Victoria, whose influence we could see reaching far beyond the immense era named after her and onwards into the Read more ...
Kieron Tyler
The DVD release of this devastating film brings its impact even closer. Watching it at home is a squirm-inducing experience which brings moments where it’s hard to fight the urge to leave the room or put your hands in front of your face. The overpowering effect stems from more than the discomfort of watching the young boys Arbor and Swifty attempting to navigate through a world which is against them, out to exploit them and, ultimately, probably going to exclude them despite the integrity of their friendship.The Selfish Giant hinges on the extraordinary, magnetic presences of Connor Chapman Read more ...
David Nice
The dishonourable parents call each other "fucking headcase" and "asshole" in front of the child rather than "nasty horrid pig" and "your beastly papa", but the essence remains of Henry James’s social comedy with queasy undertones. As transplanted by directors Scott McGehee and David Siegel from late Victorian London to contemporary New York, six-year-old Maisie – she doesn’t age, as she does in the novel, for obvious reasons – is still the shuttlecock rebounding from one careless divorcee’s racket to the other’s.Since the fragments of dissolution and dishonour are seen entirely through Read more ...
Lisa-Marie Ferla
Among all the frank, hilarious bits that peppered Caitlin Moran’s bestselling book How To Be a Woman, it was the early chapters – the ones that dealt with the author’s unconventional upbringing in the suburbs of Wolverhampton – that seemed most ripe for repackaging for television. Whether Raised by Wolves lives up to its promise as a coming-of-age comedy drama for any teenage misfit that ever had an annoying sibling remains to be seen. So far, only this pilot episode has been produced. But on the strength of this sample Channel 4 could do worse.Although co-penned by Moran and her sister Read more ...
Katherine McLaughlin
Alexander Payne is at home with the road movie. From mid-life crisis in Californian wine country in Sideways to dealing with life after the death of a loved one in About Schmidt, he has a knack of tapping into the human spirit and an affinity with the American landscape. Taking great lengths to elicit the whirs and hums of vehicles and the many bumps along the open road, his exploration of the USA is always an eye-opening experience. Nebraska is no different and is the setting for a Midwestern adventure which captures the essence of an agricultural town, the antics of an elderly community and Read more ...