family relationships
Gary Naylor
Thirty years on, Alex and Jason meet at a university reunion and cab it back to Jason’s old student house where Alex is thinking “probably…” and Jason is thinking “probably not…” - each, it turns out, with good reason. We look on as the clumsy fumblings of youth get replaced with the anxious fumblings of middle age, two temporal spaces coming together in one room. Deborah Bruce’s new play for the Hampstead Downstairs eschews the opportunity to take potshots at her generation (no “OK boomer” vibe here) and instead treats seriously a collection of issues that will have said boomers Read more ...
Joseph Walsh
Back in 2017, a non-speaking autistic teen, Naoki Higashida wrote and published The Reason I Jump. He hoped it would offer some insight into the minds of people with autism. The book was subsequently translated by Keiko Yoshida and her husband, Cloud Atlas author David Mitchell. The book was a publishing sensation featured on US talk shows, and seemed to herald a new day for how we understand neurodiversity. In the simplest terms it argues that, trapped beneath an autistic exterior, lies a rich, emotionally complex interior that can be unlocked. As much as it drew praise, the Read more ...
Matt Wolf
Seventeen years after Ben Whishaw shot to attention playing Hamlet, this terrific actor is again playing someone "mad-north-northwest". Marking TV director Aneil Karia's feature film debut, Surge casts Whishaw as a jittery wreck called Joseph, whose psychic decline is tracked across 100 largely wordless minutes that nonetheless communicate a mounting dread. Possessed of a manic laugh that puts one in mind of Joaquin Phoenix's Joker, Joseph exists at sorrowful odds with himself, and Whishaw pulls you toward the demons of a man from whom you'd distance yourself in real life. When first Read more ...
Matt Wolf
An attractive and likeable cast remains the principal drawing card of Trying, the Apple TV+ romcom centred around the efforts of a 30something couple to adopt a child. Following on from the first season aired last spring, Andy Wolton's creation gives pride of place to a terrific assemblage of actors, who carry the day even when the piece itself seems to tread faintly overfamiliar ground.You feel, for instance, as if you've already heard the sort of badinage that bonds Nikki (Esther Smith) and Jason (Rafe Spall), the affectionately sparring duo who may debate the age your shoulders drop (not Read more ...
Matt Wolf
Emotions don't come in half-measures in Rare Beasts, with which Billie Piper makes a commendably edgy debut as writer-director onscreen while affording herself a stonking star part. Dedicated., we're informed, to "all my friends and all their woes", this self-described "anti-romcom" may be too stylistically indulgent for some.But see out its excesses and you emerge with a potent look at three very different relationships amidst our rancorous, chaotic times. And Piper, back in our midst for the first time since I Hate Suzie, here confirms herself as a huge talent who never chooses the easy Read more ...
Markie Robson-Scott
It’s not until the final moments of End of Sentence that Frank (John Hawkes) lets himself laugh – he’s swimming in the icy waters of an Irish lake - and what a relief it is to hear. Icelandic director Elfar Adalsteins’s debut feature (Sailcloth, a wordless short starring John Hurt, won several awards in 2011) is a study in family shame, masculinity and keeping things inside.In this father and son road movie, set in the US and Ireland with a script by Michael Armbruster (Beautiful Boy), we slowly find out why Frank is so buttoned-up – he never takes his shirt off, not even in bed. His Read more ...
Matt Wolf
Nancy Mitford's 1945 literary sensation looks poised to be the TV talking point of the season, assuming the first episode of The Pursuit of Love sustains its utterly infectious energy through two hours still to come. Adapted and directed by the actress Emily Mortimer, who has given herself a plum supporting role as an errant mother known as "the Bolter", the between-the-war three-parter is off to a galloping and giddy start, as if taking its cue from the breathless Linda (Lily James) at its ever-pulsating heart. The course of true love may not run smooth, to co-opt a line from a Read more ...
India Lewis
China Room, Sunjeev Sahota’s third novel, is a familiar, ancestral tale: the story of Mehar, living in late 1929 in rural Punjab, is narrated alongside that of her unnamed descendant in 1999, who has grown up in England. Despite the hardships endured by the book's protagonists (arranged marriage and heroin withdrawal, respectively), it is a gentle, if not particularly gripping read. There is, however, a mystery to be solved, set up in the book's first line, when Mehar isn’t allowed to know which of the three brothers is her husband. Sahota explores this delicately, turning over and examining Read more ...
Mark Kidel
Sufjan Stevens is not only prolific, multi-talented and wide-ranging in his experimentation, but he never fails to make interesting work. He’s undoubtedly one of the giants of American contemporary music. His originality and creative risk-taking have led to him being one of the most underrated artists of his time. His latest album – over two hours of instrumental composition and made during lockdown – is a daring, profound and fiercely personal requiem to his recently-deceased father.Convocations, hot on the heels of Stevens' s previous album The Ascension (2020) is a lengthy suite of both Read more ...
Markie Robson-Scott
“The only child I’ve ever had is you,” the artist’s wife (Lena Olin), spits at the artist, her considerably older husband (Bruce Dern), who retorts, “That was your goddamn choice so don’t blame it on me.”Although the setting – a wintery East Hampton – is gorgeous, this portrait of Richard Smythson, a celebrated abstract artist just diagnosed with Alzheimer’s, and his equally talented wife Claire, who gave up her own painting career in favour of his, never veers far from a well worn path.It doesn’t bear comparison with Nebraska, where Bruce Dern played another senile old chap so magnificently Read more ...
Markie Robson-Scott
On the 30th floor of a Tokyo apartment building, a charming little boy brushes his teeth, watched over by his smiling mother who sings to him gently. He’s full of joy - today his dad’s coming with them on the walk to nursery school. The little family of three walk out together. All seems well – too well - in their comfortable, quiet world.Prolific Japanese director Naomi Kawase, a Cannes favourite (this is her 32nd film), brings her trademark views of dazzling sunlight seen through trees, sparkling waves lapping and languorous shots of faces to bear in True Mothers, though the story, adapted Read more ...
Tom Birchenough
The term most often used about Berlin director Angela Schanelec’s filmmaking seems to be “elliptical”, and her latest film, I Was at Home, But..., which won the Best Director award at Berlinale 2019, is no exception. Approaching it is like an associative process – you absorb elusive hints, as much from visual elements as from any suggestion of story, trying to gradually assemble something, almost like creating a mosaic. Except that Schanelec determinedly avoids endorsing any final picture: links are left open, and narrative, such as it is, is very much secondary to mood.And the mood of I Read more ...