mon 21/07/2025

electronica

Album: Kaidi Taitham - The Only Way

The broken beat movement, centred on West London around the turn of the millennium, wasn’t super press friendly. Its complex rhythms were eclipsed in the populism stakes by its close cousin UK garage, and serious commentators didn’t really know what...

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theartsdesk on Vinyl 78: Crass, Rhiannon Giddens, Rudimental, Ralfe Band, Ray Barretto, Ultravox and more

VINYL OF THE MONTHPere Ubu Trouble on Big Beat Street (Cherry Red)Respect to Pere Ubu. Most bands of this tenure (they’ve been around since 1975) with a leader, David Thomas, who’s 70-years-old, might fancy a triumphal tour playing their greatest (...

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Album: Lindstrøm - Everyone Else is a Stranger

The response to this album will depend almost entirely on whether the listener regards Norwegian electronic musician Hans-Peter Lindstrøm’s Seventies-synth-wizard-goes-disco thing as tasty noodle or just noodle.He’s tried on many hats over the years...

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Music Reissues Weekly: Musical Offering - works for the Soviet-era ANS synthesiser

One of the most striking scenes in Andrei Tarkovsky’s 1972 outer-space allegory Solaris is psychologist Kris Kelvin’s first encounter with a being which seems to be his wife, who had died a decade earlier. The unsettling incident’s inherent tension...

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Glastonbury Festival 2023: Down to the Paradise City

TUESDAY 27TH JUNE 2023I wake up around 11.00, get outta bed around 12.00.My carcass has been ridden over by Immortan Joe’s entire fleet of vehicles from Mad Max: Fury Road. My inner head has been scooped out like a cantaloupe. Where my brain once...

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Album: Lunice - OPEN

There are whole books to be written – indeed, hopefully being written – on how hip hop has interacted with dance music culture in North America over the past decade plus. From the overblown mania of rap megastars jumping on David Guetta tracks in...

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Album: Christine and the Queens - PARANOÏA, ANGELS, TRUE LOVE

Tony Kushner’s early 1990s play Angels in America is an epochal, mystical, political, state-of-the-nation address, revolving around the AIDs epidemic. By no means straightforward, its narrative runs the gamut from New York’s gay scene to God’s own...

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theartsdesk on Vinyl 77: Scuba, Dannii Minogue, Tito Puente, ABBA, The Undertones, Oracle Sisters and more

VINYL OF THE MONTHRahill Flowers at Your Feet (Big Dada)Rahill Jamalifard’s debut solo album somehow transmutes autobiography into gorgeous slow-pop. Of Iranian-American origin and best-known as singer of the band Habibi, she and FKA Twigs producer...

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Tallinn Music Week 2023 review - when music is unavoidably the language of freedom

Estonia’s Mart Avi styles himself as “the twilight samurai of alternative pop”. He creates “nowhere-somewhere music, mapping uncharted territories between avant-pop and timeless grandeur”. The characterisations are issued via AVICORP, his internet...

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Album: Kesha - Gag Order

Kesha is one of the 21st century’s most characterful pop stars. She’s regularly stepped out of the boxes people have put her in, musically and otherwise. But, even taking into account truly oddball songs such as “Godzilla” (from 2017’s Rainbow), or...

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The Great Escape Festival 2023, Brighton review - a long, hot, messy Day Three

“stay with the beer. beer is continuous blood. a continuous lover.” So said Charles Bukowski in his poem “how to be a great writer”. Who am I to argue. It’s a bright day and 11.50 AM. The sun isn’t past the yard-arm but the beer is cold and good....

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Róisín Murphy, Royal Albert Hall review - shamanic razzle dazzle keeps us on our feet

In one sense you know what you’re going to bet with Róisín Murphy. Disco beats, a lot of bright colours, costume changes, goofing about, kick-arse vocals, and hats – lots and lots of hats. And yes, all that was present and correct at the Royal...

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