Edinburgh Fringe
Veronica Lee
The Red Pleasance Dome ★★★★Comic Marcus Brigstocke has spoken in the past about his addictions and now he has written this two-hander, which he directs, that goes some way to explain the constant internal dialogue he and others like him experience.Benedict has been sober for 20-odd years but faces a big emotional challenge when his father dies. On the day of his dad's funeral we see him in John's extensive cellar, where a bottle of Château Lafite Rothschild 1978, the year of his birth, awaits him, as he reads a letter from John gifting it to him.As Benedict confronts his emotions about Read more ...
David Kettle
Urgent, fast-paced, seemingly never pausing for breath, How Not to Drown is a real-life boy’s own adventure, an appeal for compassion towards refugees, and an interrogation of nationality and identity. That’s quite a mix for a show of 100 minutes. But this bold, confident work, directed with somewhat breathless energy by Neil Bettles for theatre company ThickSkin, pulls it off brilliantly, on a revolving raised platform in Becky Minto’s rugged set. And it’s all the more remarkable because it’s true.Dritan Kastrati grew up in Kosovo, but his parents became increasingly alarmed as war grew ever Read more ...
David Kettle
If nothing else, Arabella Weir quips, she can thank her mother for providing the material for her first Fringe show. For Does My Mum Loom Big In This? (see what she did there) is the Fast Show and Two Doors Down actor/comedian’s reflections on motherhood, both her own to her two now twentysomething kids, but more importantly, that of her own mother – posh Scottish, Weir tells us, Oxford-educated, and permanently dissatisfied by the appearance, intellect and achievements of her disappointment of a daughter.So we duly discover the eccentricities of Weir Snr’s behaviour, from moaning about being Read more ...
David Kettle
A fat cat who gobbles up everything in sight. A king who tests his wife’s fidelity with increasingly horrific trials. A man whose flatmate is Poverty. It’s hard to ignore the scathing contemporary resonances in theatre company 1927’s sly, witty new Roots, getting its first European performances at the Edinburgh International Festival.The 1927 team cut their teeth in Edinburgh, way back in 2007 at the Fringe, with the gleefully gruesome Between the Devil and the Deep Blue Sea, a succession of miniature tableaux telling of devilish deeds and worrysome characters. Since then, they’ve gone on to Read more ...
David Kettle
Darren McGarvey AKA Loki: Scotland Today The Stand's New Town Theatre ★★★★★ Darren McGarvey (aka Loki the Scottish Rapper) won the Orwell Prize for political writing in 2018 for his book Poverty Safari, a startling, sometimes shocking examination of his own roots in deprivation and addiction in Pollok on the south side of Glasgow. The win shot him to stardom overnight, not least for the book’s unflinching dissection of poverty and privilege, and also for McGarvey’s equally uncompromising analysis of his own sometimes ill-considered opinions and perspectives. He Read more ...
Veronica Lee
Phil Wang Pleasance Courtyard ★★★Phil Wang used to perform as part of sketch group Daphne, and his new solo show's title, Philly Philly Wang Wang, hints at their sometime schoolboy humour. He starts the standup on the Edinburgh Fringe by dropping various puns on his name, and each manages to top the previous one. It's a strong start.But Wang is 29 and wants to talk about more serious things (although there's an extended fart gag in the set), such as how modern men think and act. He has some good material about why, still, women are the ones in straight relationships who have to Read more ...
Veronica Lee
Joanne McNally Assembly George Square ★★★★The area Joanne McNally treads (actually stomps might be a better word, given her fantastically high-energy performance) in The Prosecco Express is not new – she’s 36 and wondering if she should settle down and have children, or would that mean settling for less – but the Irish comic makes it her own.McNally tells us often filthy stories about her friends, married and single, with whom she drinks far too much Prosecco but whose lives give her food for thought. She a natural storyteller and there are some tall stories, but she knows how to Read more ...
David Kettle
Sea Sick CanadaHub ★★★★ She’s not a performer, Alanna Mitchell tells us. She’s a writer and journalist. But what she’s discovered about climate change, and specifically about its effects on the world’s oceans, has compelled her to tell us about it in this show.And it’s Toronto-based Mitchell’s unforced, unperformative directness – just a woman telling us a story, with a blackboard and chalk – that really carries her quietly gripping Sea Sick. That, and the increasingly worrying information she slowly divulges about the state of our seas, and about how that’s going Read more ...
Veronica Lee
On the Other Hand, We’re Happy Summerhall ****This affecting co-production between Paines Plough and Theatr Clywd of Daf James’s play takes a sideways look at adoption.Twentysomethings Abbi (Charlotte Bate) and Josh (Toyin Omari-Kinch) have been together for almost their entire lifetime. They’re solid, so it’s a shock when they can’t have a biological child, and they decide to adopt.The long drawn-out nature of the adoptive process is neatly essayed here, with endless discussion about what kind of child they wish/will be allowed to adopt, and the pitfalls to be avoided. One wrong step and Read more ...
Veronica Lee
Clive Anderson Assembly George Square ****Clive Anderson has obeyed the Fringe comedy gods and given his debut solo show a title and a theme. Actually, Me, Macbeth & I is mostly just him talking very amusingly for an hour about his days in the Cambridge Footlights, his dual careers in law and on television - and that interview with the Bee Gees.He’s a fantastic raconteur, even if he does have a verbal tic of “Oh I must just mention this”, or “Before I tell you that”. Anderson is so full of stories that if he did lose his place in the script it really wouldn’t matter.Anderson demonstrates Read more ...
David Kettle
Deer Woman CanadaHub ★★★ You can feel the fury emanating from the stage in Tara Beagan’s incendiary solo play. Fury at the thousands of Indigenous Canadian women and girls who have gone missing in recent decades, abducted, raped and killed, and often never found (or even looked for). And fury, too, at well-meaning white liberals wringing their hands at such atrocities, yet ultimately doing nothing – like the majority of those in the audience, in fact.It’s a startling, extreme show, delivered in a spellbinding performance by Cherish Violet Blood that seems to dare Read more ...
David Kettle
Physical theatre company Theatre Re are virtually Fringe royalty these days, with a several-year history of fine shows under their belts, plus success internationally and at the London Mime Festival. And judging by their assured and richly resonant Birth this year, they’re just getting better and better – their productions more ambitious, more accomplished and with greater thematic depth.Following last year’s tearjerking take on dementia, The Nature of Forgetting, this year’s offering tackles – well, nothing less than human life itself. Birth follows three generations of women in the same Read more ...