Edinburgh Fringe
Veronica Lee
Tennessee, Rose, Pleasance Dome ★★★Clare Cockburn's new play posits the notion that all the women in Tennessee Williams' work were inspired in some way by his older sister, Rose, who spent most of her life in mental institutions after being lobotomised.Cockburn explores how Tennessee Williams' raw examination of the human spirit and the repeated themes of forbidden love, betrayal and mental fragility in his work came from his own life.Cockburn works in two timeframes: one where Rose (Anne Kidd) is old, feeble in mind and body, and another, back when she and Tennessee (Aron Dochard) are Read more ...
David Kettle
Adults, Traverse Theatre ★★★Outside the festival madness of August, Edinburgh is a bit of a village. So it’s no surprise if you keep bumping into people you know. For entrepreneurial Zara, however, it nonetheless comes as a shock that the latest client at her fair-pay sex-work collective is her former teacher Iain, there to try things out with a guy for the first time. The awkwardness levels crank up even further, though, with the arrival of Jay, Iain’s partner for his allotted 45 minutes, as well as Jay’s crying baby, and a mobile phone that can record the whole affair.There are Read more ...
David Kettle
Casting the Runes, Pleasance Courtyard ★★★★ A viciously critical review gets its unfortunate writer driven mad and sent to an untimely death in this adaptation of a macabre MR James chiller. In that case, I’d better be careful what I say about British movement and puppetry company Box Tale Soup’s fluent two-hand staging. Though to call their Casting the Runes a two-hander isn’t strictly correct: actors Noel Byrne and Antonia Christophers (who also adapted the tale for the stage, adding in a few choice elements from elsewhere in James’s output) are joined by three puppets in Read more ...
Veronica Lee
Rob Auton, Assembly @Roxy ★★★★ Rob Auton has previously done shows around a theme – the colour yellow, hair, the sky, to name a few - because, he says, he can become a little bit obsessed with a subject. Now, though, he wants to do his most personal show yet, hence The Rob Auton Show.It’s a lovely hour of storytelling as he decribes how he came to this point in his life. He talks about his childhood, his early career as a graphic artist, his swerve into comedy, his marriage last year. It’s gentle and heartfelt but packs some very big laughs.Auton, a laidback performer, isn’t a stand-up Read more ...
Veronica Lee
Groomed Pleasance Dome ★★★★“How can a truth be told? How can a secret be spoken?” Patrick Sandford asks in Groomed, his searingly honest account of his experience of abuse by a teacher at primary school several decade ago. Over 50 minutes he recounts his tale, weaving in other stories to illuminate his own.At first it’s not clear why there is a saxophonist on stage (playing music by Simon Slater) providing an intermittent soundtrack. But as we hear about the accident-prone Belgian inventor Adolphe Sax and a Japanese soldier who didn’t surrender until long after the Second World War was Read more ...
David Kettle
FOOD, The Studio ★★★There’s no denying it: Los Angeles-born Geoff Sobelle is a theatrical magician (quite literally – it’s how he began his career). Through a string of visually spectacular shows on the Fringe and more recently at the International Festival, he’s unleashed wildlife into the streets of Edinburgh, drawn aeons of history from a cardboard box, and even constructed an entire house on stage.So it’s perhaps no surprise that, for his new FOOD unveiled this year, Sobelle has transformed the Festival Theatre’s smaller Studio space into the setting for an immense dinner party Read more ...
David Kettle
Heaven, Traverse Theatre ★★★★★It’s a rare show that combines form and content to quite such devastatingly potent effect. The storyline of two-hander Heaven from Dublin-based Fishamble theatre company might seem simple: a middle-aged couple return to their former home town, where they encounter old (and new) flames, leading to a reassessment of their partnership, love and hopes.Despite the narrow focus of the material – examined in forensic detail in Eugene O’Brien’s penetrating script – there’s nonetheless a mythic quality to these two everypeople, buffeted by forces greater than Read more ...
David Kettle
Stuntman, Summerhall ★★★★★Masculinity and violence are hot subjects for theatrical examination – and dance theatre two-hander Stuntman from Scottish company Superfan is far from the only Fringe show that investigates them this year. What makes Stuntman stand out, though, is a particularly playful, even tender perspective on those forbiddingly thorny issues, and a joyfully light-touch appraisal of their crucial impact on male identity and relationships.The show might begin with gleeful live-action re-enactments of shoot-em-up hyperviolence from the two swaggering performers, all Read more ...
Veronica Lee
Ania Magliano, Pleasance Courtyard ★★★ When Ania Magliano made her Fringe debut last year, her show was rightly garlanded with four- and five-star reviews. She sounded like an original voice on the comedy scene and this year her show, I Can’t Believe You’ve Done This, sold out its entire run before the festival opened.An hour that is ostensibly about the comic’s worst haircut doesn’t sound enthralling, but of course it works both as metaphor about overcoming adversity and a structure for the comedy as Magliano talks about her recovery from a sexual assault.She uses the hairdresser’s lack of Read more ...
Veronica Lee
Ed Byrne Assembly Rooms ★★★★★ Ed Byrne has frequently referenced his loved ones in previous shows but this new hour is one he would never wanted to have written, as it was prompted by the death of his younger brother, Paul, last year. Its title, Tragedy Plus Time, is taken from an aphorism attributed to Mark Twain about the definition of humour.But this is no misery memoir, far from it – Byrne is too talented a comic for that, and it’s a gag-filled hour, albeit one that deals with death and its impact. Byrne also poses some questions about the nature of sibling love and rivalry, and the Read more ...
David Kettle
The Death and Life of All of Us, Summerhall ★★★★Victor Esses was 16 when he first discovered his grandmother had a sister – someone the family had never discussed. It was just a year after his own first illicit visit to a gay sauna.Esses’s deceptively slight show – just him, a couple of microphones, some clips of video interviews and characterful musical contributions from guitarist Enrico Aurigemma – might begin as something of a whodunnit mystery tale, as Esses tracks down the mysterious elderly woman to a golf club outside Rome. But it quickly moves on to profounder – and, Read more ...
Marc Burrows
In a very real sense, Terry Pratchett taught me how to write. I first came across his work when I was 12 years old, in the early 90s.My parents had been given copies of two of the earliest books in his Discworld series, Guards! Guards! and The Colour of Magic, by a bloke down the pub – which is how you’re supposed to get Discworld books – and, knowing that I was an utter nerd with a preposterously overactive imagination and a love of silly humour, passed them down to me.I loved them from the word go, and not just because there’s (unusually for Pratchett) swearing in the opening pages of both Read more ...