Edinburgh Fringe
Veronica Lee
In 1994, a group of students at Bretton Hall drama school – Jeremy Dyson, Mark Gatiss, Steve Pemberton and Reece Shearsmith – began writing and performing together. They took as their name the title of a Jack Hawkins film, The League of Gentlemen, and in 1997 won the Perrier Comedy Award at the Edinburgh Fringe. The show, set in a fictional village peopled by some colourful characters, was on BBC Two between 1999 and 2002 and was made into a film in 2005. The four members, meanwhile, have gone on to write and/or star in various projects, singly or in various permutations.So it was a mightily Read more ...
Veronica Lee
It's not often the publicity material for a comedy show has a health advisory attached. If you are allergic to eggs you may have to give Natalie Palamides' show Laid – which won best newcomer at the lastminute.com Edinburgh Comedy Awards at the Fringe in August – a miss, and that would be a shame.It is by turns delightful and disturbing, as Palamides – a Los Angeles-based actress and writer from Pittsburgh who appears as Buttercup in The Powerpuff Girls – explores motherhood, fertility and many things beyond as she brings her playful but knowing character to life. Literally, as at the start Read more ...
theartsdesk
Wondering what on earth to choose between as you tramp the streets of the festival? These are our highlights so far.STANDUPAthenu Kugblenu, Underbelly Med Quad ★★★ Strong debut hour of political and identity comedyCally Beaton, The Caves ★★★★ Single motherhood, autism, sex with women, the corporate world: original and cleverDad’s Army Radio Hour, Pleasance Dome ★★★ Scripts of born-again sitcom classic delivered with real light and shadeDarren Harriott, Pleasance Courtyard ★★★ Extrovert with strong material on politics and personal historyElliot Steel, Gilded Ballroom ★★ Slacker lad's tales Read more ...
Veronica Lee
Ingrid Oliver ★★★★ Ingrid Oliver is an old Edinburgh hand as one half of the sketch duo Watson and Oliver, but this is her debut solo show, and a very fine one it is. The set-up in Speech! is that she plays various characters giving speeches – among them a nervous TED-talker, a man leading an improv class, and a boorish student-union activist who wants to no-platform everybody ("As students we shouldn't have to engage with other people's opinions").The highlights are a pitch-perfect routine about a shock-jock radio host not a million miles away from Katie Hopkins, dropping her “truth Read more ...
David Kettle
Meet Me at Dawn ★★★★★ Edinburgh-based playwright Zinnie Harris is the subject of a particular focus at this year’s Edinburgh International Festival, with three productions in collaborations with leading Scottish theatre companies. Her blazing adaptation of Ionesco’s Rhinoceros has been pulling crowds at the Lyceum Theatre, and her searing Aeschylus reboot This Restless House, created with Glasgow’s Citizens Theatre and the National Theatre of Scotland, opens next week.It’s another Greek myth – that of Orpheus and Eurydice – that simmers in the background of Meet Me at Dawn at the Read more ...
Veronica Lee
Hannah Gadsby ★★★★This is Hannah Gadsby's last show, she tells us. Not because she has stopped being funny (she most definitely hasn't, as the laugh count in this show attests), but because making comedy out of her life experience has become toxic for her.Over the years, Gadsby's shows have had increasingly personal content - about being a lesbian, her depression and growing up gay in a deeply homophobic society. And then last year, when the debate about gay marriage hit the headlines in her home state of Tasmania (it's still not legal), something shifted, and she realised how much anger she Read more ...
David Kettle
Pike St ★★★★ London-based theatre company Paines Plough’s pop-up touring venue Roundabout has been a regular Edinburgh Fringe fixture for the past four years, nestled in nicely among the redeveloped veterinary buildings of Summerhall. And it’s been home to some of the Fringe’s most exciting new writing, too, both from Paines Plough itself and visiting companies. Pike St is a near-miraculous solo show featuring a tour-de-force performance by New Yorker Nilaja Sun, who also wrote its very funny and very moving text. Miraculous (or near miraculous at least) not only because of Sun’s uncanny, Read more ...
Veronica Lee
Tom Allen ★★★★ Tom Allen is celebrating his 10th year at the Fringe, and he appears to be having a ball – and so do we. He bounds on stage full of energy and does a fantastically strong 10 minutes' interaction with the audience, and when he finds comedy gold in the front row with a management consultant, a nurse on a liver ward and a judge, he dextrously weaves details of their lives into the show.Absolutely is more of the conversational comedy that Allen has honed over the past decade, and there's a pleasing touch of the television host about him (someone please give this man Read more ...
Veronica Lee
Kiri Pritchard-McLean ★★★★Appropriate Adult has an unlikely subject for comedy – Kiri Pritchard-McLean's work with vulnerable teenagers. But it proves rich territory as she recounts her relationship with one in particular, 15-year-old “Harriet”. Don't worry, it doesn't pose an ethical issue, as the comic, rather than the child, is the butt of the jokes – of which there are plenty.Pritchard-McLean, hugely likeable and energetic, is disarmingly honest about her motivations for doing such work. It's not entirely selfless, she tells us; it gives her an excuse to feel smug, and she can act Read more ...
Veronica Lee
Tiff Stevenson ★★★★“I identify as a 10!” Tiff Stevenson tells us in Bombshell. It’s a strong opener, particularly as she follows with: “And if you don’t agree you’re beauty-phobic.” It’s not to boast, though, more marking her territory in a show about the shifting sands of modern sexual politics. Why should women identify with a male view of the world?She playfully sets up the seeming incongruity of loving to dress in leopardskin while being able to talk about the semiotics of feminism - the two aren't mutually exclusive, after all, and how you see yourself is not necessarily how others Read more ...
David Kettle
Eve ★★★★Transgender issues are high on the agenda at this year’s Fringe, with the energetic Testosterone at the Pleasance and the breezy You’ve Changed from Northern Stage at Summerhall among the stand-outs. In addition, the National Theatre of Scotland brings two trans-themed shows to the Traverse Theatre. Eve is a deeply personal, autobiographical work from playwright Jo (formerly John) Clifford, co-written with Fringe regular Chris Goode, that reflects on the challenges and joys of her life from a fearful young boy – before being transgender was even considered as a concept – to the Read more ...
David Kettle
Rhinoceros ★★★★★Marketed by an image of a Trump-quiffed and -besuited pachyderm, Zinnie Harris’s new version of Ionesco’s absurdist 1959 comedy is one of the International Festival flagship shows for 2017, a collaboration between Edinburgh’s own Royal Lyceum Theatre and Istanbul’s DOT Theatre. And with its wild, scabrous humour and its blazing, furious energy, it doesn’t disappoint. This is a Rhinoceros very much for our times, with fake news, mistrust of immigrants and even a USA gone to the dogs under a tinpot dictator all firmly referenced, in amongst Ionesco’s tale of the Read more ...