Dulwich Picture Gallery
fisun.guner
Last year, like every year, is a bit of a blur. I saw a lot, but all the good stuff seems to have clustered near the end. Maybe an end-of-year cultural bloat has finally settled. Anyway, to help jog the memory, I think I should start bottom-up. Leonardo da Vinci: Painter at the Court of Milan (National Gallery, until 5 February) is a good place to kick off. It was always going to be the show that would get the most protracted drumroll, but with only nine paintings by the Renaissance Master himself and two questionable attributions, was it really all that in the flesh? Well, I can Read more ...
fisun.guner
Norman Rockwell’s America. What did it look like? At the height of Rockwell’s incredible fame as an illustrator, you might say it looked a lot like a movie still. Think of the films of Frank Capra, for instance: heartwarming scenes of family life shot through with poignancy as well as humour. This vision came with an instinctive appreciation that the most precious things we have in life are also the most transient and fragile. It’s a vision that clearly comes with a sense of empathy for the common man, an empathy that elevates his American everyman into the heroic figure of home and hearth. Read more ...
howard.male
The first thing to say about Drawing Attention is that its title decidedly undersells the scope of this compelling and unpredictable exhibition, which spans five centuries and includes 100 works from the Art Gallery of Ontario’s collection. Most of us might define a drawing as some kind of monochromatic sketch, either produced by the artist as preparatory work for a finished painting, or to capture some ephemeral moment. The drawing represents artists, paradoxically, at their most casual and yet most focused, transcribing what is seen with intense concentration, yet often rendering it with Read more ...