drama
Paula Milne
Each decade is a response to and reaction again the previous decade. I’m a child of the Sixties, which were clearly to some extent a response to the post-war austerity of the Fifties. You felt the presence of the war. It was the elephant in the room. My parents’ generation had fought or driven ambulances and been informed by its values. My father was blinded in the last week of the war. After the trauma of war, his generation seemed to seek contentment and stability. To us, their children, they seemed so staid - the heated trolley for the food in the dining room, the make-do-and-mend and Read more ...
josh.spero
The great problem for holistic detective Dirk Gently is that he lives in a post-Moffat/Gattis-Sherlock era. How can any private investigator shine after the wit, intrigue, technology and bromance of that show? It helps that Gently, created by Douglas Adams, is a largely different beast: a picker-up of random threads, a believer that logic will never take you as far as chance. But he stands small in Sherlock's shadow.The plots of this first episode of three were unlikely. A man was murdered after developing software which allows you to input the wished-for ending of a course of action then Read more ...
Jasper Rees
Can any drama work in which half the dialogue takes place by cellphone? Last night a new dose of Kidnap and Ransom gave this thorny question a thorough workout. Trevor Eve, bestubbled, gravelly and never very comedic, is back doing his Trevor Eve thing as Dominic King, a primetime hostage negotiator who never seems to have problems with his mobile battery. Clearly not an iPhone man.In this instalment he had just wrapped up a deal releasing 10 hostages in a crowded Srinagar when at the nervous hand-over bullets flew, the chief kidnapper was shot dead. In the ensuing melee a young couple ran Read more ...
Emma Dibdin
You remember Upstairs Downstairs – the lavish 2010 period drama-cum-soap based around servants and their masters that had the misfortune of not being named Downton Abbey. Making its entrance some three months after ITV’s series despite being filmed first, Upstairs played like the indignant, overshadowed elder sibling to Downton’s effervescent, effortlessly successful young upstart. After all, in a drama war between the BBC and ITV, there can’t be many who were betting on the latter coming out on top in either ratings or critical terms, especially given the 40-year-old pedigree of the Upstairs Read more ...
Jasper Rees
Prisoners’ Wives belongs in a hoary tradition of television drama which finds women doing it for themselves. The men are always otherwise engaged, being either dead or useless or, in the case of Prisoners’ Wives, as it implies on the tin. In the old days such dramas were usually written by one of Lucy Gannon or Lynda La Plante or Kay Mellor, but here the broad brushstrokes are applied by Julie Gearey.On the evidence so far, each episode concentrates on one of the four main female characters while keeping an eye on the stories of the other three. In the opener we shared the ordeal of young Read more ...
emma.simmonds
“Paradise can go fuck itself”: the candid words of a disillusioned middle-aged man in director Alexander Payne’s latest road-to-redemption dramedy. He’s referring to the irritating presumption that Hawaii’s idyllic surroundings in some way shield its residents from the mire and misfortunes of life. Although there’s a smattering of such sourness in Payne’s adaptation of the novel by Kaui Hart Hemmings, for the most part this tale of a father reconnecting with his daughters is surprisingly sweet.In The Descendants a pleasingly shaggy George Clooney plays Matt King, a Hawaiian lawyer and Read more ...
Veronica Lee
Much has been made of the quality of drama currently or recently on British television - Downton Abbey, Sherlock, Cranford, any number of Dickens adaptations we are about to see during 2012 - and rightly so. But as The Good Wife starts its third season on More4, it's worth noting that when it comes to modern-day serials, the Americans are more than a match for British bonnets and book adaptations.And so it proved in last night's opener; a show that can start a new season by letting two of its stars finally get to tango after two series of meaningful looks across the open-plan office, Read more ...
Jasper Rees
What is it about Denmark? What, specifically, is it about Danish drama? I am currently fourth in the queue to borrow a box set of The Killing ( I know, I know: late), which all experts advise is as lethal as crack and to which Jennifer Saunders lately paid hilarious homage in Absolutely Fabulous. Borgen has just started trafficking across our screens, and last autumn there was the piercingly good low-budget film The Silence, partly German but also robustly Danish in its aesthetics and ethics. And now there’s In a Better World, best film at last year’s European Film Academy. And deservedly.It Read more ...
Jasper Rees
Since Prime Suspect introduced television viewers to the writing of Lynda La Plante, the concept of event television has lost a little of its lustre. Such was the remarkable heft of La Plante’s storyline about a serial killer and Helen Mirren’s performance as DI Jane Tennison that schedulers have ever since been sending out their pedigree crime dramas in great big lumpy chunks. Twenty years on, La Plante doesn’t quite kick down the door the way she used to. Above Suspicion is back for a fourth formulaic turn around the block and it’s going out not on three consecutive drop-everything evenings Read more ...
Jasper Rees
Diehard Morsians have been harbouring murderous thoughts ever since it was announced. No doubt they communicate these to one another in fiendish acrostics and cryptic clues. It was one thing giving Lewis his own spin-off, quite another to bring Morse back to life in the form of a prequel. The heretical suggestion of Endeavour is that the grumpy old sleuth did not in fact spring fully formed into the world in the shape of John Thaw, with that slow world-weary lope and a withering glare lurking in those iridescent peepers.Well, at least the eyes have it. Shaun Evans is in most respects a Read more ...
Kieron Tyler
“For three weeks the Beans leave rich pickings for us Borrowers”. It’s probably not how most of us see the Christmas season, but if you’re a miniature person living under the floorboards, the seasonal treasures of the full-size humans – Beans – are irresistible. Setting this lovely one-off adaptation of Mary Norton’s books about the tiny recyclers over the advent count-down and bringing it up to date might have been obvious, but it charmed.The Clock family live under the floorboards of the house lived in by Human Bean Granny Driver. Living with her is lonely James, her grandson. His mum has Read more ...
Adam Sweeting
Though the wind had wailed mournfully through the plot-holes of the second series of Downton Abbey, writer Julian Fellowes was in his element for this two-hour Yuletide spectacular. With the characters in place and a cluster of storylines tantalisingly in play, it boiled down to a grand game of tying knots, building climaxes and sawing off the loose ends. Framed as a Christmas shooting party with a grand gathering of friends, relatives and prospective in-laws, it was the Gosford Park of the Downton canon.It was a year on from the end of the Great War, but while Matthew Crawley was Read more ...