documentary
theartsdesk
There's a strong distaff presence in theartsdesk's third DVD round-up. The headline film is Kathryn Bigelow's superb war thrillerThe Hurt Locker, currently mopping up awards in the US and a hot favourite for the Oscars. Also in the mix: Audrey Tautou as the redoubtable doyenne of French fashion in Anne Fontaine's Coco Before Chanel and Julie Christie in Sally Potter's avant-garde 1983 debut feature The Gold Diggers. Fear not, however: a robust testosterone level is maintained by Quentin Tarantino's Inglourious Basterds, by the hit stag-party comedy The Hangover and by Antichrist, Lars Read more ...
sheila.johnston
He thought he owned his property - he had the title deeds to it, after all - but suddenly the ground shifted under his feet and there came an aggressive bid to snatch his home away. His savings became worthless in the economic chaos; the social order was crumbling. The nightmare has become all too familiar over the last 18 months. But in Mike Campbell's case there was a further cruel turn of the screw: he lived in Zimbabwe. Recently named Best British Documentary of 2009 and shortlisted for an Oscar, this film tells the remarkable story of how Campbell singlehandedly took Robert Mugabe to an Read more ...
Jasper Rees
It always used to be said that boarding school prepares you for every hardship. Whether that includes prison in one of the most impenitent dictatorships in Africa is not a question that was put to Simon Mann in last night’s edition of Storyville. Mann, still incarcerated when the BBC caught up with him, was awaiting a pardon from President Teodoro Obiang, the very potentate he had attempted to topple five years earlier. Never mind that they like to keep a battery and electrodes handy for interrogations, Mann wasn’t about to slag off the great man’s excellent hospitality. Goodness, Eton really Read more ...
joe.muggs
In a pirate television (pirate television!) broadcast from 1992, a large group of Russian youths in flat top haircuts and leather jackets discuss Depeche Mode's appeal. “It's romantic style,” suggests one with absolute assurance, “it's music for the lonely.” It is just one touching, funny moment in a film packed with them, but it also sums up what The Posters Came From The Walls is about. This “music for the lonely” by a band of awkward blokes from Basildon has brought this group of young people together, as it has all the legions of devoted lovers of the band that we see throughout the 58 Read more ...
gerard.gilbert
That queen of solipsism, Katie Price, hasn’t been the only person on TV this week seeking “closure” (loved the short but savage Graham Norton spoof of Price on Monday night's show, by the way), and a new documentary series, We Are Family, is offering four collections of relatives the chance to settle their differences on camera. And no need to dine on wichetty grubs either. In fact the opening clan, the Minchews, was put up in a country-house hotel as its members patched up their feuds and prepared to embrace the sentiment of the eponymous Sister Sledge ditty.The eight Minchew siblings, or Read more ...
aleks.sierz
At first glance, verbatim theatre is a total bore. This form of drama, which collects the words spoken by real individuals and puts them into the mouths of actors, has been a central plank of the rebirth of political theatre since 9/11, but its pleasures tend to be cerebral rather than visceral, moral rather than physical. Attending a verbatim theatre event - such as Out Of Joint's latest show, Mixed Up North - usually makes you feel good as a citizen rather than as a person. You feel worthy, but don’t usually have much fun.Written by Robin Soans, Mixed Up North (which finishes its nationwide Read more ...
sheila.johnston
Upon emerging from Sheffield railway station, one of the first things you clap eyes on is Andrew Motion’s 2007 poem What If? unfurling down the side of one of the university tower blocks and gleaming faintly in the last of the autumn sun. With its exhortation to “greet and understand what lies ahead... The lives which wait as yet unseen, unread,” it’s not a bad incidental epigram for a festival of documentary film-making whose trailer was inspired by the city’s cosmopolitan identity. Doc/Fest opened on Wednesday with Mat Whitecross’s Moving to Mars (pictured below), about a family of Burmese Read more ...
Adam Sweeting
If you’d invested a thousand dollars with Warren Buffett in 1965, your stake would have grown to more than than five million bucks today. If the UK had followed one of Buffett’s golden rules of investment – Don’t Get Into Debt – our clapped-out rust-bucket of a nation might now feel like a very different place. Buffett's take on debt is that "if you're smart you don't need it, and if you're dumb you've got no business using it," which Gordon Brown should have etched on the inside of his glass eye.On the other hand, if everybody copied Warren Buffett’s diet, which consists of T-bone steaks, Read more ...
gerard.gilbert
Is John Prescott’s post-political TV career a form of atonement, a retirement gift to his lovely wife Pauline and a chance for her to share centre-stage in place of the diary secretary? Whatever the reason, Pauline Prescott has taken to the limelight like an MP to expenses, benignly batting her mascara-crusted eyelashes as the couple take another of their Jag-chauffeured tours, a faintly ludicrous Old Labour twist on King George VI and Queen Elizabeth visiting East End Blitz victims.Last year’s BBC2 documentary Prescott: the Class System and Me threw up no great insights – unless you count Read more ...
Jasper Rees
This review cannot start without a confession. More of a disclaimer, in fact. What you are about to read will not by any reasonable definition pass as a balanced critical response. I began my time at Oxford University in exactly the same week as Boris Johnson and indeed Toby Young, one of the makers of When Boris Met Dave. As a student, I knew or met half the talking heads who took part. As a journalist I know or have met most of the others. They all, to a man (and woman), sound like Prince Charles. So was it any good, this playful account of the birth of the modern Tory party in the cauldron Read more ...
aleks.sierz
David Hare is one of the giants of contemporary British theatre. His skill is to be the Balzacian social secretary who records the mood of the day. So his recent work has examined the state of the nation in a poetic rather than a literal way, and the result has usually been emotionally powerful and resonant. Whether the subject is Thatcherism in Skylight (1995) or New Labour in Gethsemane (2008), Hare is the man the National calls for whenever it feels the need to update us on the temperature of the times. But last night, as his new play, The Power of Yes, opened at the nation's flagship Read more ...
aleks.sierz
Playwright Joe Orton's untimely death has often threatened to eclipse his life. On 9 August 1967, he was murdered by his lover, Kenneth Halliwell, who then committed suicide. Although Orton had completed the first draft of his masterpiece, What the Butler Saw, he'd never got around to writing a play called Prick Up Your Ears, whose naughty, innuendo-heavy title had been suggested by Halliwell. But the title lived on. First as John Lahr's 1978 biography, then as Stephen Frears's 1987 film and now as Simon Bent's new play. Starring Little Britain's Matt Lucas as Halliwell and Chris New as Orton Read more ...