documentary
Adam Sweeting
America has been very good to Hugh Laurie. His starring role as Dr Gregory House has shot him to the top of the earnings tree in US television, while comprehensively demolishing existing preconceptions of him as the blissfully idiotic Bertie Wooster, or the half-witted Prince Regent in Blackadder the Third. You might even say that with House, Laurie finally got the chance to play Blackadder.It's a mutual transatlantic love affair, and Laurie's triumph as the manipulative medic has given him a platform from which to record an album of his adored blues and New Orleans music, Let Them Talk. In Read more ...
howard.male
“Some say it will end in fire, others say there will be a flood…” So began Horizon’s sobering look at past Armageddon-themed episodes. But why not both? As I was writing this review from a preview DVD, ahead of its original scheduled broadcast on 17 March, news came through that the accident at the Fukushima Daiichi nuclear plant in Japan had been upgraded to a level-six crisis, on a scale of seven. Two thoughts simultaneously occurred to me: firstly, that doing the review was tempting fate. And secondly, that such superstitious, solipsistic thinking was symptomatic of the human race’s Read more ...
Jasper Rees
Ian, who is having problems with erectile dysfunction, is freezing his wife out. Susan thinks she may be frigid which, understandably, her husband has taken personally. They’re all a lot better off than Dave, mind. He is in love with a woman who is ideal for him but he can’t seem to get past first base. It's making him suicidal. They all acknowledge there’s a problem, because they’re all in counselling with Relate. Slightly less conventionally, they’ve all agreed to have their sessions recorded and broadcast as part of a documentary. And pushing the boat out a little further, they appear on Read more ...
Adam Sweeting
The story of the Pitmen Painters, a group of Northumbrian miners who decided to study art appreciation in their spare time and developed into a group of untrained but powerfully expressive artists, has been documented in a book by William Feaver and a play by Lee Hall. Robson Green's particular interest in the story stems from the fact that he's a miner's son, brought up in Dudley, a few miles south of the pitmen's hometown of Ashington.Green may be a successful actor, but he's no art critic - "I would actually think, why is he showing us this?" he said, confronted with a slide of Read more ...
fisun.guner
Dr Michael Mosley has been involved in some pretty hair-raising stunts in the course of filming various biology strands for the BBC. So, I imagine he might have felt something like relief filming his new series Inside the Human Body. With neither potholing nor bungee jumping, nor tearing down a steep hill in a giant, transparent ball in the offing, the only terrifying thing the engaging presenter was required to do, at least for this opening episode of a four-parter, was to hold an hour-old baby. This was a lovely, tender moment in a film that told the story of human conception and Read more ...
Jasper Rees
Molly Dineen would go on to make films about Tony Blair and Geri Halliwell, but her career began among cut-glass colonials of the (very) old school. Home from the Hill and My African Farm, two films for 40 Minutes in the late 1980s, portrayed a crusty pair of Brits in stately Kenyan retirement. One, a charming old cavalry officer who had spent his life in the colonies, decided to return to a Blighty he barely knew. The other, a childless widowed battleaxe, sold her farm but dug her feet in. Viewed together, they made for a double portrait of a dying species: the lesser-spotted casually racist Read more ...
Kieron Tyler
“I thought I was creating metaphysical history by running Creation,” says the label’s Alan McGee in Upside Down. Seconds later the meat-and-potatoes rock of Oasis blasts from the soundtrack. The drug-assisted disconnect between such lofty aspiration and the grounded music of Oasis was never going to be bridged. Even by the man billed as “the president of pop”.Creation Records was destined to go down the tubes at some point, and the success of Oasis hastened that fate (Noel Gallagher of Oasis, pictured below). Luckily, unlike great British failures like Eddie “The Eagle“ Edwards, Creation Read more ...
Graham Fuller
The monumental documentary Sweetgrass captures the back-breaking final sheep drives by the herders of the Raisland-Allestad Ranch, Montana, into the vertiginous heights of the Absaroka-Beartooth Mountains, which lie north of the Yellowstone National Park in the Rockies. These herders’ purpose was to bring the huge flock to pasture on public land, a 19th-century tradition that became economically unviable in the 2000s. Lawrence Allestad and his wife Elaine ended up selling the ranch, which had been in business for 104 years, to a non-rancher in 2004 and their federal grazing rights to an Read more ...
lucien.castaing-taylor
I grew up in Liverpool, but my grandmother was from the Lake District - Wordsworth country, and about as rural and remote as could be. We used to stay with her on weekends, and I still remember the sense of freedom as we escaped the post-industrial detritus of Merseyside and Lancashire, and approached her cottage in this Arcadian paradise. But my bucolic fantasy was of course the projection of an urban child, who knew next to nothing about what it was like to actually inhabit this landscape, whether as a farmer, a sheep, a cow, a fox, or any other animal I spent my weekends gazing at.Decades Read more ...
igor.toronyilalic
At the heart of the creative orgy that was the Nouvelle Vague was one key love affair. A love affair so passionate it wasn't long before it turned into a full-blown hate affair. The friendship and fallout of directors Jean-Luc Godard and François Truffaut is the subject of Emmanuel Laurent's new documentary, Two in the Wave. For any Nouvelle Vague-ist, it ought to have been a joy. And for 50 minutes or so, it was. The story begins with the night of Les quatre cents coups's 1959 Cannes premiere. The night Truffaut the critic became Truffaut the director. The night the Nouvelle Read more ...
aleks.sierz
Space is a great subject for theatre. I’m not sure why but it might be something to do with the contrast between the irreducible groundedness of live performance and the imaginary flights of fancy that the audience yearns to take. Whatever the reason, memorable past explorations of this subject, from the Soviet side of the space race, include Robert Lepage’s The Far Side of the Moon and David Greig’s The Cosmonaut’s Last Message to the Woman He Once Loved in the Former Soviet Union. Now Rona Munro, whose new play opened last night, once again boldly goes deep into the history behind the first Read more ...
james.woodall
Wim Wenders (b 1945) is one of the great travellers of contemporary cinema. Multi-disciplinary and theme-driven, his work often asks questions about memory and identity, and pulsates with the strong spirit of very particular places. The worldwide success of Paris, Texas (1984), winner of the Palme d’Or at Cannes, made him a bankable director in the transatlantic movie business, but he’s always remained very European, if not necessarily in topic and location, then certainly in sensibility: sombre, quite slow, metaphysical on occasion – the latter displayed no better than in his famous portrait Read more ...