documentary
Thomas H. Green
Stacey Dooley is a chirpy media personality from Luton who first created TV ripples in 2008 on a BBC Three show called Blood, Sweat and T-Shirts. She made an impression then as a high street fashion fan who bridled at the Third World labour involved in much cheap garment production.So far, so Wikipedia - I’d never heard of her and was nonplussed when she popped up like a ditsy, toothy holiday rep fronting a travelogue programme investigating Peru’s ascension to the forefront of global cocaine production. This hour-long show was the first of three Stacey Dooley Investigates specials about the Read more ...
Adam Sweeting
Buying a used car is not for the squeamish at the best of times, but the notion of buying one from something called the Essex Car Company freezes the blood. Yet the idea of making a slice-of-life, fly on the wall, reality-tv-style doc about the aforesaid jalopy-shifting outfit radiates an unmistakeable allure.The introductory voice-over laid out the floor plan: "Two hundred used motors, a team of fast-talking salesmen, and car-buying customers from all walks of life." Perfect. We were introduced to James, the most successful of the Essex boys when it comes to getting those lumps of car-flesh Read more ...
Jasper Rees
Oddly, there is quite a cinematic sub-genre starring killer whales. The killer’s first (and worst) lead role was opposite a hammy Richard Harris in Orca, a shameless attempt by Dino De Laurentiis to ape the success of Jaws. Then came Free Willy, which in three icky instalments repositioned killers as essentially cuddly. That image took a dent in Rust & Bone after Marion Cotillard’s whale trainer spent much of the film without any legs courtesy of a captive orca. And now there’s Blackfish, a documentary which lifts the lid on the theme parks where killer whales work as aquatic circus Read more ...
Lisa-Marie Ferla
Last year I spent the summer reading A Life Too Short, a biography of former German national goalkeeper Robert Enke by his friend, the sports journalist Ronald Reng. It’s an incredibly emotive book that uses Enke's diary entries to tell the story of his playing career, his family life, his depression and, ultimately, his suicide in 2009 at the age of 32. It seems that although no end of campaigns try to break down the stigma of depression, or trot out statistics that one in four of us will ultimately suffer from it, in the end it’s usually the sufferers themselves left asking why something Read more ...
Jasper Rees
When television goes off exploring classical civilisation, you can hear those lines from The Life of Brian chiming in your head. “Apart from better sanitation and medicine and education and irrigation and public health and roads and a freshwater system and baths and public order... what have the Romans done for us?” Such has been the glut of Roman TV in recent times that no couch potato is in any further doubt. The Romans have kept the plebs royally entertained. But what of the Greeks?The ancient ones, that is. (Of their modern descendants we know quite enough from the financial pages.) What Read more ...
Nick Hasted
If the Nazis had remained in power, and the Holocaust been hushed up and excused, how might an SS officer feel in his autumn years about those slaughters in Belorussian clearings? What happens when the culture that demanded mass murder simply continues, and the murderers are treated as heroes, free to bask in their rewards for half a century?Such questions arise as, having been arrested whenever he tried to interview victims of Indonesia’s Sixties anti-Communist Terror (in which up to 2.5 million were killed with Western complicity), director Joshua Oppenheimer instead asked some of the Read more ...
emma.simmonds
"When you are in the middle of a story it isn't a story at all, but only a confusion," writes Margaret Atwood in Alias Grace, and it's these words that open Stories We Tell, fellow Canadian Sarah Polley's fourth film. This is Polley's first documentary - although it hardly does it justice to call it that. It starts by telling a family story - a story Polley herself is indeed smack bang in the middle of - which requires her to be both director and detective, and presents her with the seemingly impossible task of distancing herself. Yet as it progresses Stories We Tell evolves into something Read more ...
Adam Sweeting
I bought a new car recently, but by the end of The Route Masters (***) I was feeling a powerful inclination to sell it. The film would have rung a masochistic bell with anybody accustomed to trying to travel round London on a regular basis, and the soundbite claiming that the average speed of the city's rush hour traffic is 9mph sounded like a wild exaggeration.It was a gentle study in collective lunacy. Cab driver Howard Taylor, frozen in West End traffic, enunciated it neatly: "Anyone who drives in London has got to be off their rocker." Howard looked comparatively sane, so why is he still Read more ...
Tom Birchenough
Being a woman soldier in the Afghan army must rate among the world’s “least wanted” jobs, if only 14 applicants came forward for 150 places in the year’s intake covered in Afghan Army Girls. It apparently took a year’s negotiations to get a single camera allowed in to follow them over their six months' training, and even then some on the course insisted on having their faces blanked (understandable, when the Taliban threaten retaliation). After all that trouble, but more importantly because it spoke a real quiet truth, this insightful film from photojournalist Lalage Snow surely deserved a Read more ...
Mark Kidel
“Chronicle of a Summer” (“Chronique d’un été”) is one of the great documentaries of all time – and a work that could only have been made in France, home of the immensely influential Cahiers du cinéma and the constant ferment of speculation on the nature of film. The BFI’s release of the 1960 classic by Jean Rouch and Edgar Morin couldn't be more timely: documentary flourishes today as at no other time in the history of cinema and attracts some of the world's best film-makers.The realm of non-fiction cinema, first explored by the Russian avant-garde pioneer Dziga Vertov in the 1920s, is free Read more ...
Graham Fuller
For those familiar with Ginger Baker’s virtuosic musicianship, but not with his life, the biggest revelation of the warts-and-all documentary Beware of Mr Baker may be that next to drumming, playing polo was the great time-keeper’s obsession. One might expect a jet-setting country gent like Bryan Ferry to mount up for a chukka or two before teatime, but the wild man of Cream and Blind Faith, late of Lewisham? Does Topper Headon play bowls?If, as an addiction, polo didn’t match Baker’s 19-year affair with heroin, it has been almost as ruinous a pastime. Toward the end of Jay Bulger’s film, Read more ...
william.ward
I was once the summer guest of friends in southern Calabria, where the head of a hapless “family traitor” in the nearby village of Taurianova had been hacked off and then kicked around the piazza like a football: the news was greeted by the locals with no more than raised eyebrows and a resigned shrug of the shoulders.These things are not often caught on film, and certainly weren’t on offer in The Mafia’s Secret Bunkers. Indeed it’s a good thing that eminent bespectacled academic John Dickie has a good head for heights, as he spends a good deal of this fairly breathless BBC documentary Read more ...