documentary
Marina Vaizey
At the end of this absorbing documentary about the art – and life – of Paul Nash we visited his tombstone in a Buckinghamshire churchyard, accompanying writer and presenter Andrew Graham-Dixon as he laid sunflowers on the grave. He reminded us that Nash saw the sunflower as a symbol for the soul, turning to the sun; indeed one of his last paintings was “Solstice of the Sunflower”.The final phrase Graham-Dixon used about this highly literate and intelligent artist was that he had been haunted by life, haunted by death, and by the ghosts of war. Unusually, Nash was an official war artist in Read more ...
Tom Birchenough
“Changing perceptions” is the byline that Mitsubishi gives to its sponsorship of Channel 4’s documentary slot. Animal-lovers, a constituency that surely makes up a sizable part of evening viewers, will certainly have come away from Matt Rudge’s bizarrely entertaining film All Creatures Great and Stuffed with their perceptions changed.Against the background of more tradit animal shows like the BBC’s current Our Zoo, not to mention the innumerable lives, secret or otherwise, of cats and dogs that frolick their way periodically through the schedules, Rudge’s study of the astonishing growth of Read more ...
ellin.stein
Ever since his 1967 breakthrough film Titticut Follies, an unsparing look at a Massachusetts prison for the criminally insane, Frederick Wiseman has been turning his dispassionate observational camera on the workings of institutions ranging from the US Marines to high school, juvenile court, and the American Ballet Theater. His latest, At Berkeley, is an in-depth exploration of the University of California’s San Francisco Bay Area outpost (UC is made up of several self-contained component universities distributed across the state, with Berkeley the jewel in the crown).Expecting anyone who isn Read more ...
Tom Birchenough
The Bennet family had an issue. Time to get the Austenesque quips out of the way. For the Bennets in Gems TV the truth universally acknowledged was, roughly: “That a £100 million family-run jewellery television channel risking running out of its best-selling African gem, not to mention suffering from a shortage of screen presenters who can flog the stuff, must be in want of a friendly television documentary format to get them out of their fix.” (For the record, no one seemed sure if it was a single “t” or a double one in Bennet: ITV gave them one – closet Janeites there, eh? – the Read more ...
Lisa-Marie Ferla
Britain, as Tamsin Greig’s soothing voiceover told us at the top of this hour, is a nation in love with its animals. Still, it’s unlikely that BBC Two is betting the house on this docu-soap, which will follow the lives of 10 students through their final year at the Royal Veterinary College and which is screening every night for the rest of this week. The cynic in me expects that the channel had a few too many episodes and not enough weeks before the next series of The Apprentice was due to begin.Which is a bit of a shame because, although Young Vets is hardly reinventing the genre - unless Read more ...
Lisa-Marie Ferla
The role of women during the First World War has been heavily mythologised in a way that has cast them as both the angels of the home front and a force for positive political change. What made this documentary, written and presented by revered war correspondent Kate Adie, so fascinating was that as well as providing a comprehensive guide to the many roles played by women during the conflict, it blew some of those myths wide open.For example, although the lives of most women in 1914 were defined “more by what you couldn’t do than what you could”, the history books tend to leave out the Read more ...
Tom Birchenough
As we approach the anniversary of the beginning of World War I, the television schedules devoted to it are becoming denser and denser. In volume, at least, rather more than insight. We wonder just what more can be broadcast, after all, about the history concerned that has not already been said at some point in the century that has followed the conflict's tragic onset?Jan Peter’s ambitious Great War Diaries answers two questions that remain relevant, namely, just how did it really feel, and then, what was it like for those on the other side(s)? One of the more impressive programmes we have Read more ...
Adam Sweeting
The RAF's renowned aerobatics team found itself at the centre of a political mini-storm last week when it was asked to use only blue and white smoke trails (but not red) at the Commonwealth Games opening ceremony in Glasgow. The MoD briskly quashed the request, prompting dark rumours about an anti-separationist conspiracy in Whitehall. However, I can't imagine the pilots themselves even noticed, so ferociously do they have to concentrate on their day jobs.This documentary followed the Arrows during the six months of training leading up to this year's air display season, which happens to be Read more ...
Tom Birchenough
The struggle of the migrant journey from Mexico and Central America to el Norte has been much in the news recently, and, coincidentally, it’s a theme that cinema has been following too. After Diego Quemada-Diez's recent The Golden Dream, about teenagers who set out on that difficult route, Marc Silver’s drama-documentary Who Is Dayani Cristal? shows us a similar experience, though through a somewhat different lens.It’s a story that begins, as it were, at the end. In this case the discovery of a dead body in Arizona’s Sonora desert, not far from Tucson – one of the many immigrants who don’t Read more ...
Karen Krizanovich
What makes an exciting “genuine” photographer is fairly simple: what do you see in the photographs? Do they compel you to look at them? How evocative are the images? How interesting are the compositions? These are among the criteria which separate the merely good from the truly great – and who would have expected that there are truly great photographers yet undiscovered, or even some that didn’t want to be discovered? This is the backstory of Finding Vivian Maier, an exceptional and exceptionally compelling documentary co-directed by John Maloof and Charlie Siskel.It was Maloof’s own Read more ...
Jasper Rees
Television is all about borrowing. One clever new format – a mock doc, a makeover show, a clever-clever quiz – spawns a stack of near-identical clones. Most of them do their time until the format starts to tire, eventually to die a natural death. The only exception is the indestructible talent show. Say what you like about Simon Cowell, but in taking reality ever deeper into the realm of fabrication, he killed off the docusoap. There’s barely been a nosey workplace series stuffed with twats mugging for the camera since. But for some reason the docusoap seems to have risen again. It’s the Read more ...
Adam Sweeting
The fall of super-cyclist Lance Armstrong is a subject fit for Euripides or Shakespeare. It has also worked pretty well for director Alex Holmes, who managed to round up virtually all the key players caught in Armstrong's vortex of deceit for this unflaggingly gripping documentary [****].Though the feats of Bradley Wiggins and this weekend's Tour de Yorkshire have brought a sense of cheery optimism to the British public's view of cycling, Armstrong's story (and the climate of drug-assisted skulduggery in cycling which prompted it to happen) can hardly fail to leave any onlooker nursing a Read more ...