documentary
Tom Birchenough
We get the big city views of Chicago, the bright lights and the skyscrapers, a few times in Kim Longinotto’s Dreamcatcher, but for the most part we’re planted firmly down at street level, in areas of town probably you wouldn’t want to go to, a fair amount of the time at night. That’s where we first meet the film’s protagonist Brenda Myers-Powell (though I don’t think we ever actually hear her addressed by her surname), who’s cruising the streets, handing out condoms to any prostitute she can find. What she’s really offering, though, is advice – the advice of one who has herself managed to Read more ...
Marina Vaizey
The owl – symbol of wisdom, harbinger of death – is a powerful if disparate symbol in human mythology worldwide. But this outstanding visual essay provided a riveting array of astonishing facts to make of the bird something even more remarkable than the myth.The species (all 240 varieties) is a great survivor, at home on all the continents bar Antartica, inhabitating the world from the frozen north to the desert, with home county barns in between. The film alternated touchy-feely moments as the charming bird obsessives, Lloyd and Rose Buck, raised barn owl sisters Luna and Lily from Read more ...
Tom Birchenough
The Romanians Are Coming was the immigration story from the other side. Bustling along with the wry, sometimes desperate comedy (and themed music) of a Balkan film, its characters said things about themselves that others would hardly get away with. “I’m going to tell you the stories of some of the arseholes like me who came to take your jobs,” said narrator Alex Fechete Petru at the beginning of James Bluemel’s revealing three-parter. It showed both the lives of three hapless characters as they sought work, or just survival, in the UK, and their homes in the desolate location of Baia More Read more ...
Florence Hallett
As worst-case scenarios go, the prospect of a UKIP government in a little under three months’ time is a frightening but unlikely one – isn’t it? That they have only two MPs, and leader Nigel Farage is yet to find a seat, has done nothing to stop UKIP setting the political agenda, bulldozing its way to centre stage to demand a place in the forthcoming televised election debates. And while the pantomime buffoonery of Farage and Godfrey Bloom has provided endless scope for ridicule, the very existence of Channel 4’s fictional documentary, set in an imagined but uncomfortably near future, Read more ...
Tom Birchenough
I went into watching Sergei Loznitsa’s documentary Maidan with the highest hopes, and came out, more than two hours later, cold. For a film about a successful national liberation movement, that’s something of a paradox.It’s titled, of course, after Kiev’s Independence Square, Maidan Nezalezhnosti, the centre point of the Ukrainian revolution that saw huge public gatherings from December 2013 through February of last year which culminated with then president Viktor Yanukovych fleeing first his capital city on 22 February 2014 and a few days later his country (he remains in Russia today). A Read more ...
Tom Birchenough
Among contemporary British documentarists Kim Longinotto has surely travelled the furthest afield internationally – Iran, Japan, Africa – to find her subjects. Love Is All brings her resoundingly back home to Britain, across a timeline that stretches from the very end of the 19th century when the moving image was born, right up to the present day. It’s a fluid anthology about human relations in every form you can imagine, drawn from both more formal feature and documentary films and informal footage from the archives of the British Film Institute and Yorkshire Film. Black and white material Read more ...
Jasper Rees
When people talk about the Heroic Age of exploration, the heroes are generally agreed to be the explorers. But we’d know a great deal less about Edwardian chaps pluckily struggling through far-flung snowscapes if there weren’t images of them in situ. And the men who caught those images can be counted heroes too. Herbert Ponting pioneered cold-weather photographic techniques in Antarctica with Scott. Frank Hurley hurled himself into a freezing flooded cabin to retrieve now iconic photographic plates from Shackleton’s sinking ship Endurance. And then there is Captain John Noel.It is no Read more ...
Tom Birchenough
More than once in André Singer’s documentary Holocaust: Night Will Fall – marking in advance the 70th anniversary, on 27th January, of the liberation of Auschwitz, having added that explanatory first word to the title with which the film was released in cinemas last year – his interviewees describe their experience as like “looking into hell”. We hear phrases like “world of nightmare”, “utter shock”, “beyond describing” repeatedly, uttered by the first Allied soldiers to enter the German concentration camps at the end of World War Two.We, the general viewer, have had seven decades to Read more ...
ellin.stein
Charlie Lyne’s Beyond Clueless, a Kickstarter-funded film essay about the deeper meaning of post-1990 coming-of-age movies, aspires to be one of those Arena programs that takes a fresh look at a seemingly trivial or minor pop form to reveal deeper truths about the culture at large. Don’t get me wrong – I love teen movies and I think there’s a rich seam here to be mined. Unfortunately, because his analysis lacks rigour and is almost as superficial as the movies themselves, there are few insights here the perceptive viewer won’t have already gleaned for him/herself.Lyne draws on clips from some Read more ...
Kieron Tyler
Beyond being a portrait of a day in the life of French national broadcaster Radio France, it is hard to work out what La Maison de la Radio might be about. There is nothing about what the institution is meant to be for, little hinting at the attitudes defining the content aired and a lack of context for the people seen on screen. No one is specifically identified by name or role, and the nature of what is in production or being broadcast is hard to determine. Language and local concerns like the Tour de France aside, La Maison de la Radio could be a compilation of footage of any public Read more ...
Jasper Rees
It is 30 years since Shoah. In the filmography of the Holocaust Claude Lanzmann's document is the towering monolith. At nine-and-a-half hours, it consists of no archive footage at all, just interviews with witnesses unburdening themselves of memories. Of all those conversations, there was one in particular which Lanzmann held back. After the three and a half hours of The Last of the Unjust, it is clear why.Benjamin Murmelstein was a Viennese rabbi who in 1944 became the third and last Elder of Theresienstadt. Also known by its Czech name of Terezín, this was the so-called “model ghetto” with Read more ...
Jasper Rees
Some depressing statistics for your reading pleasure. (Depressing if you’re British and not a billionaire.) Since 2008, UK government austerity measures have been equal to the sum of money paid out in bankers’ bonuses: £80 billion. Not depressed yet? Try this. In 2013 the UK’s thousand richest people saw their wealth increase by a sum equivalent to the combined earnings of the country’s fulltime workforce: £70 billion. You probably are now, but if not... We play host to more billionaires than any other country in the world: 104. Oh, and the UK is the only leading economy which has become more Read more ...