documentary
Jasper Rees
It is 30 years since Shoah. In the filmography of the Holocaust Claude Lanzmann's document is the towering monolith. At nine-and-a-half hours, it consists of no archive footage at all, just interviews with witnesses unburdening themselves of memories. Of all those conversations, there was one in particular which Lanzmann held back. After the three and a half hours of The Last of the Unjust, it is clear why.Benjamin Murmelstein was a Viennese rabbi who in 1944 became the third and last Elder of Theresienstadt. Also known by its Czech name of Terezín, this was the so-called “model ghetto” with Read more ...
Jasper Rees
Some depressing statistics for your reading pleasure. (Depressing if you’re British and not a billionaire.) Since 2008, UK government austerity measures have been equal to the sum of money paid out in bankers’ bonuses: £80 billion. Not depressed yet? Try this. In 2013 the UK’s thousand richest people saw their wealth increase by a sum equivalent to the combined earnings of the country’s fulltime workforce: £70 billion. You probably are now, but if not... We play host to more billionaires than any other country in the world: 104. Oh, and the UK is the only leading economy which has become more Read more ...
Marina Vaizey
The octogenarian Frederick Wiseman is a cult documentary film maker, with his own idiosyncratic and recognisable idiom. He has both vast experience and extraordinary independence. Characteristically, he makes long, prize-winning, fly-on-the-wall inside-the-institution films: reportorial, non-judgemental, loosely narrative, and wide in subject – from a hospital for the criminally insane, to a high school, the largest university in California (Berkeley), or the Paris Opera Ballet.The newest, aired (and winning prizes) at international festivals, is an extraordinary view of the National Gallery Read more ...
Jasper Rees
It is a truism that the great tradition of documentary filmmaking has long since migrated to the big screen. Factual takes time which costs money, and squeezed television producers rarely have enough of either. It's not uncommon for films shown in Storyville, the BBC's admirable international strand, to have started out with a cinema release. And yet somehow 2014 saw some very solid, respectable work in factual. The best came about partly thanks to technology, which has allowed for the proliferation of unmanned cameras, useful for getting close to suspects in police stations and big animals Read more ...
Tom Birchenough
Remembering the early years of social and sexual liberation in Swiss gay life, Stefan Haupt’s drama-documentary The Circle (Der Kreis) has rich affection for its subject. In particular, that’s the relationship between teacher Ernst Ostertag and drag artist Robi Rapp, who first met in the Fifties and have been partners ever since. Both now in their eighties, their documentary remembrances of the time are intercut with staged dramatic material concerning Haupt’s wider subject, the world that grew up around the magazine, social centre and club of the film’s title.Switzerland was unusually Read more ...
Tom Birchenough
Finding a clear narrative among the deadly uncertainties of the long-lasting stand-off between Israel and Palestine is a challenge. Israeli documentarist Nadav Schirman, drawing on a real-life story, has honed The Green Prince down into a bare story of the ongoing contact between Gonen Ben Yitzhak, an officer of Israel's Shin Bet intelligence service, and Mosab Hassan Yousef, a young man from the very centre of the Palestinian leadership who becomes his agent.It’s a remarkably unadorned film, concentrating on the direct testimonies of the two players. They tell their stories direct to camera Read more ...
Kieron Tyler
The subject of The Possibilities are Endless does not appear until 24 minutes into the film. When Edwyn Collins is manifested, it is as a silhouette, as spectral as he is tangible. Collins is bifurcated: corporeal but also removed. The massive stroke he had suffered meant he could not summon the words he needs, has mobility issues and did not recall the connections between the episodes from his life in his memory. Who Collins is has been rewritten yet he remains the person he was, as attested by his partner Grace Maxwell.The Possibilities are Endless charts the iron-willed Collins’ difficult Read more ...
Kieron Tyler
“God isn’t in this class, we’ll leave God outside.” Although teacher Brigitte Cervoni declares that matters of religion are not appropriate for her class of non-French children learning the language of their new country, a lengthy section of School of Babel nonetheless finds them debating Adam and Eve and the differences between faiths. It’s not the only disconnect in director Julie Bertuccelli’s documentary.Despite chronicling a year of a group of immigrant children in the French school system, School of Babel (La Cour de Babel) is not about the politics of France’s attitude to immigrants or Read more ...
Marina Vaizey
David Hockney was continually rejuvenated by his transatlantic commuting. The painter, printmaker, draughtsman, photographer, and stage designer, was also a writer producing theories of seeing, and was fascinated by digital technology. Randall Wright's narration is set out in a series of short chapters in a montage-cum-collage of photographs, earlier films both amateur and professional, home video and recent interviews with the inhabitants of Hockney’s world today and in the past. We see a lot of septuagenarians and octogenarians, as well as film clips and photographs Read more ...
fisun.guner
It won’t come as much of a surprise to find that the staff at Tatler are a bit on the posh side – who’d have thought? – but I honestly doubt they’re that much posher than, say, those at The Times, or The Guardian, or that other esteemed people’s champion, the New Statesman. As for the “posh to common” ratio on theartsdesk – without doing an exact head count, I’m not sure we radically break the mould, either. Such is the way the world rock ’n’ rolls in class-ridden Britain. I have no doubt that the posh will always be with us. But, really, has their presence ever been more forcefully felt Read more ...
Tom Birchenough
In Concerning Violence Göran Hugo Olsson has created an almanac documentary drawing on material from Swedish television archives, filmed by a number of directors in Africa, largely in the 1970s. It’s fascinating footage, covering a number of perspectives on what was happening in the continent over that decade, from the frontline guerilla wars with the MPLA in Angola and FRELIMO in Mozambique, to industrial unrest in Liberia, and apparently matter-of-fact interviews with white settlers in Rhodesia and elsewhere.But Olsson’s masterstroke, which gives this diverse material a uniting context, is Read more ...
Jasper Rees
“Your law is too soft. Make it more strict.” An Albanian illegal immigrant suspected of handling stolen goods was unimpressed by the courtesy extended to him by Bedfordshire Police. Too many pleases and thank yous, he complained. In Tirana the rozzers probably don’t ask you if you have any food allergies.The thin blue line has launched Operation Charm Offensive. In September Channel 4 broadcast Cops and Robbers about how police in the West Midlands deal with serial petty offenders, and they came over as secular saints. Next year there’s a big BBC One series inside the Met, who are presumably Read more ...