documentary
Tom Birchenough
The phrase “improbable life” crops up more than once in Greg Olliver’s highly engaging documentary Turned Towards the Sun about the poet Micky Burn (its title is that of the writer’s autobiography). It’s a contradiction in terms, perhaps, but as a way of expressing the sheer richness of a life-story, one that overlapped with some of the notable events of the 20th century, encounters with Fascism and Communism, participation in one of the most daring World War II commando raids, imprisonment in Colditz, a complicated sexuality, and 50 years as a writer, it works rather well.It reminded me Read more ...
Jenny Gilbert
Agitprop is a term that seems to have dropped out of use. It has too many negative connotations; it smacks of political rant. Yet artistic director Neil McPherson, whose small and feisty Finborough Theatre at Earls Court receives no public funding whatsoever, has never pandered to delicate West London sensibilities, and I Wish to Die Singing: Voices from the Armenian Genocide, scripted by him, certainly doesn’t flinch from its task. This is, no less, to fill a gaping hole in the official history of the 20th century. Propaganda? You decide.McPherson’s bold project sprang from a perceived need Read more ...
Jasper Rees
The past is a foreign country. Celebrities do things differently there. Programmes which put people in time machines and whizz them back to a less centrally heated era have been around for a while. Back in the day they’d pick on ordinary people and make them live as a skivs and drudges in some specifically benighted era before the invention of such new-fangled concepts as electricity or the flush mechanism or gender equality. But that was then. Reality in the jungle has turned us all into schadenfreude addicts, so now we get the same idea but with famous faces. Besmirched famous faces.24 Read more ...
Jasper Rees
Remember the Hitler diaries? Stern and the Sunday Times were so eager for them to be true they went ahead and published even after historian Hugh Trevor Roper had changed his mind about their authenticity. Such was the hunger for stories about Nazis. It’s still there, but Die Welt was on firmer ground when – to accusations of sensationalism – last year it published extracts from the cache of letters, diaries and memos in the hand of Heinrich Himmler.These were of more certain provenance: they were found in the house of Himmler by US Army troops. Authenticated by the German Federal Archives, Read more ...
mark.kidel
Dennis Marks, who has passed away at the young age of 66, was in every way larger than life. A talented and prolific music and arts documentary filmmaker, an inspired head of music for BBC Television, and artistic director of the ENO, he latterly reinvented himself as a consummately erudite and warm-voiced broadcaster who took his listeners on fascinating journeys down the Danube and along the Appian Way.Dennis was a true European, with a clarity of intellect honed in some of the best British educational institutions (Haberdashers and Cambridge), but with ears and eyes that avidly took Read more ...
Adam Sweeting
All the politicians lined up to chorus "Je suis Charlie" after the nauseating massacre of the Charlie Hebdo cartoonists in Paris in January, but three months later, how is that emotional declaration of solidarity against murderous extremism holding up? For this documentary, British Muslim Shaista Aziz went to Paris to find out.Her inquiries suggested that France is split in two over the issue of Western values versus Islamic fundamentalism. So is much of the rest of Europe, but France's rigorous insistence on maintaining the state's secular status, and therefore banning such faith-based Read more ...
Kieron Tyler
Rude Boy is a rotten film. Nonetheless it exerts an inexorable draw as it includes live footage of The Clash which is amongst the best of any rock group on stage. The performance of “Safe European Home”, caught on camera in July 1978, is white hot. That is, the performance as seen. The audio track was subsequently modified in a recording studio.Rude Boy is not a documentary. It is a confabulation which didn’t represent The Clash as they saw themselves – which was a crafted persona anyway. The band did not want it released, and even had badges emblazoned "I don’t want Rude Boy Clash film" made Read more ...
fisun.guner
Louis Theroux just wants to make good television. This may seem an obvious thing to say of a programme-maker, but many programme-makers concerned with the kind of human interest story that Theroux has made his own, often want to do more than this. They want to understand subject and motive, to get under the skin of a thing, or perhaps somehow resolve an issue. They believe, and sometimes perhaps they may even be right, that this in itself will produce good television, or at least go most of the way there. Theroux’s ambitions are clearly much simpler. He wants to tease out stories – Read more ...
Lisa-Marie Ferla
If the mark of a good documentary is that it teaches you something new, then the awkwardly titled Hillary Clinton: The Power of Women was a very good documentary indeed. For instance, before watching it I had no idea that the famous “women’s rights are human rights” speech given by the possible 2016 presidential candidate was “the beginning of the cry for women’s rights across the globe”; and it was certainly a surprise to discover that the 2002 invasion of Afghanistan was not merely in service of a “war against terror” but rather “a war against the barbaric treatment of women”.The format Read more ...
ellin.stein
If anyone thinks high fashion is an airy-fairy world populated by flibbertigibbets preoccupied with frills and furbelows, Frédéric Tcheng’s feature-length documentary Dior and I, a behind-the-scenes account of the race to prepare the 2012 Christian Dior couture collection in record time, should set the record straight. This is a serious business, with investors’ money and employees’ jobs riding on the quality and execution of one person’s artistic vision. In fact, in this aspect, and in the number of dedicated and highly skilled craftspeople it employs, launching a collection resembles Read more ...
Tom Birchenough
“The righteous traitor” must be as provocative a subtitle as any when the subject is espionage. Director George Carey nevertheless used it in this highly revealing film about George Blake, the “spy who got away”, which proved as much about the anatomy of treachery – its correlation with the uneasy relationship of the outsider to a dominant establishment – as it was an investigation of the intelligence world in which Blake played so notable a role.The final rankings of ignominy – who really was the Soviets’ “masterspy”? – may never be decided when it comes to rating which of the British Read more ...
Lisa-Marie Ferla
Earlier tonight, I read - on Twitter, so I’m not vouching for its accuracy - that more people have now signed a petition to reinstate Jeremy Clarkson at the BBC than to take stronger action against female genital mutilation (FGM) in the UK. FGM, as actress Zawe Ashton (Fresh Meat) quickly finds out in a moving documentary for Comic Relief, is a hard thing to talk about, because vaginas are hard to talk about. But as she looks further into the practice both in the UK and abroad - speaking to survivors, activists and even a "cutter" - Ashton discovers that education is already beginning to make Read more ...