documentary
Nick Hasted
Much like Margaret Thatcher’s tearful tumble from Downing Street, the haggard, hoarse Tony Blair who materialised after Chilcot must have given even his enemies pause. The glib, youthful Nineties spin-master now recalled Scrooge’s reproachful future ghost, a man mutely begging to be shriven. The last person he’d choose for such confession, though, would surely be George Galloway, whose presence as presenter may handicap this film’s reception. If any politician is even more toxic than Blair, it’s Gorgeous George. Still, this crowd-funded documentary is a lively, well-researched investigation Read more ...
Jasper Rees
There is a grand ongoing project in Wales at the moment, the goal of which is to hunt for the deep ancestral DNA of the Welsh people. CymruDNAWales has already made some startling findings, in particular about a dozen all-powerful chieftains from 1500 years ago whose DNA is found in a large number of Welsh males. But enough about Welsh men and women. What about Welsh dogs?A country whose image is bound up in sheep farming doesn't seem to have a national herding dog to match. The Welsh sheepdog is the only candidate, and a few years ago it was very nearly extinct: only 80 were left in the Read more ...
Tom Birchenough
There’s much more to Brendan J Byrne’s engrossing, even-handed documentary Bobby Sands: 66 Days than its title might at first suggest. The timeline that led up to the death on 5 May 1981 of the IRA prisoner provides the immediate context – an increasingly dramatic one as the countdown of Sands’s hunger strike nears its inexorable conclusion. But the film’s interest is broader, not least in examining his role as a symbolic figure, both in the immediate context of the conflict in Northern Ireland, and across a much wider historical perspective.The drama of Sands’ life and death has already Read more ...
james.woodall
Some years ago broadcaster Andy Kershaw introduced on BBC World Service radio a piece of Brazilian music with this blunt dismissal: “When I hear a track by, say, Gilberto Gil, I tell myself: ‘Right, time to take the lift and go to bed’.” It wasn’t a terribly joined-up complaint, but (in Kershaw-speak at least) it made sense.He’d arguably chosen the wrong musician for his swipe – Gil remains relentlessly inventive and, at 74, fantastically dynamic – but it was clear what he was getting at. A lot of Brazilian (or Brazilian-inspired) pop music has, at half-cock, made it into hotel lobbies and Read more ...
Adam Sweeting
Incredible but true, Iraqi dictator Saddam Hussein really did hire a largely-British film crew to come to his country and make a movie called Clash of Loyalties, about how Iraq freed itself from British influence in the 1920s and blossomed into an independent state. It never made it as far as a cinema release, but the footage was recently rediscovered in a garage in Surrey by its producer, Latief Jorephani (pictured below).This entertaining but slightly ragged documentary by Stephen Finnigan (★★★) told the story of the film and rounded up several of the surviving cast and crew, though the Read more ...
Tom Birchenough
Weiner is the story of a rapid ride from comeback to meltdown. It’s an enthralling journey to witness, even if you sometimes feel like averting your eyes. What can be more inexorable than a political life – not to mention a private one – imploding on screen in a documentary where the subject has promised full access to the filmmakers, and sticks to that pledge regardless?The story of Anthony Weiner’s 2013 bid to become mayor of New York made front page news in America. He was clearly an extremely articulate and dynamic Democrat political operator, but that wasn’t the main issue. What made his Read more ...
Tom Birchenough
Notes on Blindness is an extraordinary film that wears its original genius lightly. The debut full-length documentary from directors Peter Middleton and James Spinney, it may seem complicated in its assembly, but has a final impact that is luminously simple. And to speak of a film whose immediate subject is the loss of sight – and by extension, of the visual element that comprises cinema itself – in terms of luminousness is finally no paradox at all.It’s the story of John Hull, an Australian-born theologian whose acclaimed 1990 book Touching the Rock recorded his experience of going blind. Read more ...
Marina Vaizey
Take Rossini, Bellini and Donizetti, and add Handel and Mozart and the Frenchman Massenet, and you have the composers whose operas the Kansas-born mezzo-soprano Joyce DiDonato has made her own. She's one of the few who has become a classic opera diva while remaining true to her roots (she was born in Prairie Village, Kansas, and one of her all-time favourite songs is "Over the Rainbow": remember Dorothy was a Kansas girl too.)Melvyn Bragg’s empathetic interview, conducted in the Crush Bar of the Royal Opera House, was a real treat. Question and answer was interspersed with clips of Read more ...
mark.kidel
The language of documentary is shot through with conventions. Rare is the occasion when a film-maker breaks the rules and throws the genre wide open. It takes a versatile artist like Laurie Anderson to free the medium from genre and invent a whole new way of doing things.Heart of a Dog is a resolutely personal, emotionally charged and often witty exploration of the passing of Anderson’s rat terrier Lolabelle, but the film is also a meditation on dreams, death and love. Without ever seeming gimmicky, pretentious or over-intellectual, Anderson manages to seamlessly draw together reflections on Read more ...
Matt Wolf
There are a lot of cheerful people in the world, most of them outside the United States. That's the startling conclusion of Michael Moore's pointed comic jeremiad Where to Invade Next, in which American cinema's premier schlub decamps overseas to encounter numerous life- and work-related lessons that our ketchup-loving conqueror wants to take back home.What surprises isn't Moore's view of present-day America, which is unexceptional in its assessment of a hard-scrabble country ruled by multiple iniquities – not least the overriding potency of money, and a signal inability to face up to the Read more ...
Graham Fuller
The release of Louise Osmond’s biographical film about the director Ken Loach, who turns 80 on 17 June, has been timed to perfection. Twelve days ago, Loach’s I, Daniel Blake won him his second Palme d’Or. He came out of retirement to make it after the Conservatives won the General Election last year. “Bastards,” he calls them, with a schoolboy-ish smile, at the beginning and end of the documentary.Except in the first half of the Thatcher ’80s, Tory policies have specialised in eliciting Loach’s fiercely oppositional cinema – so have anti-socialist Labour policies. For 53 years, he has been Read more ...
Jasper Rees
Antonia Bird died in 2013 at the age of 62. The last television drama with her name on it was the first series of The Village, but the career which is celebrated in the BBC Four documentary Antonia Bird: From EastEnders to Hollywood were from a golden age of single drama. You always knew you were watching a film by Bird. She made a name with single-issue films with single-syllable titles.First off was Safe (1993) tackling homelessness, then Priest (1994), Jimmy McGovern’s portrait of the modern Catholic church. Next up was Face (1997) about gangsters with a conscience. In Care (2000) a man Read more ...