documentary
Jasper Rees
One New Year’s Eve in the 1970s, hot young session musicians Nile Rodgers and Bernard Edwards were assured by Grace Jones that they could penetrate the inner sanctum of Studio 54 by dropping her name at the door. A doorman thought otherwise and invited them to "fuck off". Making alternative arrangements, they bought a couple of bottles of Dom Perignon – “rock’n’roll mouthwash”, in Rodgers’ phrase – and went home to jam.The doorman’s valediction kept running through their heads and came out in a rhythmic disco riff. “Fuck off. Fuck Studio 54.” The tune was more radio-friendly than the verbatim Read more ...
Demetrios Matheou
Michael Winterbottom has always been a mercurial director, moving swiftly between genres, fiction and documentary, keeping us on our toes. But with On the Road it’s time to mark the tiniest of trends.24 Hour Party People is one of the best films about the music industry ever made, a riotous fictionalisation of the revolution in Manchester in the Eighties and Nineties that revolved around Tony Wilson’s Factory Records and the bands Joy Division, New Order and The Happy Mondays. 9 Songs was a radical experiment, as the director presented a sequence of gigs as the backdrop of a sexually explicit Read more ...
David Kettle
The Reagan administration produced as much video content as the previous five administrations combined. That’s the claim early on in The Reagan Show, an engaging but ultimately frustrating documentary compiled entirely from archive footage by co-directors Sierra Pettengill and Pacho Velez. So remorseless was the administration’s taping of carefully staged scenes or managed press conferences that it even got its own name – White House TV.And if JFK was the first US president to harness the power of television, then Reagan was the first to embark on a concerted attempt to manipulate the broader Read more ...
Barney Harsent
“What if the way people understand the world is wrong? What if it isn’t politicians that shape the way people live their day-to-day lives, but secret business deals?” This is the question at the heart – and at the start – of Jacques Peretti’s new three-part documentary series. Now my understanding of the world is that big businesses are constantly trying to shape new and bafflingly complex ways they can mine fresh, rich seams of our cash. They’re basically looking to frack us at every available opportunity. Thus Peretti’s opening gambit initially seemed about as contentious as the Read more ...
Adam Sweeting
As Sky’s Head of Drama Anne Mensah puts it, her ambition is to “stay local but look global”. This might serve as a motto for television in its entirety, as technology swallows the planet and TV is increasingly shaped by coalitions of international broadcasters and production companies. Internet streaming services have abolished national boundaries far more effectively than the European Commission ever could.The roster of programmes that Mensah has supervised for Sky’s various channels is an index of this process, making her an obvious nominee for the h.100 Broadcasting award. She has brought Read more ...
aleks.sierz
Documentary theatre has a poor reputation. It’s boring in form, boring to look at (all those middle-aged men in suits), and usually only tells you what you already know. It’s journalism without the immediacy of the news. But there are other ways of writing contemporary history. In telling the story of the 1993 Oslo Accords – the first ever agreement between the State of Israel and the Palestine Liberation Organisation – American playwright JT Rogers gets around the disadvantages of documentary theatre by writing what he calls “a scrupulously researched, meticulously written fiction”. And he Read more ...
Marina Vaizey
Magnum was founded just after the war in 1947 as a co-operative that ensured both the quality of its members, and their clout in dealing with the media world. Its longevity is testimony to its success. The original founders were war-hardened photo journalists and included Robert Capa and David “Chim” Seymour; the first woman member was Eve Arnold, who joined in 1951.The linking of its members to cinema was the hook for this fascinating French documentary on BBC Four, written and directed by Sophie Bassaler, with a delicate voiceover by Sharon Mann and evocative music by Harry Allouche. There Read more ...
Marina Vaizey
James Scott’s filmography is wide-ranging, including the 1982 short film A Shocking Accident, based on the Graham Greene story, which won an Academy Award the following year, and other works on social questions. But these documentaries, several supported or commissioned by the Arts Council, concentrate on the visual arts.The longest, Every Picture Tells a Story, is a 1983 biopic based on the early life of his northern Irish father, William Scott (1913-1989) who moved from Scotland to Enniskillen as a teenager, studied art in Belfast, then went on to London and a vastly successful career. The Read more ...
Barney Harsent
Cast your minds back, if you will, to 2011. Remember Jamie Oliver’s Celebrity Fight School? I think that was the title… in any case, it was an astonishing vanity project which seemed to suggest that the reason so many kids were being failed by education was down to a vital lack of abrasive celebrities in the classroom. Falling standards, we were asked to believe, were not the result of an astonishing lack of investment, or a wider societal ill. No, it was the absence of David Starkey’s generous and engaging influence that was to blame. Oliver may as well have gone door-to-door to every Read more ...
Barney Harsent
Journalist Mark Austin is no stranger to conflict, having reported from war-torn landscapes including Rwanda, Iraq and even the ITN newsdesk. However, when the battle lines were drawn closer to home and involved an enemy he couldn’t see, the veteran journalist found himself in unfamiliar territory and without any kind of roadmap. When his teenage daughter, Maddy, was suffering from anorexia, Austin, by his own admission, was found wanting, not knowing what to do and struggling with a situation he didn’t understand and could do little to influence. This Channel 4 documentary seemed Read more ...
Boyd Tonkin
A few days ago we learned that British taxpayers have unwittingly donated around £1m. in aid to the police and court systems of Egypt’s military dictatorship, via an opaque “Conflict, Stability and Security Fund”. That news only sharpens the topical edge of Omar Robert Hamilton’s debut novel, inspired by his own experience as an activist in Cairo during and after the revolution that began in January 2011. Hamilton helped to found and lead the Mosireen collective. During this most media-savvy of mass uprisings, its members shot, edited and posted the filmed evidence of popular revolt and state Read more ...
Demetrios Matheou
When An Inconvenient Truth won the best documentary Oscar 10 years ago, the film’s success marked two significant events: a positive turning point in the campaign to avert environmental catastrophe; and the resurrection of the public career of Al Gore, after his presidential defeat at the hands of George W Bush. It also happened to be a very good documentary.That first film galvanised both debate and action related to climate change. The aim of the cutely titled second has a textbook campaigning duality: to trumpet the efforts and successes of the past decade, while reminding Gore’s growing Read more ...