country
Jonathan Geddes
There was a moment towards the end of this exuberant evening when Ciara Mary-Alice Thompson compared the show to a pantomime. This was an extremely apt comparison, in a good way, for alongside the singing and dancing there was a helping of cheeky raised eyebrow wit, lashes of audience participation and even the usage of unexpected props.When a bra was launched towards the Dublin songstress she sashayed around with it and asked for “more where that came from”, which is why several moments later the Glasgow crowd found themselves enjoying the sight of Thompson clutching more underwear while Read more ...
Ellie Roberts
Back to Moon Beach is a collection of new, reworked and covered songs that feels like a gift from Kurt Vile for his fans to dissect. He jokingly refers to the EP, which is just under an hour long, as “a KV comp”, an appropriate description given the varied history of the tracks.It’s not long before the first single “Another Good Year for the Roses” is momentarily forgotten in favour of Vile’s take on Bob Dylan’s Christmas song “It Must Be Santa”, which in turn is left behind for the reworked version of his 2022 track “Cool Water”.Although not unified in the way one might expect had this been Read more ...
James Saynor
This modest British dramedy is billed as a “heart-warming story of friendship and survival set against the backdrop of the 2001 Foot and Mouth outbreak”. That’s perhaps not the first catastrophe we associate with that fateful year, but it was a grim event in its own way: a livestock epidemic that led to the culling of countless farm animals across Britain.The film wears its over-warm heart on a rather thin sleeve but seems to have an intrepid background: it’s adapted from a play that won a writing competition at a small Battersea theatre in 2014 And it’s hard to be critical of first-time Read more ...
Kieron Tyler
Between the late 1950s and around 1971, Robert “Mack” McCormick (1930–2015) travelled through his base-state Texas, Alabama, Mississippi, west Louisiana and parts of Arkansas and Oklahoma looking for musicians to record. It wasn’t a random process: he covered 700 counties using a grid system, so nothing would be missed. As well as tapes, he made lists, filled notebooks and took photos. He kept everything.After archivists at the National Museum of American History went through what was donated by McCormick’s daughter to the Smithsonian Institution in 2019, they found his collection encompassed Read more ...
Gary Naylor
A new theatre? In 2023? Now there’s a shot in the arm for the post-pandemic gloom. But there’s no business like show business – not for Mayfield Lavender anyway, who have found a corner of one of their beautiful purple fields and built an outdoor theatre for the poor, neglected souls of er… Epsom – but any investment in arts is surely welcome in these most philistine of times. Co-founded by Artistic Director Joe McNeice and Executive Director Brendan Maye, the space is still a little rough and ready at the moment and its vast stage may need a little reconfiguring unless budgets Read more ...
Thomas H. Green
Some country music cosies up as close as possible to pop, in hopes of dragging more listeners in, smoothing away the raw backwoods feel. The most famed exemplar of this route is, of course, Taylor Swift, at least in her early career. Other country music resonates with American folk history, emanating the vastness of the American south, its roots sounds and narratives. Molly Tuttle falls into the latter category and her latest album, her fourth, whips the listener off on a journey that’s as effective as a book of short stories, but with the added benefit of being a toe-tappin’ hoodang.Tuttle Read more ...
Joe Muggs
A “back to basics” album is a risky thing. When an act has expanded into big, lavish or experimental production, it’s not a simple act to strip that away. Trying to go back to the intimacy or spontaneity of early work can feel forced: they may find they’ve become reliant on the possibilities of studio craft, or simply evolved into a different kind of artist. U2’s recent horrorshow of a catalogue-reworking album, for example, shows just how laboured such an exercise can be. And for those who’ve thrived on electronic sound it can even seem like a betrayal to step into Jools Holland-friendly Read more ...
Gary Naylor
It is, perhaps, important to note that this production was first staged in London at the Young Vic, a venue noted for shows possessed of a rather harder edge than that usually connoted by the description "West End musical".On leaving the theatre after an unnecessarily gruelling evening in just about the most uncomfortable seat in which I’ve ever sat (and competition is very fierce in that category), I heard an old boy who had not clocked that provenance remark, “It was very… modern.” Quite.And why not? The old warhorse has seen 80 years of beautiful mornings, sitting in the canon of Read more ...
Liz Thomson
I have to confess, the name Harlan Howard meant little or nothing to me – but as I pressed play and the first twanging guitar notes of “Tiger by the Tail” filled the room, I quickly got the picture.Willie Nelson’s latest album celebrates the extraordinary work of the Detroit-born songwriter whose heart belonged to Nashville from an early age. The man who defined country music as “three chords and the truth” wrote (in some cases, co-wrote) songs such as “Heartaches by the Dozen”, “Pick Me Up on Your Way Down” and “I Fall to Pieces”, a country classic if ever there was one and a song most Read more ...
Kieron Tyler
The Beatles loomed over everything else. It wasn’t inevitable, but the arrival of the revealing Revolver box set and Peter Jackson’s compelling Get Back film confirmed that there is more to say about what’s known, and also that there are new things to say about popular music’s most inspirational phenomenon of the 20th century.Just as it was when The Beatles were operational, the Revolver box and Get Back gave other things out there standards to aspire to. This pair of archive releases became a wholly unexpected yardstick for 2022. Obviously though, brows at labels aren’t furrowing about Read more ...
India Lewis
Major Labels: A History of Popular Music in Seven Genres is American critic Kelefa Sanneh’s ambitious survey of musical history. As such, it risks remaining only a surface-level summary of the seven genres he describes. I was wrong to worry, though: despite its broad coverage, Sanneh’s study is informative and personal, providing overviews of but also covering smaller diversions and developments within rock, R&B, country, punk, hip-hop, dance and pop.Each chapter loops back to the other genres to show their points of divergence, before travelling forward to explore the roads of sub- Read more ...
Joe Muggs
There’s only one problem with this album, really – if you can call it a problem – and that’s Chris Isaak’s indelible hint of David Lynch. Thanks to his “Wicked Game” being an integral part of Wild at Heart and creating an ongoing relationship between the singer and director, it’s hard to hear Isaak’s voice without thinking that something deeply disturbing is lurking just beneath the surface of his songs.That makes for a peculiar frisson, because for his Christmas album, Isaak has gone for all-out simple sweetness. He’s always played his rockabilly-country-swing pretty straight Read more ...