contemporary art
Jasper Johns, Royal Academy review - a master of 50 shadesSaturday, 23 September 2017
The Royal Academy has a winning line in spectacular exhibitions that have become essentials in London, theatrically and dramatically revelatory presentations in themselves. Here is another winner, the American star Jasper Johns, a collaboration with... Read more... |
Rachel Whiteread, Tate Britain review – exceptional beautyWednesday, 13 September 2017
The gallery walls of Tate Britain have been taken down so turning a warren of interlinking rooms into a large, uncluttered space in which Rachel Whiteread’s sculptures are arranged as a single installation. What a challenge! And curators Ann... Read more... |
DVD: Every Picture Tells a StoryFriday, 08 September 2017
James Scott’s filmography is wide-ranging, including the 1982 short film A Shocking Accident, based on the Graham Greene story, which won an Academy Award the following year, and other works on social questions. But these documentaries, several... Read more... |
h.Club 100 Awards: Art, Design and Craft - weaving magic at Dovecot Tapestry StudioTuesday, 05 September 2017
Art, design and craft is such a broad category that it is no surprise – even less a criticism – that most of the nominees comfortably inhabit just one of these areas of endeavour. Nominated principally in recognition of The Caged Bird’s Song, made... Read more... |
Rose Finn-Kelcey: Life, Belief and Beyond, Modern Art Oxford review - revelation and delightWednesday, 19 July 2017
Rose Finn-Kelcey was one of the most interesting and original artists of her generation. Yet when she died in 2014 at the age of 69, she could have disappeared from view if she not spent the last few years of her life assembling a monograph about... Read more... |
Grayson Perry: The Most Popular Art Exhibition Ever! Serpentine GalleryFriday, 09 June 2017
The most popular exhibition of a living artist ever held at the Tate was David Hockney’s recent retrospective, which attracted 478,082 visitors. If Grayson Perry is to top that, as the title of his Serpentine Gallery show optimistically predicts,... Read more... |
Visual art at Brighton Festival - disturbing, playful, but ultimately rudderlessThursday, 18 May 2017
As befits a festival with a spoken word artist as its guest curator, storytelling is at the heart of the visual arts offer in the 2017 Brighton Festival. It is not known if performance poet Kate Tempest had a hand in commissioning these four shows,... Read more... |
57th Venice Biennale review - riveting and bewilderingWednesday, 17 May 2017
Riveting and bewildering, the 57th Venice Biennale has just opened its myriad doors to the public with several thousand exhibits spread across Venice and its islands. The preview days were thronged with the art world and its coterie of high and low... Read more... |
Chris Ofili, National GalleryWednesday, 26 April 2017
Flashes of intense colour pulse rhythmically across the piece, contrasting with delicate washes and pools of watery pigment that seem to quiver plumply, set to run uncontrollably at any moment. Lines drawn fast and bold describe four figures, while... Read more... |
Geta Bratescu, Camden Arts CentreThursday, 13 April 2017
What a delight to be introduced to an artist whom you have never heard of and whose work is inspirational. Born in Romania in 1926, Geta Brătescu spent much of her life enduring the Soviet occupation of her country, then the repressive regime of... Read more... |
Artist Tyler Mallison: 'I don’t think about materials as being merely visible objects or things'Saturday, 25 March 2017
Artist and curator Tyler Mallison has chosen the world’s most generic title for his current exhibition. It's called New Material, and the surprising thing one discovers is that the hackneyed "new" really can be quite fresh. Sculpture and painting... Read more... |
Fourth Plinth: How London Created the Smallest Sculpture Park in the WorldWednesday, 22 March 2017
I have always felt very lucky to have been working as an artist in London during the period when it transformed into the capital of the art world. It has been a beautiful, fascinating and profitable ride. When I started art school in 1978,... Read more... |
