conductors
Like a baton out of hell: Conductors at the 2018 PromsTuesday, 11 September 2018
Discreetly poking his camera through one of the red curtains around the Albert Hall, chief Proms photographer Chris Christodoulou gets the action shots others would kill for. They're of orchestras, a mixed roster of soloists and what this year... Read more... |
Prom 16, Elder, Hallé – reason yoked to magic on one enchanted eveningFriday, 27 July 2018
Beguiling echoes, patterns and symmetries accompanied the Hallé on this Proms journey through the enchanted forests of orchestral sound. Those mellow but irresistible horns that began the evening with the ethereal chug of the pilgrim’s hymn from the... Read more... |
Ariadne auf Naxos, Opera Holland Park - stylish staging, world-class singingWednesday, 18 July 2018
"When the new god approaches, we surrender, struck dumb". Especially if, for the singer of those words, popular entertainer Zerbinetta, the “new god” takes the shape of same-sex love. Director and designer Antony McDonald locates the real “mystery... Read more... |
Prom 1, BBCSO, Oramo review – spectacular First Night of the PromsSaturday, 14 July 2018
The First Night of the Proms is always a tricky one to programme, bringing together themes of the season, perhaps a new work and, most importantly, a grand finale. This year’s Prom No. 1 ticked all the boxes, and without feeling like pick-n-mix. It... Read more... |
Classical CDs Weekly: Berio, Maderna, Mozart, Matthew GeeSaturday, 14 July 2018
Mozart: Piano Concertos nos 12 and 13, Double Concerto in Eb Marie-Pierre Langlamet and Joan Rafaelle Kim (harps), Varian Fry Quartet (Indésens)Mozart himself adapted three of his piano concertos for soloist and string quartet. Here, two of them are... Read more... |
Ariadne auf Naxos, Longborough Festival review - appetising energy and witSaturday, 14 July 2018
Much as I love Strauss’s Ariadne in its final form, I have a sneaking nostalgia for the original version (attached to Hofmannsthal’s adaptation of Molière’s Le bourgeois gentilhomme), which had Zerbinetta and her companions popping up after the... Read more... |
Classical CDs Weekly: Martin, Martinů, Vivaldi, 4 Girls 4 HarpsSaturday, 16 June 2018
The Secret Mass: Choral works by Frank Martin and Bohuslav Martinů Danish National Vocal Ensemble/Marcus Creed (OUR Recordings)We're lucky to be able to hear Frank Martin’s Mass for two four-part choirs at all; this most fastidious and self-... Read more... |
Bavarian State Orchestra, Kirill Petrenko, Barbican review - Mahler's Seventh as dance suiteSaturday, 02 June 2018
Serendipity as well as luxury saw to it that the night after Simon Rattle gave his farewell Festival Hall performance as music director of the Berlin Philharmonic, his imminent successor appeared over at the Barbican with another excellent German... Read more... |
Classical CDs Weekly: Beethoven, Méhul, Mozart, SchubertSaturday, 05 May 2018
Beethoven: Symphony No 3, Méhul: Symphony No 1 Solistes Européens Luxembourg/Christoph König (Rubicon)Étienne-Nicolas Méhul was one of revolutionary France’s key musicans. He was commissioned by Napoleon to write his Chant national du 14... Read more... |
Classical CDs Weekly: Hans Abrahamsen, Lully, Strauss, Duo JatekokSaturday, 21 April 2018
Hans Abrahamsen String Quartets No. 1-4 Arditti String Quartet (Winter & Winter)The opening section of Danish composer Hans Abrahamsen’s 2012 String Quartet No. 4 is subtitled “light and airy”, and, aptly, the four strings produce extraordinary... Read more... |
theartsdesk at the Lucerne Easter Festival: Haitink, Schiff and an alternative PassionFriday, 30 March 2018
Anyone passionate about great conducting would jump at the chance to hear 89-year-old Bernard Haitink giving three days of masterclasses with eight young practitioners of the art, his eighth and possibly last series in Lucerne (though he's not... Read more... |
Martín, SCO, Ticciati, Usher Hall, Edinburgh review - farewell to the best of chief conductorsSaturday, 24 March 2018
The Scottish Chamber Orchestra’s final season concert conducted by Robin Ticciati, who leaves his post as chief conductor of the SCO for the Deutsches Symphonie-Orchester Berlin, was bound to be an emotional occasion. Spanning a decade, the... Read more... |
