class system
Sorry We Missed You review – Ken Loach's unapologetic assault on the gig economyThursday, 31 October 2019
If the recent period of British history that has involved recession, austerity, the hostile environment and Brexit is to have chroniclers, who better than Ken Loach and his trusty screenwriter Paul Laverty. Their blend of carefully researched social... Read more... |
The Man in the White Suit, Wyndham's Theatre review - sparks but no combustion in this chemistry farceWednesday, 09 October 2019
A hit comedy about a textile scientist? It might sound unlikely, but Ealing Studios’ 1951 sci-fi satire, starring Alec Guinness, was one of the most popular films of the year in Britain. Now, Sean Foley hopes to repeat its success with his new West... Read more... |
Rob Beckett, St David's Hall, Cardiff review - a mixed bag of observationsTuesday, 08 October 2019
There’s been no avoiding Rob Beckett in recent years. His high beam smile and infectious personality have made him a mainstay of comedy shows. Now he’s back on the road with what he calls the best job in the world, stand up. You can tell he means it... Read more... |
Good Posture review - charming coming of age comedySaturday, 05 October 2019
Dolly Wells’ directorial debut employs her best friend Emily Mortimer as reclusive writer Julia Price, having paired up previously in a TV satire of their professionally uneven relationship, Doll and Em. Mortimer cameos this time, as posh... Read more... |
Joker review – a phenomenal Joaquin Phoenix on the mean streets of GothamThursday, 03 October 2019
When Joker won the Golden Lion in Venice in September, it was an unprecedented achievement, the first time a comic book-related film had won such a prestigious prize. But then, isn’t your typical comic book film. Starring a phenomenal... Read more... |
Hustlers review - strip club crime paysFriday, 13 September 2019
When did Dorothy (Constance Wu) really want to be a stripper? Maybe it’s when she looks with love at Ramona (Jennifer Lopez) during her strutting set piece dance, as she descends to a carpet of cash. If that’s the equivalent of Ray Liotta’s gangster... Read more... |
Downton Abbey review – business as usualThursday, 12 September 2019
Despite the fact that the Downton Abbey 2015 Christmas special wrapped the series up with a seemingly watertight bow, a cinema offering of Julian Fellowes’ much-loved creation was perhaps inevitable. And so virtually all of the series cast... Read more... |
For Services Rendered, Jermyn Street Theatre review – uneven revival of 1930s dramaThursday, 12 September 2019
“I don’t think I have the right to influence her,” says an older character of her daughter in For Services Rendered, W Somerset Maugham’s 1932 anti-war drama. If only all elder statesmen and women felt the same about the youth. Tom Littler’s revival... Read more... |
The Souvenir review – Joanna Hogg's most emotionally wrenching film yetThursday, 29 August 2019
Joanna Hogg’s melancholy autobiographical drama The Souvenir cuts too close to the bone. That’s a compliment: like Sally Rooney’s equally unsettling first novel Conversations With Friends, Hogg’s movie almost forces the viewer to relive that... Read more... |
Once on This Island, Southwark Playhouse review - folkloric Caribbean musical charmsThursday, 15 August 2019
As British summer really kicks in (umbrellas at the ready), our thoughts might turn fondly to the sunny Caribbean. Good timing, then, for the return of Lynn Ahrens and Stephen Flaherty’s 1990 musical set in the French Antilles. Based on Rosa Guy’s... Read more... |
Edinburgh Fringe 2019 reviews: Darren McGarvey AKA Loki: Scotland Today / Scottee: ClassTuesday, 13 August 2019
Darren McGarvey AKA Loki: Scotland Today The Stand's New Town Theatre ★★★★★ Darren McGarvey (aka Loki the Scottish Rapper) won the Orwell Prize for political writing in 2018 for his book Poverty Safari, a startling,... Read more... |
Present Laughter, Old Vic review - Andrew Scott continues his rise and riseWednesday, 26 June 2019
"Will You Still Love Me Tomorrow?" can be heard pulsating through the Old Vic auditorium as the curtain rises on its wondrous revival of Present Laughter: a decisive feather in the cap of artistic director Matthew Warchus's regime. But all Garry... Read more... |
