class system
CLR James: Minty Alley review - love and betrayal in the barrack-yardMonday, 08 February 2021
CLR James came to London from Trinidad in 1932, clutching the manuscript of his first and only novel. He soon found work, writing about cricket for the Manchester Guardian, as well as a political faith, revolutionary Trotskyism, which would inspire... Read more... |
Courttia Newland: A River Called Time review - an ethereality checkTuesday, 05 January 2021
It is near impossible to imagine what the world would look like today if slavery and colonialism had never existed, let alone to write a book on the subject. Courttia Newland sets himself this daunting task in his latest novel, A River Called Time.... Read more... |
Annie Ernaux: A Man's Place review - an intimate portrait, necessarily incompleteTuesday, 01 December 2020
As much as we would like it to, writing can never fully recapture someone who is gone. This we learn all too effectively in A Man’s Place by Annie Ernaux, arguably one of France’s most important living authors. The text, released in an updated... Read more... |
Miss Juneteenth review - a ray of Texan sunshineFriday, 25 September 2020
Beauty queen pageants have long been ripe for parody, from their plastic glamour to the Machiavellian competitiveness. Miss Juneteenth opts for a much more nuanced approach, using the pageant as a focal point for a mother and daughter navigating... Read more... |
Naomi Booth: Exit Management review - unwrapping life's unpleasantnessSunday, 13 September 2020
When you try to get rid of something, it comes back to bite you – so says Naomi Booth in her new novel Exit Management. It’s one of those books that you want to read very quickly, its writing slickly modern and its characters compellingly flawed.... Read more... |
Good Manners review - compellingly eerieSaturday, 18 July 2020
Stylish, eerie and unexpectedly moving by the time of its apocalyptic finish, the strangely titled Good Manners makes for a genuine celluloid surprise. Written and directed by Juliana Rojas and Marco Dutra, this genre-defying Brazilian... Read more... |
Lynn + Lucy review - a bruising tale of female friendshipThursday, 02 July 2020
British director Fyzal Boulifa makes his feature film debut with a bruising account of female-friendship torn apart by personal tragedies and gossipmongers, on a council estate in Harlow. At under an hour and a half, Boulifa shows a gift for... Read more... |
Romantic Comedy review - a not-so-guilty pleasureSaturday, 09 May 2020
Only those who really love you can deliver the hard truths, and for filmmaker Elizabeth Sankey, that one love is romantic comedies. Better known as one half of band Summer Camp, Sankey is a self-confessed romcom expert, having watched nearly every... Read more... |
Helen McCarthy: Double Lives - A History of Working Motherhood review – doing it for themselvesSunday, 19 April 2020
Want to enact mass social change? Make it about children. About their health, their prosperity, their future. Make it about men; their security, their wellbeing. Make it about society. What benefits are there for the economy, the home? Just for God’... Read more... |
Flowers for Mrs Harris, Chichester Festival Theatre online review - a warmly open-hearted weepieMonday, 13 April 2020
18 months or so after it opened in Chichester, Flowers for Mrs Harris launches a sequence of streamed productions from the West Sussex venue just in time to allow a new British musical to join the ever-swelling ranks of theatrical offerings online.... Read more... |
Jane Eyre, National Theatre at Home review - a fiery feminist adaptationFriday, 10 April 2020
The National Theatre’s online broadcasts got off to a storming start with One Man, Two Guvnors – watched by over 2.5 million people, either on the night or in the week since its live streaming, and raising around £66,000 in donations. Let’s hope... Read more... |
The Platform review - timely, violent and effectiveSaturday, 04 April 2020
Horror has always been a good vehicle for satire, from John Carpenter’s They Live to Jordan Peele’s Get Out. Some metaphors opt for the subtle precision of a surgical knife, and others the hit you over the head. The Platform on Netflix is the latter... Read more... |
