sun 17/11/2024

class system

CD: Ed Sheeran - +

When I lived in Brighton in the mid-Nineties, a certain type was 10 a penny. Young, stoned, middle-class buskers, acoustic guitar strummers who were au fait with hip hop and able to improvise endless streams of witty wordplay and often to make human...

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Geordie Finishing School for Girls, BBC Three

Lucy Haythornthwaite-Shock is aptly named for the culture shock she receives

If you're reading this review, you'll probably be expecting a sarky analysis. It invites that - wow, posh girls with unpronounceable names have to work in a Newcastle chippy! - but the programme, which sent four Home Counties fillies up North to...

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The Rattigan Enigma, BBC Four

In a recent article, David Hare complained about “a national festival of reaction” in the arts, exemplified by such supposedly Establishment-leaning works as The King’s Speech and Downton Abbey. His real target was Terence Rattigan, currently being...

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theartsdesk MOT: Yes, Prime Minister, Apollo Theatre

Power play: Richard McCabe and Simon Williams in ‘Yes Prime Minister’

Situation comedy relies on strong brands, and some ideas just run and run. Yes, Prime Minister is the stage version of the long-running 1980s BBC television shows Yes Minister and Yes, Prime Minister, which memorably starred Nigel Hawthorne and Paul...

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Made in Chelsea, E4

The dullards of 'Made in Chelsea'

Hot on the vulgar, vertiginous heels of The Only Way is Essex came E4's Made in Chelsea last night, where the stars were better shod but about as interesting as shoe leather. The first ill omen was the use of the angsty, vengeful riff from Adele's...

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DVD: Alan Plater at ITV

Nothing but the truth: Kenneth Branagh as DH Lawrence in 'Coming Through'

Seven works are collected on this sampler of the formidably prolific Plater’s television writing - a  soupçon from a broth that is rich, flavoursome, and usually satisfying. Though omitting anything from The Stars Look Down, The Good Companions, Get...

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Betty Blue Eyes, Novello Theatre

Foot fetishists will have a field day at Betty Blue Eyes, given that the producer Cameron Mackintosh's latest venture is also the first in my experience to sing of bunions, calluses and corns, the last encompassing a passing reference to a lyric...

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If Walls Could Talk: The History of the Home, BBC Four

Lucy Worsley: Engaging and jolly, and a tiny bit like Queenie in 'Blackadder'

I prefer "living room", but I have a friend who insists on "lounge". For some reason that probably goes deep into the psyche, I cringe at "sitting room". Same goes for "front room". As for "reception room", I’ve only ever seen that in the windows of...

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Photo Gallery: Figures and Fiction - Contemporary South African Photography, V&A

Jodi Bieber's photographs from her series 'Real Beauty' can feel uncomfortably voyeuristic

It’s been 17 years since apartheid came to an end in South Africa, and the transition to democracy has not been an easy one, for while political systems may change, social attitudes may prove yet more difficult to shift. The Victoria and Albert...

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The Knot of the Heart, Almeida Theatre

The Knot of the Heart takes its title from a Sanskrit phrase, but David Eldridge's new play for the Almeida Theatre is likely to speak forcibly to anyone who has witnessed, not to mention experienced, the addiction unsparingly charted across two...

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DVD: The Arbor

Andrea Dunbar’s story was extremely grim when first told in her 1980 play The Arbor (I’m unable to explain why, for a leafy retreat in so English a context - however decimated - the American spelling is used) and it remains so: a medieval catalogue...

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Honest, Queen’s Head Pub, London

Dave is a bomb, waiting to go off. He’s dangerous because he seems so ordinary. Late-twenties, he’s nothing much to look at. He wears a suit. Works as a civil servant in some absurdly obscure government department. No girlfriend. If truth be told, a...

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