choral music
The Tallis Scholars, Phillips, Cadogan Hall review - intimacy in late Renaissance musicSaturday, 23 September 2017Peter Phillips and the Tallis Scholars have nothing to prove when it comes to Renaissance choral music – few ensembles can match them for clarity, balance and purity of tone. They are perfect guides, then, for this tour of the late Italian... Read more... |
Proms 47, 48 & 49 review: Reformation Day - superlative Bach as the bedrockMonday, 21 August 2017Reformation Day, Luther 500 - in Proms terms it can only mean Bach, the alpha and omega of music, flourishing roughly two centuries after the Wittenberg Nightingale nailed his 95 theses to the church door. Those of us who headed home on Saturday... Read more... |
Prom 46 review: Gurrelieder, LSO, Rattle - gorgeous colours, halting movement in Schoenberg's monsterpieceSunday, 20 August 2017From sunset to sunrise, across aeons of time, usually flashes by in Schoenberg's polystylistic epic. Not last night at the Proms: Simon Rattle is too much in love with the sounds he can get from the London Symphony Orchestra - here verging on a... Read more... |
Proms 37 / 38 review: Latvian Radio Choir, Gavrylyuk, BBCSSO, Dausgaard - numinous Rachmaninov triptychMonday, 14 August 2017So it was Rachmaninov night at the Proms, but with a difference: a trinity of works sacred and profane, the first two introduced by the Latvian choir due to perform the third singing harmonised Russian Orthodox chants of the kind on which the... Read more... |
Ladysmith Black Mambazo, Cadogan Hall review - peace, love and harmoniesSunday, 30 July 2017On a dreary evening in what passes for summer, the news unutterably grim, an evening in the company of South Africa’s greatest export can’t help but lift the spirits. The nine singers that comprise Ladysmith Black Mambazo are mostly blood family,... Read more... |
Our Ladies of Perpetual Succour review - West End transfer hits all the right notesTuesday, 16 May 2017Sacred and profane, trivial and profound blissfully combine in this irresistible, Olivier Award-winning tale of choirgirls gone wild. Lee Hall, of Billy Elliot fame, adapts Alan Warner’s 1998 novel with a similarly shrewd grasp of youthful hope... Read more... |
Monteverdi Vespers, Vox Luminis, FBC, St John's Smith SquareMonday, 15 May 2017On paper this was a knockout concert: Gramophone Award-winning Belgian ensemble Vox Luminis teaming up with the wonderfully gutsy Freiburg Baroque Consort to perform Monteverdi’s Vespers in the composer’s 450th anniversary year – one of the... Read more... |
CD: Kasai Allstars & Orchestre Symphonique Kimbanguiste - Around FélicitéFriday, 21 April 2017This is a bit of a curiosity. Kasai Allstars were bought to our attention by producer Vincent Kenis almost a decade ago, after he’d had great success with those masters of the amplified thumb piano cacophony, Konono 1. Though the Allstars also have... Read more... |
Dvořák Requiem, BBC Symphony Chorus and Orchestra, Bělohlávek, BarbicanFriday, 14 April 2017Not your usual blockbuster for Holy Week, this. In other words, neither of the Bach Passions but a Requiem, and not – these days, at any rate – one of the more often-performed ones (it's not among the 79 works listed in The BBC Proms Guide... Read more... |
First Person: 15 years of Tenebrae, a lifetime of choral musicTuesday, 11 April 2017Having just celebrated a birthday the wrong side of 50 years of age I confess to regularly pinching myself when I dare to look back and see the higgledy-piggledy route my life has taken to bring me to the present day, as we celebrate 15 years of... Read more... |
Crowe, La Nuova Musica, Bates, St John's Smith SquareTuesday, 20 December 2016Five seconds of cadenza in Mozart's Exsultate Jubilate would be enough to tell you that there's no more magical stylist among sopranos than Lucy Crowe. In an evening of Allelujas, Glorias and heartfelt Amens beautifully modulated by director of... Read more... |
Classical CDs Weekly: Christmas 2016 (part 2)Saturday, 17 December 2016Bach: Christmas Oratorio Dunedin Consort/John Butt (Linn)This set makes a brilliant counterpoint to last week’s modern instrument Sony recording, an earthier, differently flavoured set from one of the UK’s best period ensembles. John Butt uses just... Read more... |