sat 26/04/2025

choral music

Monteverdi Vespers, The Sixteen, Christophers, Winchester Cathedral

It has to be the ultimate cornucopia of choral and early-instrumental invention. So long as the musicians immerse themselves in the beauty of a strange adventure, it doesn’t matter where you hear Monteverdi’s Vespers of 1610: however selective the...

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Grande Messe des Morts, Philharmonia, Salonen, RFH

Hector Berlioz knew from early on in life which aspects of death he would want to avoid. He had seen quite enough of the medical textbooks that his father had tried to foist upon him. He had even got as far as smelling the dissecting table as a...

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BBC Scottish Symphony Orchestra, Volkov, Usher Hall, Edinburgh

It is the fate of Edinburgh Festival directors to programme their music in the considerable shadow cast by the Proms in London. The undeniable economics of large scale touring means that few orchestras will visit Edinburgh alone, so to attract all-...

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Guglielmo Tell, Teatro Regio Torino, Noseda, Usher Hall, Edinburgh

First, confessions. I’m the dance critic here at theartsdesk. Yes, this is a review of a concert performance of an opera, and no, I haven’t picked up a detailed knowledge of Rossini’s oeuvre as a byproduct of my education in pirouettes and Pina...

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Gerhardt, Osborne, Queen's Hall/Keyrouz, Ensemble de la Paix, Greyfriars Kirk, Edinburgh

“Ah now, I can’t promise you sun,” says a Scots lady-in-waiting of her native weather to a novice Englishwoman near the start of Rona Munro’s masterly James Plays. It’s the first of many references to make the audience laugh knowingly. Well, after...

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Edinburgh International Festival Opening Concert, RSNO, Knussen, Usher Hall

On paper this was an interesting programme. The Edinburgh Festival traditionally opens with a major choral work, but while the international audience would probably be happy with endlessly recycled requiems and masses, festival directors have often...

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Prom 24: BBCSSO, Runnicles/Solemn Vigil of Commemoration, Westminster Abbey

Despairing in the depths of the Second World War, Richard Strauss turned to Mozart’s string quintets as well as the complete works of Goethe for evidence that German culture still existed. Vaughan Williams might well have done the same for his...

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Prom 16: Borusan Istanbul Philharmonic, Goetzel/Prom 17: Les Arts Florissants, Christie

The sprightly tread of Handel’s Queen of Sheba, attended by two wonderful Turkish oboists, wove the most fragile of gold threads between full orchestral exotica and Rameau motets of infinite variety last night. Not that any more links need be found...

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theartsdesk in Setúbal: Youth and music under the jacarandas

José Mourinho is Setúbal’s most famous son. Non-Portuguese readers are not expected to know the two other celebrities most feted by this extraordinary port city on the estuary of the River Sado, with miles of sandy beaches opposite where a school of...

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Concert Dansé, Symphony Hall, Birmingham

On the back wall of Birmingham Symphony Hall’s great oval space, two musicians are poised on a glass balcony that gives the illusion of not being there at all. A small square of warm light picks them out, vivid against the hall’s darkness. So framed...

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Messiah at the Foundling Hospital, BBC Two

The last time the BBC dramatised the creation of a great musical work, it didn’t quite hit the spot. Eroica starred Ian Hart as Beethoven glowering at the heart of a drama which had rather less of a narrative through-line than the symphony it...

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Cabell, RPO, Dutoit, Royal Festival Hall

This was the first of three Royal Festival Hall concerts during the first half of 2014 from the Royal Philharmonic Orchestra and its principal conductor Charles Dutoit, all three programmes consisting entirely of French music. The other two will be...

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