fri 24/01/2025

choral music

The Choir: New Military Wives, BBC Two

This feelgood programme hit all the buttons with almost unerring precision, as we followed Gareth Malone's project to prepare a military wives choir for a special prom, commemorating the World War One centenary on 3 August 2014. On the way we...

Read more...

Ohlsson, BBCSO, Oramo, Barbican

How disorienting it is to find century-old works in the concert repertoire of which you can still say “I’ve never heard anything like it”. That must have been the reaction of most audience members last night to Tuscan-German composer Ferruccio...

Read more...

Canterbury Cathedral, BBC Two

Attracting over one million visitors each year, Canterbury Cathedral is one of the most popular tourist destinations in the country. With its picturesque location and very nice, very white staff, the cathedral offers an easy metaphor for the version...

Read more...

Siglo de Oro, Allies, Shoreditch Church

Black Friday, Cyber Monday, Greed Tuesday: they all vanished from memory once the first notes of Siglo de Oro’s Christmas-themed concert started. This young British choir, now six years old, began with what’s already become a modern classic, Jan...

Read more...

Robert Mitchell's 'Invocation', Queen Elizabeth Hall

Imaginatively constructed and endlessly surprising, this world premiere of the complete version of pianist Robert Mitchell's choral work Invocation elicited one of the most moving performances I had the pleasure of hearing at this year's EFG London...

Read more...

BBC Singers, BBCSO, Pons, Barbican

Had the BBC Symphony Orchestra been at full stretch, rather than in the neoclassical and otherwise selective formations of last night’s concert, it might have outnumbered the live audience. Perhaps I exaggerate, but not much; this was never going to...

Read more...

Classical CDs Weekly: Hindemith, Colin Matthews, Walton, The Vocal Constructivists

 Colin Matthews: No Man's Land, Crossing the Alps, Aftertones Hallé Orchestra, Hallé Choir, Hallé Youth Choir/Nicholas Collon and Richard Wilberforce, with Ian Bostridge (tenor) and Roderick Williams (baritone) (Hallé)Colin Matthews is still...

Read more...

Monteverdi Vespers, The Sixteen, Christophers, Winchester Cathedral

It has to be the ultimate cornucopia of choral and early-instrumental invention. So long as the musicians immerse themselves in the beauty of a strange adventure, it doesn’t matter where you hear Monteverdi’s Vespers of 1610: however selective the...

Read more...

Grande Messe des Morts, Philharmonia, Salonen, RFH

Hector Berlioz knew from early on in life which aspects of death he would want to avoid. He had seen quite enough of the medical textbooks that his father had tried to foist upon him. He had even got as far as smelling the dissecting table as a...

Read more...

BBC Scottish Symphony Orchestra, Volkov, Usher Hall, Edinburgh

It is the fate of Edinburgh Festival directors to programme their music in the considerable shadow cast by the Proms in London. The undeniable economics of large scale touring means that few orchestras will visit Edinburgh alone, so to attract all-...

Read more...

Guglielmo Tell, Teatro Regio Torino, Noseda, Usher Hall, Edinburgh

First, confessions. I’m the dance critic here at theartsdesk. Yes, this is a review of a concert performance of an opera, and no, I haven’t picked up a detailed knowledge of Rossini’s oeuvre as a byproduct of my education in pirouettes and Pina...

Read more...

Gerhardt, Osborne, Queen's Hall/Keyrouz, Ensemble de la Paix, Greyfriars Kirk, Edinburgh

“Ah now, I can’t promise you sun,” says a Scots lady-in-waiting of her native weather to a novice Englishwoman near the start of Rona Munro’s masterly James Plays. It’s the first of many references to make the audience laugh knowingly. Well, after...

Read more...
Subscribe to choral music