Child birth and pregnancy
Markie Robson-Scott
“Not even an animal would do what she did.” Jessica (Babette Verbeek) is speaking about her biological mother, who abandoned her when she was a baby, leaving her to grow up in care. Now Jessica, a teenager, is pregnant, just as her mother was, and is obsessed with finding her. She demands answers, as well as love.Brothers Jean-Pierre and Luc Dardenne’s 13th feature film won the best screenplay award at Cannes (they’ve won the Palme d’Or twice) and it’s an extraordinarily compelling picture of life in a maternal support home. Less harrowing than some of their work, it’s set in Liège, Belgium, Read more ...
Helen Hawkins
It’s easy to see metaphors about the status of modern Georgia, once again threatened by the Russian boot, in its recent artistic output. So while there are no overt political allusions in director Dea Kulumbegashshvili’s April, at its core you sense a tacit and urgent debate about how to square your conscience with the “rules” that govern the country’s conduct.The heroine of the piece is Nina (Ia Sukhitashvili), an actual heroine of a sort. She’s an OB/GYN hospital doctor who risks her career by dispensing contraceptive pills and performing (illegal) abortions in remote villages for women in Read more ...
Thomas H. Green
Introduced by Brighton Festival 2021 Guest Director, poet Lemn Sissay, Josie Long, clad in blue denim dungarees and a black tee-shirt, initially hits the stage for a celebratory introduction. She’s here to perform her Tender show about pregnancy and childbirth, but this is her first show in well over a year, due to COVID-19, and she’s keen to say hello first. She’s excited and it’s contagious.Back in summer 2019 theartsdesk reviewed Tender in its original Edinburgh Fringe incarnation but tonight’s version is not a straight rerun. Pulling it from mothballs, Long is constantly aware that a lot Read more ...