Cambridge
alexandra.coghlan
“I want to disrupt your sense of logic and show you something really thrilling,” explains a young academic, as her animated scribbling on the whiteboard gains pace and incomprehensible complexity. It’s a promise that Complicite’s A Disappearing Number – now making its third London appearance – has little trouble fulfilling. A maths lecture may seem an unprepossessing (if not downright unappealing) start to a play, but in loosing their theatre from the conventional unities of time, space, chronology and even the axes of vertical and horizontal, Complicite have also freed maths from the lecture Read more ...
Jasper Rees
In 1913 a 25-old-year mathematician from Tamil Nadu sailed to England. He journeyed at the behest of a Cambridge professor who had been mesmerised by the display of untutored genius evident in the young Indian’s correspondence. Within four years the visitor had grown so depressed by his isolation that he attempted to throw himself under a train.Nearly a century on, the story of the collaboration between Srinivasa Ramanujan and G H Hardy began suddenly exciting the interest of storytellers. In 2007 there was a play premiered off Broadway by David Freeman called A First Class Man. Also in Read more ...
David Nice
Forget Dan Brown’s phony grail trail which has led so many paying pilgrims to Rosslyn outside Edinburgh. For the last week of the Festival Fringe the Chapel, most intricate and mysterious of 15th-century sanctuaries, has become a temple of high art dedicated to Mozart, Shakespeare and Britten. Ambitious indeed of a bunch of Cambridge undergrads and alumni to mount The Magic Flute and the operatic Midsummer Night’s Dream side by side. Did they pull it off? Just, in the case of the Britten, which is saying something given a score which is... well, again, intricate and mysterious are the Read more ...
hilary.whitney
Next week sees the opening of an exhibition at Marlborough Fine Art of new work by Maggi Hambling, one of the most innovative and prolific - not to mention flamboyant - artists working in Britain today, which neatly coincides with a show of sea paintings at the Fitzwilliam in Cambridge. You can see a selection in theartsdesk's gallery. Born in 1945, she has a reputation for being fierce and she’s certainly imposing – had she opted for a career in the performing arts she’d have given Edith Evan’s Lady Bracknell a run for her money – but she’s also Read more ...
hilary.whitney
To accompany theartsdesk Q&A with artist Maggi Hambling by Hilary Whitney, this is a selection of pieces from two new exhibitions of her latest work opening in London and Cambridge. Maggi Hambling: New Sea Sculptures at Marlborough Fine Art coincides with The Wave, an exhibition of Hambling’s wave paintings at the Fitzwilliam Museum, Cambridge. These paintings, sculptures, etchings and reliefs (a new departure for Hambling) energetically capture the restless motion of the sea and demonstrate Hambling’s increasingly bold way of working.
Click on the images to view them in a slideshow Read more ...
michael.palin
This second volume of my diaries covers my life from the beginning of the 1980s to the night before I set out from the Reform Club in September 1988 on Around The World In Eighty Days, the journey that was to change my life.For me the 1980s was the decade when I could have become a Hollywood star, but didn’t. I made plenty of films, seven in seven years, but they were all incorrigibly British. Two were with Terry Gilliam. Time Bandits, British to the core, nevertheless topped the US box-office charts for five weeks. Brazil is constantly voted one of the world’s favourite movies. The diaries Read more ...
sheila.johnston
A thorny dilemma looms for Robert Guédiguian's French Resistance drama, the British premiere of which opens the Cambridge Film Festival tonight in the presence of its director (it was released in France yesterday and opens wide in the UK on October 2). Namely: are such fearless freedom fighters in reality the good guys? Or are they, on the other hand, terrorists and murderers?A wave of recent movies has wrestled with this question in a very broad swathe of contexts. They include Flame and Citron (Danish underground fighters in World War Two); The Baader Meinhof Complex (German anarchists in Read more ...