Cambridge
Hanna Weibye
The question with Moscow City Ballet is: should I judge them on what they are, or on what they claim to be? The touring company, a self-supporting private enterprise, takes productions of classic ballets (The Nutcracker, Swan Lake et al) round provincial theatres in this and a few other countries. By the standards of pure classical ballet, the product they peddle is decidedly second-, if not third-rate: the dancers come from the fringes of the classical scene in Russia and the Ukraine and the choreography is simple, and even then often poorly executed. Their website's claim that "the company Read more ...
Sebastian Scotney
This was “Officium – the final concert.” The Hilliard Ensemble took their decision around three years ago to disband as a group, and – for three of them – to retire, rather than to re-launch with a new generation of voices. They are now on the road doing a series of farewells. Their final bow will be at the Wigmore Hall on December 20th, and between now and then, their victory lap takes in Taunton, Gdansk, Châlons-en-Champagne, Florence and Cologne. This one in Cambridge was the opportunity to bask, for one very last time, in the completely unforeseen level of success – around 1.5 million Read more ...
Veronica Lee
A wise man once said of Simon Gray's plays - and he wrote a lot of them - that they often have a lot of talk and very little action. And so it is with his 1981 tragi-comedy, set in the staff room of a language school for foreign students in Cambridge.Tim Hatley's evocative set – all drab colours, winded sofas and scuffed furniture – neatly reminds us that the drama, which spans several academic terms in the early 1960s, takes place before the Swinging Sixties came along to liven up dull British lives.The school is run by Eddie (Malcolm Sinclair, who brings out every bit of comedy in Read more ...
graeme.thomson
In the debating chambers and committee rooms of the Conservative Associations of Oxford and Cambridge lurk the Children of Cameron. The current cabinet is to a large extent an Oxbridge Old Boys club and succeeding generations are already being fattened up for the fray. Young, Bright and on the Right - and what an aimless title that was - picked two candidates and sharpened the knives.The film followed them as they negotiated the sharp end of student politics. Twenty-one-year-old Joe Cooke looked like a cross between Chris Evans and John Selwyn-Gummer and possessed a kind of dry charm and Read more ...
fisun.guner
The home, and women’s place within it, gained considerable importance for artists of the Dutch Golden Age. Artists such as Johannes Vermeer, Pieter de Hooch, Nicholaes Maes and Gerrit Dou are among those who placed women at the centre of the well-ordered domestic realm. They featured as servants and mistresses, nursing mothers and coquettish girls, or as serious young women dedicated to the pursuits of home-making and suitable leisure. After years of conflict and uncertainty, the Dutch Republic emerged in 1648 and the home, the retreat of the newly powerful middle class, seemed naturally to Read more ...
matilda.battersby
It was the invasion of the collapsible chairs at this year’s Co-operative Cambridge Folk Festival. From above it appeared that an army of extremely well-equipped picnickers was staking its claim on the quarter of a mile surrounding the main stage using only fold-up chairs, checked blankets and pints of cider, occasionally lobbing colourful balloon missiles into the air. To call it civilised would be an understatement. It was quite simply extraordinary how far people had gone in pursuit of convenience. Those of us poor sods who sat on the floor could barely see for the sea of green canvas Read more ...
charlotte.gardner
Vignette Productions is a bit of a one-off in the operatic world. It was established three years ago by the rising young British tenor Andrew Staples, his mission to create operas that were more exciting and told better stories than those generally on offer. Staples directs rather than sings; his casts are made up of young unknown singers, and the productions to date certainly fulfil the original aim. Last year, their summer production of Cosi fan tutte had the audience sitting in deckchairs atop of six tons of sand and ended with a beach party. With that in mind, a bit of youthful wackiness Read more ...
alexandra.coghlan
Cambridge University, cradle of Newton, Keynes and Wittgenstein, of Wordsworth, Turing and Tennyson, has produced 15 prime ministers and more Nobel Prize-winners than most nations. In its 200-year history, the university’s debating society has hosted princes, politicians and leaders in every field: the Dalai Lama, Winston Churchill, Nelson Mandela, and last week a 25-year-old east-London DJ, Kissy Sell Out. But lest pacemakers should stutter or tweed be set atremble at the presence of mixing decks and a speaker in baseball cap and wife-beater, the Union also invited Stephen Fry along – Read more ...
james.woodall
I’ll confess it straightaway: I’m biased about this picture (as it surely would have been known in 1930) – wholly, shoutily in favour of it. I watched it last September at the Cambridge Film Festival on a big screen in Emmanuel College, with two pianists playing along, live, as this silent marvel told its really quite sophisticated story. I’d had no idea what to expect and came away mesmerised.
Modern moviegoers, as we all are, might be predisposed to ignore or be bored by it. A love story from the silent era: why bother? FW Murnau is probably best known for his early-1920s Nosferatu and Read more ...
howard.male
There’s a surreal sitcom waiting to be written about the often-told story of when Charlie Higson and Paul Whitehouse were Stephen Fry and Hugh Laurie’s plasterers for a while in the early 1980s. Here’s the pitch: F and L would play caricatures of themselves in the mould of the posh twits they played in Blackadder, and – for extra comic frisson – H and W would play it straight while appearing (as the story goes) naturally funnier than their professional Oxbridge comedy-writing superiors.If the old wags themselves didn’t have the time or inclination to knock up six episodes, The IT Crowd Read more ...
edward.seckerson
Conductor and choral scholar Stephen Layton once said that he often wondered what happened to the little boy at his primary school who he thought sang better than he did. The discovering and nurturing of raw talent is an issue very close to his heart and he offers three heartfelt cheers for the work of TV's Gareth Malone in that regard. Stephen was one of the lucky ones - he won a series of scholarships which defined his future and took him from Winchester Cathedral via Eton to King's College Cambridge.
He is currently Director of Music at Trinity College, Cambridge and newly appointed as Read more ...
james.woodall
Cambridge is in pre-term cocktail mood, almost. Its Film Festival slips in after Locarno and Venice, and as Toronto ends, and before Rome (increasingly important) and London (internationally a struggler) start. It tilts in the same direction as the aforementioned, with fully fledged art movies, provocative documentaries and work from a dozen language groups or so, though it's very small and many people might not know it exists.This year, it nearly didn't exist at all. No corks popped as it opened, arriving at its 30th birthday - yes, 30 years of festival films in a city far more famous for Read more ...