Britten
Fischer, LPO, Jurowski, RFH review - total focus in shattering threnodiesSaturday, 28 September 2019
Throughout his 11 years as Principal Conductor of the London Philharmonic Orchestra to date, Vladimir Jurowski has focused on two elements, programme-wise: tellingly-linked concerts of the rich and rare, and fine-tuned interpretations of the... Read more... |
Kolesnikov, Britten-Shostakovich Festival Orchestra, Latham-Koenig, Symphony Hall, Birmingham review - cross-country friendships flourishThursday, 19 September 2019
Celebrating the friendship between the two great 20th-century composers, the Britten-Shostakovich Festival Orchestra launched this year. Founded by British conductor Jan Latham-Koenig and British Ambassador to the Russian Federation Sir Laurie... Read more... |
Last Night of the Proms, Barton, BBCSO, Oramo review – woke not brokeSunday, 15 September 2019
The BBC put social and ethnic diversity at the heart of this Last Night programme. The concert opened with a new work, by Daniel Kidane, called Woke, and the first half was dominated by the music of black and female composers. In the second half,... Read more... |
theartsdesk at the Southrepps Music Festival - world-class young musicians return to North NorfolkMonday, 02 September 2019
When you've found some of the best young musicians in the world, and they've found that they love working in the peaceful surroundings of a magical spot in North Norfolk, you don't let go. Tenor Ben Johnson and pianist Tom Primrose focused for a... Read more... |
theartsdesk at Incontri in Terra di Siena: galloping concertos and Stravinsky by starlightSaturday, 10 August 2019
July in Tuscany and the heat is intense. Oak-forested hills offer tempting shade; pale dust flies from the roads; in the houses curtains are drawn against the ferocious sun and around irrigated gardens the mosquitos are growing plump. If you love... Read more... |
Chetham's Symphony Orchestra, Chetham's Chorus, Threlfall, Bridgewater Hall, Manchester - a thrilling triumphSaturday, 06 July 2019
As end-of-term concerts go, Mahler’s Eighth Symphony is a biggie. In fact it’s hard to imagine any place of secondary education where they would even contemplate it.But for Chetham’s School of Music, the "Symphony of a Thousand" was a doable task,... Read more... |
The Turn of the Screw, Garsington Opera review - superb music drama on an open stageFriday, 05 July 2019
The famous ambiguity of Henry James's The Turn of the Screw is whether the ghosts that take possession of the two children are real or merely figments of the young Governess’s imagination. Britten’s opera resolves this unequivocally in favour of... Read more... |
Noye's Fludde, ENO/Theatre Royal Stratford East review - two-dimensional music theatreThursday, 04 July 2019
Benjamin Britten's musical mystery tour is still bringing young communities together to work with professionals at the highest level 61 years on from its premiere in a Suffolk church, and Lyndsey Turner's sweet production at Stratford must have been... Read more... |
London Mozart Players, Davan Wetton, St Giles Cripplegate - rousing Shakespearean revelSaturday, 29 June 2019
The festival Summer Music in City Churches is in only its second year, filling a gap left by the demise of the long-running City of London Festival. This year’s festival had the theme of Words and Music and offered an enticing programme of recitals... Read more... |
Roger Wright on Oliver Knussen: ‘his challenge to us all to remain curious lives on’Friday, 14 June 2019
The composition course founded more than 25 years ago at Snape by composers Oliver Knussen and Colin Matthews is in full swing. The scene is the Britten Studio at Snape Maltings on the Suffolk coast. Like Colin, Olly's connections to Aldeburgh and... Read more... |
A Midsummer Night's Dream, Nevill Holt Opera review - sprinkled with musical fairy-dustThursday, 13 June 2019
“For I have found Demetrius like a jewel. Mine own, and not mine own.” Mine own and not mine own. This idea of transfiguration, of things familiar but somehow altered – is the spark that animates both Shakespeare’s A Midsummer Night’s Dream and... Read more... |
Billy Budd, Royal Opera review - Britten's drama of good and evil too much at seaWednesday, 24 April 2019
On one level, it's about Biblically informed good and evil at sea, in both the literal and the metaphorical sense. On another, the love that dared not speak its name when Britten and E M Forster adapted Hermann Melville's novella is either repressed... Read more... |
