fri 19/04/2024

Brighton

Album: Black Honey - Written & Directed

Indie rock has taken a commercial back seat, even if the music press still hasn’t quite caught up. Sure, there have been hit-makers, and bands that sell out stadiums, but overall, indie’s tide is very slowly retreating. Like any genre, it will...

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Grace, ITV review - sun, sea and skulduggery in sunny Brighton

We last saw John Simm on ITV in 2018’s Hong Kong-based murder mystery Strangers, a product from the Jack and Harry Williams script factory which wasted its exotic backdrops with a plot which mooched about in a dispirited fashion before dozing off...

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William Boyd: Trio review - private perils in 1968

William Boyd’s fiction is populated by all manner of artists. Writers, painters, photographers, musicians and film-makers, drawn from real life or entirely fictional, are regular patrons of his stories. Boyd’s latest novel, Trio, is no different....

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The Cheeky Chappie, The Warren Outdoors review - entertaining drama about risqué comic Max Miller

It’s fitting that there’s another run of Dave Simpson’s terrific play about Brighton’s favourite son, Max Miller (aka The Cheeky Chappie), at this delightful pop-up on the seafront he knew and loved so well.Jamie Kenna, who has been playing the role...

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The Warren Outdoor Season, Brighton review - creatives take to the beach

The Warren is normally to be found in Brighton city centre, where it stages shows during the Brighton Fringe. But there's nothing normal about 2020, so its organisers are now producing The Warren Outdoor Season at a pop-up space on Brighton beach,...

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Mark Townsend: No Return review - a masterclass in journalism

When Amer Deghayes departed for Syria in a truck leaving from Birmingham, a worker from a youth arts organisation in Brighton had been trying to get in touch with him. She wanted to inform Amer, an intelligent and creative 18-year-old who had once...

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One Man, Two Guvnors, National Theatre at Home review – bliss, utter comic bliss

Armchair theatre-lovers rejoice. During the lockdown, the National Theatre is streaming a selection of its past hits for free for one week at a time. These shows, originally filmed as part of the flagship’s NT Live project (which broadcast...

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Brendan Cleary, Great Eastern, Brighton review – last orders

St. Patrick’s Day, and socialising itself, has been all but cancelled. But turn the rickety door-handle of a bohemian pub near Brighton station, and a poignant scene is unfolding. The Irish poet Brendan Cleary’s reading has been officially called...

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Brighton Festival 2020 launches with Guest Director Lemn Sissay

This morning the largest annual, curated multi-arts festival in England launched and announced its programme of events. With Guest Director, British and Ethiopian poet-playwright-broadcaster Lemn Sissay, MBE, at the helm, Brighton Festival 2020 is...

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Album: Electric Soft Parade - Stages

18 years ago, Electric Soft Parade, centred around brothers Alex and Thomas White, were the latest hyped hope of indie kids and NME-type media. However, their might-have-been moment imploded when they moved too fast for their fans, rocketing off in...

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Elf Lyons, Komedia, Brighton review - bonkers, brilliant and a bit of bare bum

Elf Lyons’ new show, Love Songs To Guinea Pigs, has moved away from her usual slapstick and absurdist mimicry into new realms of traditional stand up. She cites the reason as being unable to do mime on the radio, but there’s a more serious reason...

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Alice Cooper, The Stranglers, MC50, Brighton Centre review - a triple-headed blast of vintage rock

The Ol’ Black Eyes is Back Tour celebrates Alice Cooper’s 50 years using his stage name. He’d been around under other names before 1969 but Alice Cooper – originally the title of the band rather than the man – achieved success as the Seventies began...

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