mon 27/01/2025

Brighton

Album: Sea Power - Everything Was Forever

The former British Sea Power’s seventh album draws on deep reserves of melancholy and ecstasy. Several songs sound like elegies for Yan and Neil Wilkinson’s recently deceased parents. The band’s emotional heart – sometimes missed beneath the...

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Madness and Squeeze, Brighton Centre review - enjoyable annual December nostalgia romp

Madness frontman Suggs is asking the capacity crowd at the Brighton Centre if any of them are in school-age education. Quite a few are. There are actual young people here! Some are with parents (even, possibly, grandparents), but gaggles of...

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OMD/Scritti Politti, Brighton Centre review - an engaging, ebullient good time

A persistent moan of this writer in recent years, about gigs attended by those his own age (54) and up, is that, however good the band is, the audience are stationary, staring, semi-catatonic. They don’t twitch or move, facing stage-wards earnestly...

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Arthur Smith, Brighton Fringe review - touching memoir of his dad

“A real live audience,” said Arthur Smith delightedly as he kicked off the Brighton Fringe with Syd, his touching and funny tribute to his late father, “an ordinary man who lived in extraordinary times” – his life included a stint in Dad's Army (the...

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Live is Alive!, Brighton Festival 2021 review - local talent makes for snappy return to gig-land

The idea live music is back is worth shouting about. Indeed, the BBC News has been doing just that about this gig. In reality, though, while it’s a joy to be out (this is my first major venue concert for a year-and-a-half), Live is Alive is a...

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Points of Departure, Brighton Festival 2021 review - Ray Lee's harbour-based sound art impresses

They stand in a row, nine of them, in a long, strange corridor between rows of stacked, palleted, planked wood and the red brick wall of an endless warehouse. Nine tripods, each two humans high, with a spinning helicopter head, double-ended by...

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Album: Rag'n'Bone Man - Life by Misadventure

Rory Graham was always stoically familiar with life’s knocks. With a stage-name inspired by Galton and Simpson’s fatalistic family tragicomedy Steptoe and Son, and an underground hip-hop career hinterland in Sussex and London, this big 30-something...

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Album: Black Honey - Written & Directed

Indie rock has taken a commercial back seat, even if the music press still hasn’t quite caught up. Sure, there have been hit-makers, and bands that sell out stadiums, but overall, indie’s tide is very slowly retreating. Like any genre, it will...

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Grace, ITV review - sun, sea and skulduggery in sunny Brighton

We last saw John Simm on ITV in 2018’s Hong Kong-based murder mystery Strangers, a product from the Jack and Harry Williams script factory which wasted its exotic backdrops with a plot which mooched about in a dispirited fashion before dozing off...

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William Boyd: Trio review - private perils in 1968

William Boyd’s fiction is populated by all manner of artists. Writers, painters, photographers, musicians and film-makers, drawn from real life or entirely fictional, are regular patrons of his stories. Boyd’s latest novel, Trio, is no different....

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The Cheeky Chappie, The Warren Outdoors review - entertaining drama about risqué comic Max Miller

It’s fitting that there’s another run of Dave Simpson’s terrific play about Brighton’s favourite son, Max Miller (aka The Cheeky Chappie), at this delightful pop-up on the seafront he knew and loved so well.Jamie Kenna, who has been playing the role...

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The Warren Outdoor Season, Brighton review - creatives take to the beach

The Warren is normally to be found in Brighton city centre, where it stages shows during the Brighton Fringe. But there's nothing normal about 2020, so its organisers are now producing The Warren Outdoor Season at a pop-up space on Brighton beach,...

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