tue 07/05/2024

black culture

The White Card, Soho Theatre review - expelling the audience from its comfort zone

We’re in New York City, in an upscale loft apartment, with that absence of stuff that speaks of a power to acquire anything. There are paintings on the walls, but we see only their descriptions: we learn that the owner (curator, in his word) really...

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The Fellowship, Hampstead Theatre review - strong clashes, too little drama

I live in Brixton, south London. A few days ago, the borough’s aptly named Windrush Square hosted events which celebrated the contribution of the Windrush Generation and their descendants.With Windrush Day being 22 June, last week was originally...

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Jitney, Old Vic review - a directorial delight

It’s great to see August Wilson’s early play – the first of his “Century Cycle”, that remarkable decalogy that explored a century of Black American experience through the prism of the playwright’s native Pittsburgh – back on the London stage. It’s...

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Transgressive Records showcase, The Great Escape, Brighton review - five acts offer intriguing pop alternatives

Onstage at The Old Market in Hove, New York’s Mykki Blanco has been waving around a knot of garlic bulbs as if it were a wand or occult aspergillum. At some point during Blanco’s punchy rendition of 2016 single “Loner”, or possibly the dizzier “...

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Album: Kendrick Lamar - Mr Morale & the Big Steppers

Kendrick Lamar is so breathlessly revered it’s sometimes hard to pull apart what’s going on in his records. It’s sometimes felt like he might become the rap game Radiohead: exploratory, aware, hugely technically accomplished, endlessly thematically...

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For Black Boys Who Have Considered Suicide When The Hue Gets Too Heavy, Royal Court review - Black joy, pain, and beauty

The title is so long that the Royal Court’s neon red lettering only renders the first three words, followed by a telling ellipsis. But lyrical new play For Black Boys Who Have Considered Suicide When the Hue Gets Too Heavy lives up to its weighty...

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Shedding a Skin, Soho Theatre review - feel the love

Love is the most difficult four-letter word. And platonic love is perhaps the hardest kind of emotion to write well about. But it’s the central subject of Amanda Wilkin’s Shedding a Skin, and she describes it beautifully. This 2020 Verity Bargate...

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Red Pitch, Bush Theatre review - effortlessly and energetically entertaining

Football stories are never just about a game — they are also about life and how to live it. In Tyrell Williams’s Red Pitch, his debut play now getting an enthusiastically staging at the Bush Theatre after a shorter version wowed audiences at the...

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Queens of Sheba, Soho Theatre review – energy, entertainment and rage

Black women often find themselves subject to a double dose of prejudice. Pressure. They face everyday racism as well as sexism. It’s called misogynoir, and Queens of Sheba is a short show dedicated to calling it out. In as joyous and energetic way...

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Conundrum, Young Vic review - inscrutable and ungraspable

Conundrum is a tricky play. Written and directed by Paul Anthony Morris, founder of Crying in the Wilderness Productions, it’s an extended meditation on Blackness and what it means to live in a racist society. Anthony Ofoegbu is the star of the show...

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Trouble in Mind, National Theatre review - race, rage and relevance

The National Theatre has a good record in staging classic American drama by black playwrights. James Baldwin's The Amen Corner, August Wilson's Ma Rainey's Black Bottom and Lorraine Hansberry’s Les Blancs have all had terrific new stagings. Now it’s...

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Album: Justin Adams & Mauro Durante - Still Moving

Adams has long been Robert Plant’s guitarist in bands including the Sensational Space Shifters, as well as working with fellow Space Shifter Juldeh Camara in the band JuJu. He is steeped in American Blues as well as its West African and Desert Blues...

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