Bible
Salomé, National Theatre review - Yaël Farber’s version is verbose and overblownWednesday, 10 May 2017
Is God female? It says a lot about Yaël Farber’s pompous and overblown new version of this biblical tale at the National Theatre that, near the end of an almighty 110-minute extravaganza, all reason seemed to have vacated my brain, and its empty... Read more... |
Sughayer, Manchester Camerata Soloists, Manchester CathedralWednesday, 03 May 2017
Two works whose whole significance depends on (unspoken) sacred texts made a stimulating combination for a concert in Manchester Cathedral’s sacred space. Haydn’s The Seven Last Words of our Saviour on the Cross – usually heard in its string... Read more... |
The Inn At Lydda, Sam Wanamaker PlayhouseFriday, 09 September 2016
Part Biblical melodrama, part Carry On Up The Colosseum, with a bit of Horrible Histories thrown in for good measure, it’s hard to see how John Wolfson’s wildly uneven The Inn at Lydda graduated from a rehearsed reading last season to a full-blown... Read more... |
Michael Palin’s Quest for Artemisia, BBC FourTuesday, 29 December 2015
For his latest journey Michael Palin, actor, writer, novelist, comedian, Python, traveller, has gone beyond geography in search of the visual arts with his characteristic enthusiasm, eclectic curiosity, and sense of discovery.With his usual... Read more... |
Ben Hur, Tricycle TheatreWednesday, 25 November 2015
Hollywood took 365 speaking parts, 50,000 extras and 2,500 horses to tell this epic tale in 1959; here at the Tricycle, it’s a cast of four and some enterprising puppet work. Playwright Patrick Barlow, following up global hit The 39 Steps, has... Read more... |
10 Questions for playwright Patrick BarlowMonday, 16 November 2015
Patrick Barlow’s last play was parked in the West End for nine years. The 39 Steps finally closed this autumn, but not before travelling all over the world, most prestigiously to Broadway but also, among other destinations, to Russia, Japan,... Read more... |
Jimmie Durham, Serpentine GalleryMonday, 12 October 2015
The first thing you encounter is a ballot box bolted to the lid of a school desk; what or whom you might be voting for – apart from the hope of change – is not specified. In the eyes of Jimmie Durham, change is badly needed; in fact, most of the... Read more... |
Salome, Bournemouth SO, Karabits, Symphony Hall, BirminghamSaturday, 03 October 2015
“How fair is the Princess Salome tonight”! That slithering clarinet run, that glint of moonlight: few operas create their world so instantly and so intoxicatingly. At Symphony Hall, the lights rose on the very back row of the stage, the percussion... Read more... |
Samson et Dalila, Grange Park OperaSunday, 21 June 2015
From “Printemps qui Commence“ (spring is beginning) to “Springtime for Hitler"... that really is quite some intellectual leap. Patrick Mason, an experienced and respected opera director, has uprooted the tale of Saint-Saëns's opera from biblical... Read more... |
The Ark, BBC OneMonday, 30 March 2015
There was a distinct lack of giraffe or spiny ant-eater or even ant in The Ark. The animals went in none by none in the BBC’s visit to the Old Testament. When the deluge finally came on, it was only the human race which was saved from the watery... Read more... |
Exodus: Gods and KingsTuesday, 23 December 2014
I wish Mel Brooks had directed this, but instead we've got the sort of stodgy techno-epic that has become all too common from the auteur-ial hand of Ridley Scott. Ridley's 150-minute rehashing of the Biblical story of Moses is often a feast for the... Read more... |
The Gospel According to the Other Mary, English National OperaSaturday, 22 November 2014
A great creative partnership like the one between composer John Adams and director Peter Sellars can endure the occasional wobble. In his peerless autobiography Hallelujah Junction Adams is frank about the information overload in Sellars’ premiere... Read more... |
