BBC Two
Adam Sweeting
“Bob’s not the kind of guy you can say no to,” said Sting, reminiscing about the origins of 1984’s Band Aid charity single “Do They Know It’s Christmas?”. “He’s persistent.”He spoke, of course, of Bob Geldof, then best known as the singer with Dublin band the Boomtown Rats, but destined to be remembered as the driving force behind Band Aid and the subsequent massive Live Aid concerts which took place on both sides of the Atlantic in July 1985. Experts believe the shows were watched by 1.9 billion people (onstage at Wembley Stadium, pictured below).The Boomtown Rats had some success on the UK Read more ...
Adam Sweeting
Any show making its debut in the midst of Wimbledon and the Euro-football, plus a spectacular performance by Lewis Hamilton at Silverstone, is likely to be gasping for air, and BBC Two’s ditzy new cop series didn’t so much charge out of the blocks as trip over them. Masterminded by Ben Schiffer, the eight-part series is based on Barbara Nadel’s Inspector Ikmen novels, which are much loved by their readers.I wouldn’t bet on them feeling the same about the TV version. The plot-driving device is the arrival in Istanbul of Detective Mehmet Suleyman (Ethan Kai from Killing Eve), who finds himself Read more ...
Adam Sweeting
This is the follow-up to 2020’s The Kemps: All True, in which rock satirist Rhys Thomas assessed the Spandau Ballet boys as the band reached its 40th anniversary. This time, we rejoin Thomas as he spends a year as a fly on the wall in the chaotic lives of Martin and Gary, culminating in their plans to appear in the BBC’s New Year celebrations as 2024 dawns.The bogus rockumentary is an enticing format, but a notoriously difficult one to pull off. News has reached us that Rob Reiner is making Spinal Tap 2, but few seriously believe it can top the 1984 original (the only film on the Internet Read more ...
Adam Sweeting
They called Noël Coward “The Master”, and Barnaby Thompson's 90-minute documentary marking 50 years since his death reminded us why. Though there was nothing here in the way of hitherto unknown revelations, the tale of how a boy who left school at nine and had no musical training yet became one of the world’s most prolific playwrights and composers undoubtedly has something fantastical about it.With a commentary by Alan Cumming, quotations from Coward’s own writings voiced by Rupert Everett and bags of time-travelling period footage, the film pieced together the story of this son of an out-of Read more ...
Adam Sweeting
Having previously brought us adaptations of M R James’s ghost stories, reviving the BBC tradition inaugurated by Lawrence Gordon Clark in the 1970s, Mark Gatiss has now turned to a short story by Arthur Conan Doyle for his annual Christmas chiller. With its cast of upper-crust academics amid the shadowy staircases and wood-panelled studies of Old College, Oxford in the 1880s, it makes a fine addition to the canon.Recruiting a stalwart cast was a wise precaution. Kit Harington is at centre stage as Abercrombie Smith, who is studying medicine and seems assured of an illustrious career. Though, Read more ...
Gary Naylor
Four centuries on from the publication of the First Folio, is there anything new to be said about William Shakespeare? Well, the fact that there is nothing old to be said about him (very little is known about the life of the glover’s son from Stratford) means that there’s always something new, as the evidence to gainsay any claim is minimal. Tedious conspiracy theories aside, it’s the kind of paradox the man himself might have appreciated.That’s the jumping off point for 72 Films’ lavish production for BBC Arts, a three-hour series that sits somewhere between the "clips and talking heads" Read more ...
Helen Hawkins
Can you make modern poetry come to life on a TV screen? The BBC has had two stabs recently at answering this question, as part of the centennary celebrations for TS Eliot’s The Waste Land, seen by many as the greatest poem of the 20th century. One programme works significantly better than the other. For her 80-minute documentary TS Eliot: Into The Waste Land (BBC Two, ★★★★), director Susanna White was significantly aided by the “buried treasure” element in the story of this famously elusive poem, long laboured over by critics and students. Sitting like a ticking time bomb in Princeton’s Read more ...
Helen Hawkins
Period drama from Australia is something of a rarity on our televisions, so The Newsreader scores for novelty alone. It’s not startlingly innovative in form, but it does what it sets out to do in a highly satisfying way. Which is to tell a tale of everyday misogyny, racism, homophobia and backstabbing in the Aussie television industry of the mid-1980s.Running throughout are regular datelines, starting with the weekend of the Challenger disaster in February 1986 and progressing through to Chernobyl the following April. This timeline isn’t just adding handy topical references: these are the Read more ...
Adam Sweeting
At the beginning of this film, Mick Jagger says: “What most documentaries do is repeat the same thing over and over… all the mythology is repeated until it becomes true.” He’s right, as he so often is. This latest attempt to prise open the enigma of the Rolling Stones’ indefatigable frontman reveals nothing a reasonably observant Stones fan won’t already know.The film is the first of a quartet, the others being about Keith Richards, Ronnie Wood and the sorely-missed drummer Charlie Watts. Watts aside, they do at least contain new interviews with their subjects, who are all reliably Read more ...
Adam Sweeting
This two-part documentary about how the Eighties were partly shaped by the British Prime Minister and the US President was obviously planned long before the Russians invaded Ukraine, but it’s a powerful illustration of how history doesn’t stop, but keeps coming around again in a slightly reformatted guise. It’s also a timely reminder of what “statesmanship” means, at a time when this elusive commodity has never been in shorter supply.The story is told by Margaret Thatcher’s biographer and former Daily Telegraph editor Charles Moore, and bundling Moore, Thatcher and Ronald Reagan together Read more ...
Adam Sweeting
The issue of public inquiries into the conduct of the military is in the headlines again, with a current focus on Northern Ireland, but at the centre of screenwriter Robert Jones’s Danny Boy was the attempt to find British soldiers guilty of war crimes in Iraq. The Battle of Danny Boy (it was the name of an Army checkpoint) took place on 14 May 2004, when a British patrol was ambushed by fighters of the so-called Mahdi Army.After allegations were made that British troops had murdered 20 Iraqi prisoners and tortured others, the Al-Sweady Public Inquiry was set up to investigate. One of the Read more ...
Tom Birchenough
Nick Broomfield made his first film 50 years ago, and his career over those five decades (and some three dozen works) has been as distinctive, and distinguished as that of any British documentary maker. It has ranged from early films on British social themes, through overseas journeys, often around America and more extreme subjects such as penal incarceration (1982’s Tattooed Tears, his first work outside England, and his studies of serial killer Aileen Wuornos on death row) but also his including his remarkable 1991 The Leader, His Driver and the Driver’s Wife about the white South African Read more ...