fri 05/07/2024

ballet

Anna Karenina, Mariinsky Ballet, Royal Opera House

It is claimed that the philosopher GE Moore had a fantasy. After many years’ work, Tolstoy had finally finished War and Peace. Sonya had copied it out for the umpteenth time. The thing goes off to the printer. Peace reigns. And then, in...

Read more...

Don Quixote, Mariinsky Ballet, Royal Opera House

It is all too easy to be cynical about the ballet version of Don Quixote. With almost no part for the title character, it is a 19th-century Russian take on faux-Spanish dancing, a farce in which the barber Basilio longs for the charming Kitri, while...

Read more...

Homage to Fokine, Mariinsky Ballet, Royal Opera House

Mikhail Fokine, choreographer to both West and East, looked forward and back, too. He studied in the old Imperial Theatre School when the tsars ruled Russia, and he was also Diaghilev’s creative genius at the Ballets Russes, moving dance into the...

Read more...

Carlos Acosta, Premieres Plus, London Coliseum

For most dancers the first base is to get principal roles. For a star like Carlos Acosta, second base becomes urgent: to find the career path beyond classical ballet. Like Sylvie Guillem he seeks out a new contemporary dance path to fulfil, being...

Read more...

Rattigan's Nijinsky/ The Deep Blue Sea, Chichester Festival Theatre

Terence Rattigan’s art of concealment is what makes The Deep Blue Sea so rich and true an observation of the way people behave. Being deprived of his concealing mask is the crucial idea of the interesting new play partnering it at Chichester to mark...

Read more...

Swan Lake, Mariinsky Ballet, Royal Opera House

Uliana Lopatkina in the Mariinsky's 'Swan Lake'

Act IV is the core of Swan Lake. It doesn’t seem so theatrically, being a peculiar 20-minute bolt-on after an interval that frequently lasts longer than the act that follows. But musically it transcends everything that has gone before, its thready...

Read more...

Ashton's Romeo and Juliet, London Coliseum

Like planets crossing in the skies, light years apart, but by some ocular illusion coinciding, this conjunction of the two most thrilling young Bolshoi stars in the world and Frederick Ashton’s rarely staged Romeo and Juliet really must be seen....

Read more...

Interview Special: Bolshoi Dancers Natalia Osipova & Ivan Vasiliev

“What I love about her is her emotion, her true emotion. She’s a ball of energy and emotion all together, quite an amazing thing. From the first time I saw her, I thought I want her to be my girlfriend.” Ivan Vasiliev, the young Bolshoi Ballet...

Read more...

Strictly Gershwin, English National Ballet, Royal Albert Hall

Mark Twain once wrote of his experience of going to German opera. It starts at 6, he said, and they sing for four hours. Then you look at your watch, and it’s 6.15. This is also an all-too-accurate description of a night at English National Ballet’s...

Read more...

Michael Clark Company, th, Tate Modern

Michael Clark brings dancers into Tate Modern in a long shadow cast by some memorable events from choreographers Merce Cunningham and Trisha Brown. Now the ground on which Ai Weiwei’s poignant porcelain seeds were piled is swept clean and laid with...

Read more...

Manon, Royal Ballet

If an excess of enthusiasm troubles you, look away now. Because this is less a review, more a love letter. Alina Cojocaru has been astonishing audiences for more than a dozen years. Regular ballet-goers attend her performances expecting to be...

Read more...

Queen - Days of Our Lives, BBC Two

Despite selling 300 million albums, being memorialised in stage musicals and computer games and with a feature film about their early career in the works, Queen are still moaning about the press. It's a theme that simmered steadily through this two-...

Read more...
Subscribe to ballet