ballet
Bern:Ballett, Linbury Studio, Royal Opera HouseThursday, 26 May 2011
Being a choreographer is harder than it looks. Steps, movement, are just the beginning. On top of that you need to have a sense of theatricality, and then, even more, you need to be able to convey your ideas, through movement alone, to the... Read more... |
Cleopatra, Northern Ballet, Sadler's WellsTuesday, 17 May 2011
David Nixon has been artistic director of Northern Ballet for a decade, and it’s probably safe to say he is the king of the story ballet: Wuthering Heights, Les Liaisons Dangereuses, Madame Butterfly, Dracula – if it’s got a story, he is, seemingly... Read more... |
Russian Ballet Icons Gala: Celebrating Galina Ulanova, ColiseumSunday, 15 May 2011
Ballet galas are a curious institution. They mimic the form of “Greatest Hits” recordings, but what you get are rarely greatest hits, because they can’t be. Dance develops in its own time, its unfolding being an essential part of the magic. Rip a... Read more... |
Ballo Della Regina/ Live Fire Exercise/ DGV, Royal BalletSaturday, 14 May 2011
Current affairs can be an on-trend choreographer's nemesis. In the new triple bill at the Royal Ballet last night, you could watch a new video-game war-ballet by Wayne McGregor, while blotting out thoughts of the Taliban suicide massacre in... Read more... |
Dutch National Ballet, Hans Van Manen, Sadler's WellsThursday, 12 May 2011
In a world crying out for even below-mediocre ballet choreographers (Benjamin Millepied, anyone?), the Dutch old master Hans Van Manen is an extraordinarily well-kept secret. Why a man of such superb balletic accomplishment, theatrical instincts... Read more... |
DVD: Black SwanThursday, 12 May 2011
The career of Natalie Portman has always had more light than shade. Even her lapdancing sylph in Closer erred towards the porcelain. Casting her in Black Swan was a calculated risk by Darren Aronofsky. The journey of her prim prima ballerina Nina... Read more... |
Manon, Royal BalletThursday, 21 April 2011
Manon, Manon, the little minx. Here she comes again - for the 223rd time, last night - and like the legendary ladies of her trade, scrubs up fresh and newly captivating, as if she’d only just skipped off the carriage from the convent. MacMillan’s... Read more... |
Pina 3D/ Giselle 3DTuesday, 19 April 2011
Pina Bausch decided: “Words can’t do more than just evoke things - that’s where dance comes in.” Well, up to a point, Lord Copper. Only if they’re bad words and good dance - bad writhing instead of, say, Shakespeare’s words isn’t much of a swap. But... Read more... |
Gergiev's Prokofiev Romeo and Juliet: a worthy winner?Wednesday, 13 April 2011
It's just been crowned the BBC Music Magazine Awards' CD of the Year. But is Valery Gergiev's second complete recording of the 20th century's greatest ballet score, captured live at the Barbican for the LSO's own label, right at the top? In my... Read more... |
Alice, Scottish Ballet, Glasgow Theatre RoyalWednesday, 13 April 2011
As the young waitress said in the restaurant where we ate after last night’s world premiere of Ashley Page’s Alice in Glasgow, she hadn’t ever been to ballet, but she was tempted to go for this - “It’s Alice after all, isn’t it? Wonderland. I’d love... Read more... |
The Ballets Russes Return to RussiaTuesday, 12 April 2011
Ninety-nine years ago, there were sights and stars seen upon the ballet stage as had never been dreamed of. A young genius of 32 was the driving engine of Diaghilev’s Ballets Russes - the choreographer Mikhail Fokine, who created fantasies of... Read more... |
DVD: The Tales of Beatrix PotterThursday, 07 April 2011
Forty years ago, my childhood self wasn't in the least bored by Frederick Ashton's balletic animal magic: I saw it twice in cinemas large and small and asked for the soundtrack LP of John Lanchbery's masterly Victorian-potpourri ballet score for my... Read more... |
