America
Marianka Swain
Neil LaBute’s exercise in self-flagellation, first seen in 2005 and adapted for film in 2013, offers his familiar misanthropic take on the battle of the sexes. This one concerns Guy (Charles Dorfman), engaged to be married and embarking on a tour of ex-girlfriends across America – ostensibly to right wrongs, but murkier motives soon emerge.It’s inescapably formulaic and repetitive, with Guy visiting a series of women in a series of hotels, each exchange following a similar pattern: defensiveness, rekindled intimacy, revelation and recrimination. Gary Condes’s production differentiates the Read more ...
Jasper Rees
The midlife crisis, the one-night stand in another city, the younger woman and the honeyed words that turn to dust – they happen all the time, in life and therefore in stories. In Anomalisa they are seen miraculously afresh thanks to Charlie Kaufman, that tireless cinematic frontiersman, and his co-director, animator Duke Johnson.The novelty of Anomalisa is that stop-motion figurines play out the life of Michael Stone, an inspirational self-help guru who can inspire everyone but himself. As he lands in Cincinnati to give a talk, his marriage has turned to dust, he is tempted by the siren lure Read more ...
Sarah Kent
A neon sign over the Barbican’s Silk Street entrance reads Scandinavian Pain. Following its victory over us in Euro 16, it seems that Iceland is now drenching us with its special brand of melancholy. Things are not that simple, of course. In his work, Icelandic artist Ragnar Kjartansson indulges his penchant for sorrow with such bitter sweetness that, with many a gentle sigh, emotional pain morphs into something more akin to pleasure.In any case, he is hard pressed to distinguish real emotion from its ersatz other, since he was born into an acting dynasty and, as a child, spent many hours Read more ...
Marianka Swain
Womanising detectives, shapely dames, gangsters and convoluted criminal conspiracies: Richard O’Brien and Richard Hartley’s 1982 musical take on Carter Brown’s California-set whodunit fiction is pulp noir to the max. However, unlike the pair’s previous collaboration, the indelible Rocky Horror Show, this is more homage than send-up – arch but fairly straightforward storytelling in place of riotous, risqué pastiche.That’s problematic when Sixties sensibilities are presented to a modern audience with only the flimsiest attempts at subversion. The male gaze dominates, unashamedly, in Read more ...
Sebastian Scotney
Sixty-five thousand people came to Wonder. The final night of British Summer Time in Hyde Park was a sell-out. With a performance lasting four hours including an intermission, the Detroit-born legend and his band – and also the weather, which stayed fine all evening - can have left nobody disappointed. The show, based on the album Songs in the Key of Life, with some extra off-piste excursions, was thoroughly convincing live. It just works very well, and on several levels. First there's the sheer quality and compositional versatility of the original album. The appeal of just about all of Read more ...
Saskia Baron
Ghostbusters 2016 has suffered from dire predictions on the internet from fans of the 1984 original. Scorn has been poured on the trailers, the all-female cast and the very notion of rebooting the much-loved 1984 comedy. In the end, it’s an enjoyable blockbuster, not great, but not disastrous either.The Sunday preview audience – a mixture of adults and kids – which filled the 1700 seater enjoyed it well enough. Even my 12-year-old boy companion who had been predicting for weeks that it was going to be "the worst movie ever" came out of it very happy.Writer/director Paul Feig, who did such Read more ...
Katie Colombus
For Aerosmith frontman Steven Tyler, country music is the new rock n’roll. And it seems an easy transition from one kind of heavy beat to another, with simple melodies, alongside rich textures and honeyed harmonies in this new vista.Tyler brings his own unique flava into the Nashville-infused mix, with album opener “My Own Worst Enemy” introducing us to a deliberate accordion backdrop but with some decent riffing and a screeching hot guitar solo at the end of the song. "We're All Somebody From Somewhere" is set to be a summer hit. It’s a great time to be preaching unity for “Some Read more ...
Tom Birchenough
Weiner is the story of a rapid ride from comeback to meltdown. It’s an enthralling journey to witness, even if you sometimes feel like averting your eyes. What can be more inexorable than a political life – not to mention a private one – imploding on screen in a documentary where the subject has promised full access to the filmmakers, and sticks to that pledge regardless?The story of Anthony Weiner’s 2013 bid to become mayor of New York made front page news in America. He was clearly an extremely articulate and dynamic Democrat political operator, but that wasn’t the main issue. What made his Read more ...
Graham Fuller
Her babyface spangled with tiny jewels and her lips painted fuschia, an adolescent with elaborately woven blonde hair lies on a silver velvet couch – round her neck and running onto her breast and down her right arm is a scarf of sticky blood as shiny as her blue vinyl (or cellophane) dress.Like a W magazine photo spread conceived by Baudelaire and art-directed in electric colours by giallo maestro Dario Argento, the opening of The Neon Demon offers a foretaste of the plasticated grand guignolerie that by the end of Nicholas Winding Refn’s meretricious psychological horror movie has yielded Read more ...
Sarah Kent
It's 100 years since Georgia O’Keeffe first showed at Alfred Stieglitz’s 291 Gallery in New York, a hub of avant-garde activity, and the opening room of this major retrospective revisits the 1916 exhibition. Inspired by Arthur Dow’s emphasis on freedom of expression and Wassily Kandinsky’s book The Art of Spiritual Harmony, O’Keeffe made a series of drawings and paintings in which natural forms are abstracted to the point where they are only just recognisable. In Pink and Blue Mountains, 1916, for instance, the landscape is transcribed into bands of watercolour washes, and Read more ...
Saskia Baron
Rebecca Miller’s fiction and her previous films’ manifestly ambitious visual style and narrative structures led to high expectations from Maggie’s Plan. As a movie, it may appeal to audiences craving the kinds of films that Woody Allen, Noah Baumbach and Richard Curtis make – talky comedies revolving around middle-class professionals chewing over their relationship crises with their friends. But if that’s not your cup of decaf, it may just grate on your nerves.Greta Gerwig plays Maggie, an arts administrator in her early 30s, contemplating single parenthood with the help of donated sperm. She Read more ...
Marianka Swain
For those in sore need of a theatrical pick-me-up, jazz square your way over to Bugsy Malone. Last year’s smash-hit opener of the redeveloped Lyric has been given a well-deserved encore, with Sean Holmes’s production once again nailing the beguiling blend of Alan Parker’s 1976 film: children performing musical mobster pastiche, smartly knowing in their deconstruction of adult absurdities, but sidestepping cloying precocity.There’s a ramshackle feel to this Bugsy – some garbled dialogue, accents meandering between broad New Yoik and distinct south London – that actually adds to its charm. No Read more ...