America
Marianka Swain
Alexander Payne’s adored 2004 film adaptation of Rex Pickett’s semi-autobiographical novel didn’t just pick up an Academy Award – it led to a plummeting in sales of Merlot, and Pinot Noir becoming the drink of choice. What might Pickett’s theatrical version accomplish?The good news is this midlife-crisis comedy will certainly encourage visits to the bar, if not to California’s Santa Ynez Valley. (Canny ads and paired wine tastings stoke the flames of the latter.) Both parody of and love letter to the oenophile, it savours the rituals and jargon, as Pinot fanatic Miles (Daniel Weyman) takes Read more ...
Ed Owen
With the Olympic Games starting in three months, it’s time to cash in with those inspiring stories of competition. Jesse Owens embodies the Olympic spirit, winning four track golds at the 1936 Berlin Olympics, comprehensively refuting Hitler’s message of race hate. Owens’s track medal tally remained unmatched until Carl Lewis, 48 years later. It’s difficult to think of a more perfect Olympian.Like buses, Race is the first of three Owens biopics to come along. Disney’s adaptation of Jeremy Schaap’s Triumph is in production, as is another starring Owens lookalike Anthony Mackie. While first out Read more ...
howard.male
Brave is the songwriter who sets a piece of classic poetry to music, never mind creates almost a whole album of such Frankenstein creations. Poetry is meant to work against silence, not compete for attention with melody and rhythm. Yet miraculously this New York-born Hiatian-American singer-songwriter granted new life to a number of Langston Hughes poems on her haunting 2013 debut album Vari-Coloured Songs by bringing light (in both senses of the word) to weightiness. The languid melancholy "Heart of Gold", in particular, would surely have delighted Hughes with its indearing oddball charm. Read more ...
Adam Sweeting
It's getting mighty crowded in the superhero lounge. After the underwhelming Batman v Superman and the overwhelming Captain America: Civil War, here's the X-Men posse back on the warpath, once again under the bombastic helmsmanship of Bryan Singer.The extended opening sequence is a mesmerising standalone episode. It sets up the action by whisking us back to ancient Egypt and introducing the infinitely ancient Apocalypse, a self-styled god who has spent aeons gathering ever-increasing powers by transplanting the gifts of assorted mutants into himself. As pyramids tumble, Singer zooms us back Read more ...
Nick Hasted
After Dazed and Confused, college days. This successor to Richard Linklater’s 1993 cult favourite about high school hedonism in 1976 moves on to the start of a 1980 college term. Everybody Wants Some!! is named after a Van Halen song instead of the earlier film’s Led Zeppelin but, with the Reagan years yet to kick in, little culturally essential has changed. The pursuit of sex, drugs and rock’n’roll remains these American kids’ inalienable right.Linklater has observed that, as well as being a “spiritual sequel” to Dazed and Confused, this starts where the Oscar-winning Boyhood ends, with a Read more ...
Katie Colombus
When life gives you lemons, what do you do? Well, Beyoncé took the fruits of her musical labour, those of the black women before her and those hanging between her husband's thighs, to create something pretty sharp. This is a new sound, a new music movement, a new way of hearing her music.Her sixth studio album is way more than just that. It is accompanied by a film, a "visual album" that premiered on HBO and is streamed on Jay-Z's subscription-based music service Tidal, which allows a way more kaleidoscopic, intense and profound experience.Accompanied by spoken-word Read more ...
Matt Wolf
The Cotton Blossom looks mighty fine in its latest London iteration, Daniel Evans's winning Sheffield Theatre revival of Show Boat joining the ongoing runs of Guys and Dolls and Funny Girl to offer West End audiences a synoptic view of Broadway musical history. And surely no Broadway title remains more iconic than this one – the 1927 collaboration between Oscar Hammerstein II and Jerome Kern that set the musical form on course towards a level of maturity and daring that few up until that time would have thought possible.But which Show Boat to stage? That as ever remains the question with a Read more ...
Adam Sweeting
This rousing instalment from the Marvel universe shares self-evident similarities with Batman vs Superman, the latest effort from their DC rivals. In both films we see superheroes at loggerheads, and in each case it's because they find themselves in a changing world where it's no longer acceptable for super-beings to roam around the planet leaving massive swathes of collateral damage in their wake.But what this latest Captain America has, which the DC flick sorely lacks, is – despite episodes of incredible violence and emotional anguish – exuberance, exhilaration, humour and even joy. It's Read more ...
Marianka Swain
Vaudeville is having quite the West End moment, with Funny Girl inheriting the Savoy from Gypsy and Mrs Henderson Presents over at the Noël Coward. Gypsy is the pick of the bunch dramatically, delivering theatre history with real psychological heft, but Sheridan Smith’s luminous Fanny Brice gives Funny Girl a fighting chance. She’s such a natural vaudevillian that you begin to wonder if she’s somehow been transported from another age.Smith isn’t a vocal match for original Fanny Barbra Streisand (who is?), though the loss of otherworldly balladry actually makes for a more convincing Read more ...
Adam Sweeting
Catching the essence of the mercurial, secretive and notoriously abrasive Miles Davis on film might reasonably be described as a mission impossible, but Don Cheadle has put his heart and soul into it. He directed it and plays the title role, he co-wrote the screenplay with Steven Baigelman, and he put some of his own money into it. A jazz saxophonist since his youth, he took tips from Wynton Marsalis about playing the trumpet for the movie.The results are both better and worse than you might have expected. Cheadle succeeds remarkably well at embodying Davis in the different periods in his Read more ...
David Nice
A young nation with a small population and the most untarnished democratic credentials in Europe today can do certain things with festivals not so easy to imagine here. When Estonian Music Days, focused on native and contemporary music, took nature as its theme for 2016 – in this case posing a question in the title, "Green Sound?" – it could expect many of its 60 featured composers to respond to commissioning by making a direct link to the native ecology. And, lacking our centuries of patriarchal baggage, it could furnish a high quotient of women in music – composers, players, conductors – Read more ...
Marianka Swain
A Pulitzer Prize and numerous walkouts: The Flick, infamously, courts extreme reactions. Yet this latest American import is dedicated to minutiae. In Annie Baker’s slow-burning (three hours-plus), microscopic epic, her lens is trained on ordinary people, mundane tasks, arid pauses and inarticulate speech that trails… off.Though this may initially seem like indulgent anti-drama, the brilliance of Baker’s strategy soon becomes clear. We become so attuned to life in the rundown movie theatre in Worcester County, Massachusetts that the smallest alteration feels like a seismic shift. The Read more ...