fri 10/05/2024

America

Next to Normal, Donmar Warehouse review - terrific cast in a punchy musical

The journey from off-Broadway to central London has taken 15 years, but the multi-award-winning musical Next to Normal has finally made it. That time lag may lead to suspicions that its subject matter has become a tad outmoded, but this staging...

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Prom 55: Thibaudet, Boston Symphony Orchestra, Nelsons review - old-style showmanship

Funfairs and dance music, old world and new, should have guaranteed a corker of a second Prom from the Boston Symphony Orchestra with its chief conductor, Andris Nelsons. Glitter it did; but wit, drive and violence took a back seat to showcase...

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Mob Land review - familiar pulp fiction

Optimistically billed as John Travolta’s comeback, writer-director Nicholas Maggio’s debut is an effective Southern noir, with Travolta an authoritative but peripheral presence.Mob Land is mostly about Shelby Connors (Shiloh Fernandez), a small-town...

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Edinburgh Fringe 2023 reviews: CHOO CHOO! / Blood of the Lamb

CHOO CHOO! (Or... Have You Ever Thought About ****** **** *****? (Cos I Have)), Pleasance Dome ★★★★Nye and Duncan seem to live a charmed life. Clad in primary-coloured dungarees, they begin their days with a song, and see what adventures...

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Edinburgh Fringe 2023 reviews: Dark Noon / Concerned Others

Dark Noon, Pleasance at EICC ★★★★★If there’s a more ambitious theatre production than Dark Noon at the Fringe this year, I’ve yet to see it. That’s ambitious in terms of its staging: during the course of the show’s 100 minutes (yes, it’s a...

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Harlan Coben's Shelter, Prime Video review - what the hell is going on in Kasselton, New Jersey?

Netflix scooped up the rights to an armful of Harlan Coben’s standalone novels for a colossal sum, and now Amazon Prime has nipped in and signed up Coben’s series of Mickey Bolitar books, which fall under the “young adult” heading. Shelter is the...

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Blu-ray: Thieves Like Us

Thieves Like Us, Robert Altman’s 1974 evocation of 1930s Mississippi, wasn’t a commercial hit on its original release, even though Pauline Kael called it a masterpiece.This Depression-era tale of a trio of hapless bank-robbers was shot on...

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Blue Beetle review - radical rehash

Blue Beetle is DC’s first screen Latino superhero, a recent development in the history of a D-grade character summed up here in his own film as “like the Flash… or Superman… but not as good”. Scraping the character barrel and first meant for cable,...

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Haunted Mansion review - corporate craft

A Disney theme park ride adaptation remake is a challenging place to make your mark, and the dumping of Guillermo del Toro for promising real, supposedly child-freaking scares dampens hopes further. Replacement director Justin Simien (Dear White...

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Album: Rhiannon Giddens - You're the One

In late 2019, BC, another age, Rhiannon Giddens and Francesco Turrisi stepped on to a Southbank Centre stage and gave one of those mesmerising performances that forever stays in the memory.In the three years or so since, Giddens has been given a...

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Alone at Night review - cam girl meets crowbar killer

The vogue for star ratings fixed to film reviews arrived after the heyday of exploitation movies, which is perhaps just as well because the whole point of such films is that they’re good and terrible at the same time.Like Schrödinger’s cat in...

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The Beanie Bubble review - an under-stuffed, misshapen product saga

Another week, another toy story, in the wake of Barbie. And another origin-of-hit-product story, too, after Air. The Beanie Bubble, though, has none of the surprisingly gripping appeal of Nike’s rise and rise via a single trainer design, nor the (...

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