America
A Face in the Crowd, Young Vic review - lame rehash of a 1950s film satireMonday, 30 September 2024It’s hard to work out why Kwame-Kwei Armah chose to end his tenure at the Young Vic by directing this soggy musical by Elvis Costello (songs/lyrics) and the American playwright Sarah Ruhl (book). Was it because of it seemed to be a warning... Read more... |
Megalopolis review - magic from cinema's dawnMonday, 30 September 2024“What happens if you’ve overstepped your mandate?” aristocrat-architect Cesar Catalin (Adam Driver) is asked. “I’ll apologise,” he smirks. Francis Ford Coppola’s forty years in the making, self-financed epic is studded with such self-implicating... Read more... |
Here in America, Orange Tree Theatre review - Elia Kazan and Arthur Miller lock horns in McCarthyite AmericaWednesday, 25 September 2024The clue is in the title – not Then in America or Over There in America or even a more apposite, if more misleading, Now in America, but an urgent, pin you to the wall and stick a finger in your face, Here in America.Pre-Trump 2.0, David Edgar’s new... Read more... |
Blu-ray: CrumbSunday, 22 September 2024Robert Crumb puts America’s racist, misogynist Id on paper with self-implicating obsession. Terry Zwigoff’s 1995 documentary on the underground cartoonist and his even further out family is reissued as the channels for such purging, pungent art have... Read more... |
Album: Miranda Lambert - Postcards From TexasFriday, 20 September 2024Miranda Lambert is one of those country stars who’s massive in the States but no-one’s heard of this side of the Atlantic. Famous since her early twenties, she’s had a quarter century career, encompassing seven Top Five US albums, including one... Read more... |
The Lightest Element, Hampstead Theatre review - engrossing, but fragmentaryThursday, 19 September 2024British theatre has a proud heritage of science plays. From 1990s classics such as Tom Stoppard’s Arcadia (1993) and Michael Frayn’s Copenhagen (1998) to more recent examples such as Lucy Kirkwood’s Mosquitoes (2017) and Marek Horn’s Octopolis (2023... Read more... |
Here comes the flood: Bob Dylan's 1974 Live RecordingsWednesday, 18 September 2024Lighters at the ready, because here comes the flood. Drawn from 16-track tape, 1/4in reels and lo-fi sound board cassettes that are now a half century old, the 27 CDs of 431 performances, 417 of them previously unreleased, of Dylan and The Band’s... Read more... |
The Perfect Couple, Netflix review - an inconvenient death ruins lavish Nantucket weddingFriday, 13 September 2024Based on the novel by Elin Hilderbrand, The Perfect Couple is an expensively-dressed fable about a lavish wedding in Nantucket, the desirable island paradise off Cape Cod, which on this evidence is an enclave of conspicuous wealth and gross moral... Read more... |
Beetlejuice Beetlejuice review - a lively resurrectionTuesday, 10 September 2024Sometimes love never dies and the dead never rot. A lot of water has flowed down the River Styx since Tim Burton’s first Beetlejuice film in 1988, but the bones of the original have held up surprisingly well, the madcap morbid spoof outliving many... Read more... |
The Silver Cord, Finborough Theatre review - Sophie Ward is compellingly repellentSaturday, 07 September 2024One of the Finborough Theatre’s Artistic Director, Neil McPherson’s, gifts is an uncanny ability to find long-forgotten plays that work, right here, right now. He’s struck gold again with The Silver Cord, presenting its first London production for... Read more... |
A Night with Janis Joplin: The Musical, Peacock Theatre review - belting Blues singing in an oddly sanitised formatThursday, 29 August 2024The signs in the Peacock’s foyer warn that this show features "very loud music”. Exactly what Janis Joplin fans want to hear. This is an evening for them, more a concert than a piece of musical theatre.As a gig-musical, it is a five-star belter,... Read more... |
Edinburgh Fringe 2024 reviews: Ni Mi Madre / Bi-Curious George: Queer PlanetTuesday, 20 August 2024Ni Mi Madre, Pleasance Dome ★★★★ Philip Larkin offered a famously pithy assessment of parents’ impact on their offspring’s future lives. It’s one that Brazilian/Ecuadorian/Italian/Dominican writer and performer Arturo Luíz Soria would no doubt... Read more... |